clothing – Page 3

January 12, 2014April 9, 2018

Vintage coat in progress

And so, six months after my gruelling battle to win this beauty of a pattern, work has begun, in earnest. When I was bidding the for pattern, I had the finished coat, clearly in mind and so to be faced with 19 pattern pieces and the usual vague set of instructions, the fear set in.

I’ve made a jacket or two, I’ve even tackled the wicked welts. So what was I afraid of? Doing it justice, I think. If I was going to go to the bother of making a coat – not just any old coat, but the coat of my nightly dreams since battle was won – I needed the right fit, the right fabric, the finest construction, let alone the neatest bound buttonholes. (Something I hadn’t yet conquered !)

I live near fabric heaven, The Goldhawk Road. And so finding the right fabric should have been easy, right? Easy enough when your expectations aren’t stationed on the moon! I searched high and low and eventually found this amazingly eccentric fabric, online at ‘Fabric Dreams‘. Quite apt, really! I initially had tangerine wool in mind so I ordered a few different free samples and then sat under the letterbox for all of 4 days!

When they did arrive, it was a no-brainer. Even though the fabulous, firey fabric was 100% not wool (and not just tangerine, but an entire fruitbowl of colours) and the others were, it screamed at me to be given a chance and so I agreed to put it centre stage. After all, if I was ever going to go to the bother of making a coat, there’s no way I wanted it to go unnoticed, oh no!

I even made a toile. Just the body section. And this confirmed my need to loose some circumference. I had my suspicions that the coat would be a little big, and it was, but was worried I’d loose the nipped in shape if I took it in at the top and let it out at the waist (the usual Ooobop sausage-shape adjustment!). So with some careful measuring, re-measuring, a little panicking and some more measuring, I took out half an inch, vertically, all the way down, from each of the front and back pieces. So as not to affect the silhouette of the design. Incidentally, like a good girl, I had pre-traced all the pieces!

And then to cut the real fabric. Ooooo the suspense, the fear, the excitement! The pieces are massive. I know I will eventually chop off about 6 inches but I wanted to start long so I could make that decision later. But that did mean I had to cut out on the floor. My kitchen table just ain’t big enough! And that, in turn, meant I had to wash the floor… doh! Always something to hamper a plan! Still took three roll outs of the fabric and continual shooing of cats.

Honestly, why do they insist on laying where I’m cutting? It’s not like there’s no other piles of fabric in the house!

An hour and a pair of stiff legs later, I had a wonderful pile of cut pieces. It’s quite tricky to cut though the ‘corded’ texture but it doesn’t fray.

Yesterday I sewed the main body sections and oooed and arrred as I steamed those seams open. For all it’s 100% not woolness, it presses beautifully. And I haven’t had to clip any curves either.

It was getting late last night and I did hesitate to start on the bound buttonholes but knew my dreams would be sweeter if I at least had a go. So I tried a few tester ones on some scrap fabric using the instructions on the pattern sheet. They were rubbish! So I went to YouTube to find someone who’d show me how. They were rubbish too! And then I remembered Karen’s fabulous Ebook download which proved to be the perfect method and I’d even go as far as saying I loved doing them!

Practising those stood me in good stead for making the welt pockets too!

Pretty camouflaged huh?! Thats without the invisible stitching which is yet to be done. I’ll be fishing around for ages trying to find a way in, when it’s finished properly!

I pondered for ages, wondering what kind of collar I should have. Should it be the big dramatic scalloped one? One of the self same fabric to keep it simple or a little furry shawl collar? I opted for the latter, after going round in circles. Mostly in the shower!

Faux fur is fast running out in the Goldhawk Road. The good stuff anyway. I’m told by reliable sources that no more will be ordered as summer stock will soon be on it’s way! So I was well chuffed to find this short pile, soft-as-you-like, faux fur. Works a treat.

Though I’ve made fantastic headway this weekend, there is still a lot of work to be done. The sleeves, the length, the hem, the lining and the facing behind the buttonholes. But it will be worth it I’m sure. I can feel those sub zeros honing in over the next few weeks but hey, bring ’em on. I’m going to be snug as some bugs!

January 2, 2014

Mini Stanley Pyjamas

Little Miss Ooobop has been hassling me for a pair of PJs for so long, bless her. So yesterday, we set off for the Goldhawk Road to track down the very specific ‘cats and dogs’ fabric that she wanted. But of course, the shops were shut. It was New Years Day, after all! In order to relieve the disappointment (me more than her), we drove off, instead, to get a burger and watch a movie!

Now as luck would have it, for all that was closed in Chiswick High Road, Cath Kidston was open! Like some shining apparition amidst the rainy gloom! And there was a sale on. So we duly picked out some Mini Stanley fabric. No cats but very cute dogs!

I used this vintage Maudella pattern. It’s not dated but could be 1950s if not 1960s. What would you say?

I’m still working on convincing LMO to have the matching top to the bottoms but I don’t think a 9 year old can see past the ‘fogey’ images on the pattern sleeve!

I dutifully traced the one pattern piece. This is something I make a habit of nowadays. Just purely out of the respect for a tissue pattern piece that has happily existed for between 50-70 years. I don’t want to be the one who destroys that amount of history!

So including the careful ironing of the pieces, the tracing, the cutting, the making and the finishing touches, it took all of 2 hours. This is largely down to the magic of my new, though very old, overlocker, which was so generously bestowed upon me just before Christmas. I didn’t realise what the implications of having one were, until all the seams were serged and the hem edges neatly finished in a jiffy!

I am still going to have to work on the fine tunings of the tensions but it will so totally do me for now!

LMO has spent the rest of the afternoon in her new PJs and I’m delighted to have completed my first project on just day 2 of the New Year. Here’s hoping its the first of many more projects to come.

Happy New Year lovely people x

Photography by DJ Photographic

December 31, 2013

ooobop! review: Burda Style January 2014

I had secretly planned to make the December 2013 issue of Burda, my last review. It takes an age to put together. And if I’m ever to make a new years resolution, it must be to claim back more time for more sewing. But it proved to be a rubbish plan. And it appears that I am indeed a love-struck addict of all that is Burda Style magazine!

So here I duly kick off with some snuggly 2014 fashions of the faux furry kind…

As much as I want to, I can’t possibly dive into one of these projects. My pattern is traced, my fabric ordered and delivered and my instructions await for a vintage 50s masterpiece. I just need some time… and space! Boy will the pinned pattern pieces take up a whole of the living room floor!

Have well and proper earmarked that little furry cropped jacket, though (above, bottom, left) . I can totally see myself in it! (innit!)

Happy New Year is the next section. Reporting a bit late for a New Years Eve number but really some goodies here for any party any time… or just any time really!

Loving the batwing waterfall top (1st row, 2nd col) which comes with an ‘easy to sew’ verification. I’ve just got a few tension issues to sort on my newly inherited overlocker and I am well on my way to knocking a few of these beauties out, I tell ya!

The o-so-cute bustier (bottom row, col 1) is a fabulous party separate. In a quality shiny black, it would rescue any old skirt or trouser in a jiffy. But it would be exceedingly traitorous of me to detract from the Georgia dress before I’d even started!

Another ‘easy’ option is the cerise one-shoulder dress (row 2, col 2). Big attention seeking effect incorporating scant sewing time equals massive win!

Now I’m forever trying to stray from all that is monochrome. It doesn’t make for a very colourful blog, for one. But how can I ever move on when such striking temptation is blatently bowled in my general direction?

I love the neat mod look, I love the fat stripes of that jacket in the first pic and I love how the skinny stripes behave in the long sleeved jersey shirt. Some interesting points of gathering to achieve all that psychedelia! Thinking this may well be a job for my overlocker too!

Now even if I hated each and every one of this issues patterns (which I don’t, obvs), I would pay double the cover price. Double I tell ya! Just to get this Master piece pattern of ultimate gorgeousness….

Such a flatering shape. I love the neck. I love the colour. I love the contrasting leather. I will make this dress. At some point!

Now I’m not really one for fancy dress. But Burda certainly does us proud each and every time there’s an excuse for dress-up. No exception with this months selection of saloon characters, superheroes and exotic animals from the jungle, the sea and even the circus! Take your pick. Creative costuming for the whole fam!

And if mermaids and snakes don’t do it for you then feast your eyes on all that is classy and plus size.

Burda love a bit of Asiatic influence and I’m personally loving the black and the red (obvs) but I’ll leave the rest of the commentary to you, my lovelies.

Here’s hoping that 2014 buys us all some more precious time to sew some more wonderful creations. Love and luck and the very best of health to you all. Now go party your lil sock off!! xxx

December 17, 2013August 30, 2019

A festive full circle

Here’s a little something that wasn’t on my mahoosive Christmas to do list! So it’s a small miracle that it’s being blogged here and now. Each and every year at around about this time, I say out loud, over and over that next year I will start earlier with Christmas prep: do my accounts in September, the Christmas presents in October, get the cards sent in November and not take on quite so much work so I can ease in gently and revel in the lead up! Perhaps next year I might take note.

So with all this month’s stressy stuff going on, how on earth did I get it together to make anything new? I stole sleep. Robbed it, right from under my own nose. Three whole precious hours. Doesn’t sound like much in the grand scheme of things but when you are only averaging about five to six as it is, the motive would have to have been significantly necessary. Well I did need an outfit for the office lunch!

I’d like to say it was an impulse make but to be honest I spend a lot of time dreaming about what I want to make so when I eventually get round to making it, it feels like I’ve made it before, at least 4 or 5 times in my head!

I love the Westwood/punk/vintage/rockabilly vibe of tartan. I know that it has deeper, traditional roots and I even have some distant Scottish blood so it feels highly appropriate and very festive!

The skirt is self-drafted full circle with a waistband and lapped zipper. I didn’t line it and chose, instead to finish the insides with Hong Kong seams and a bias finished hem. I feel slightly guilty for machining the hem but I think that’s a small price to exchange for some shut-eye! I’m wearing a tiered organza petticoat underneath. Just one layer. Just to give it a bit of poof!

And I went for a shorter length this time. I’ve recently been hooked on below the knee pencil skirts so this 17 incher feels much more party like. Just had to be ready for any embarrassing fashion blunders in this blustery weather.

Tartan was most definitely the right fabric for the job.
The drape is perfect.
It doesn’t need lining.
Its a dream to sew.
Bit fraying but with quick work and seam binding , that’s not really an issue.
It doesn’t crease
Its totally machine washable.
It only took a metre . . .
. . . and only cost a fiver!

I didn’t have too much trouble lining up the horizontal patterns but if I allowed a bit more time I could have evened up the design at the sides a bit more. I did however leave it to hang for the statutory 24 hours before trimming and hemming. I know how worth it that bit is now!

I can’t see me getting anything else sewn this side of Christmas, unfortunately. I simply have no idea how I thought I might have chance to finish my coat. The muslin is made and I know what adjustments I need to make but the fabric is going to be looking longingly at me for a few weeks more, I think.

So in the meantime I will just have to resign to the wardrobe what is and twirl in my new tartan . . . while I’m running around like a headless chicken!

Thanks as always to the fabulous Daniel Selway for his tireless photography favours.
And also to the wonderful Jayne Hepsibah-Sullivan whose Hepsibah Gallery window makes a perfect backdrop!

November 30, 2013

ooobop! review: Burda Style December 2013

Good grief! How did it get to be nearly Christmas? How do I get to be so not ready every single year?

Well thank you Burda Style magazine for the memory jog but I’m not sure I have enough disposable hours for many more makes before the big day.

I am sorely tempted by your cover dress though. More on that further down.

Merry Christmas is the opening section. Of course!

On first sight all looked a little uninspiring to be honest but on closer inspection there are some nice surprises. The long-sleeve top (top left) is made of lamé jersey. A very simple make, made all the classier with some glitz. The polka dot dress next door is a chiffon overlay dress, gathered at the waist, over a slinky satin bustier dress with spaghetti straps. I rather like the surprise of that one. And the pink crepe dress (bottom row next to the terrible peplum skirt) makes a beautiful shape (or would do if the hem was trimmed even!) It has a wonderful pointed yoke at the waist and a deep inverted pleat in the skirt. Lovely sleeves and a cute row of black buttons on the right shoulder. I approve!

Now back to that terrible peplum skirt. I don’t know what to say about it really. I just don’t think it works. No integration. No added flare. Just makes the body look cut in half! Just sayin’!

The next section is called Cruise Collection. For those already looking forward to summer! If anything, the garments here are more Christmassy than in the Christmassy section!

This is my favourite bunch this month. Buttery washed silk, organza, satin and chiffon. Yes to private stash of all those fabrics and colours please! The cover dress looks even better here (bottom row, 2nd column) It’s a short sleeve version of the polka dot dress in the first section. I’m guessing you could make one underdress and have different overdresses for different occasions! (says me with ardent fear of sewing with chiffon!)

Free Spirit is the next section. Lots of paisley and fine fabric:

This amount of opulence isn’t normally my bag but I keep coming back to the gold metallic jersey evening dress. Not sure where I’d wear it. Might have to invent a night out! Either that or strike a pose down at the Southbank with a hat at my feet!

The check bouclé trench coat (bottom right) looks right cosy though. A little bit of Vivienne Westwoodesque styling never goes amis!

Passion for Detail is the next chapter. And I so wish I didn’t have a headache.

All a bit much for me, sorry! Except for the wrap skirt with exposed zip (top row, 3rd col). I like that! In fact I might like more of this section if the crazy wallpaper didn’t do my head in so much!

Just take a looksy at this cute crocheted bag. Isn’t it sweet? It’s ages since I crocheted and I don’t even think I did it right the first time, but this is thick yarn and big hook with only 16 rows to contend with. I can feel a little Christmas holiday train journey project coming on.

And hooray! A man project! Well, just a little token one :-/

Loving the couture-style silhouett of the designer style outfit, below.

And finally we reach the plus fashions. Businessy and feminine this month. The flounce dress in a wine coloured duchesse is my favourite here. After saying that opulence wasn’t really my thing! I’m not sure I would personally be so bold but I do think it is very striking.

In other news. I have bitten the bullet and ordered my coat fabric. I think I will be giving Joseph a run for his money. It truly is a fabric of many colours! I will keep you posted as and when it arrives. I’m a little bit excited and a little bit nervous. But most of all very freezing and so totally in need of a coat!

Keep warm folks and see you real soon! x

November 27, 2013June 28, 2015

Vintage 50s blouse with monogram

This is vintage Simplicity 2195 . . . or a great substitute for a bowling shirt fit for a game with the Spoolettes! Who are the Spoolettes you may well ask? Well hop over to Sew Dixie Lou to get a little insight.

I’m gutted I didn’t get any photos of our fabulous sporting event. But if you want a bit of inside info, Charity Shop Chic has posted some great ones here plus you get to see her amazing bowling shirt refashion too!. We sure did rock Bloomsbury Lanes with all sorts of complimentary comments coming from the staff.

I struggled to find an actual bowling shirt pattern but I’m quite glad I found this one as it works very well as an every day shirt. I wore it to lunch today at Carluccios with Mr O. Teamed with self-drafted half circle skirt and my favourite ankle boots from Office.

I knew the hand embroidery was going to be a challenge for me. The last time I entertained such a thing was at the age of nine. But I thought this would make a lovely project to take on holiday back in August. (An efficient bit of planning on behalf of those Spoolettes meant that this sewing challenge fitted in superbly with my holiday!)

So first in the suitcase was the needle and thread and a hoop and a half made shirt with a piece of freezer paper ironed in position. As with most things I didn’t spend too much time reading up on the best way to go about this and the only transfer pencil I had was red, so I traced my initials from the original transfer, supplied with the pattern, on to the freezer paper. I couldn’t bear to cut up and ruin the original!

I had, however, read somewhere at some point, that ‘padding stitches’ were a good idea to raise the ‘satin stitches’. And so I set about tracing the edge of the monogram with some small running stitches.

A long process but not too much hardship when you are sat outside a beautiful Maltese villa, watching your children have so much fun in the pool, whilst all 40 degrees of sunshine warms your toes!

All was going swimmingly until I came to pick off the darned freezer paper. Gah! Never again. It took sooooo long!!

But once it was off It was a pleasure to sew. A bit wonky here and there but it worked, kinda! Just wish I had used some stabiliser on the reverse to stop the stretching that happened too.

I’ve got plans on making a gingham one, just as the pattern cover pic. Yes I’m still harping on about gingham but I happened across some gorgeous egyptian cotton gingham. Well at least that’s what the lady sold it to me as! But to be perfectly honest, it may be a way down the list as this sub-zero-like weather does not inspire me to make anything other than slankets right now!

Postscript:

I completely forgot that I’d asked the waitress to take the following photo. Feast your eyes on a table full of splendidly hand-made bowling shirts sported by an amazing team of beautiful and talented Spoolettes…

October 27, 2013

ooobop! review: Burda Style November 2013

Good morning Burda lovers! The sky is blue, the sun is streaming through my window and it’s hard to imagine that we will all be battening down the hatches in preparation for a freak storm tonight. Quite frankly the idea of being house bound for a few days suits me just fine. Mustn’t forget to pop out for emergency supply of spools! 😉

I’m going to start with the cover image because that’s where I gave my first ‘ooo’! Ice-blue wool fleece. It’s just one of the fabric options I’ve been mulling over for my coat, when I eventually get to it. I didn’t really clock the style – it looks fine on the cover – but I think the unfortunate stance of the model in the top left image below, kind of ruins the class and brings on the tent!

This first section is all about Grey. (Even though that coat has an ice blue hue about it on the cover!) I wish I could wear grey with conviction. It does look dramatic, moreso than black, because you can actually see the detail in the cut and style. But it just accentuates my deathly palor. I don’t mind being ‘pale and interesting’ but when people ask if you are feeling ok more than once in a day, you know there’s an issue!

I’m intrigued by the strides (middle row, first col). I love that wrapped-look from the front view. I almost want there to be tails behind. But that amazing mirror prop only serves to highlight how ‘unusual’ they are from the side. Steals every ounce of flattery I’m afraid.

The blazer (centre pic) is a great wardrobe standard. It’s made in a twill weave wool here. Nice and heavy and great paired with skinnies.

And I really like the biker-style jacket in ponte jersey with leather sleeves and trim. (row 2, col 3).

There’s a strong likelihood of an overlocker joining the family soon and so the world of knits is becoming more of interest to me. I have a side-cutter attachment on my machine which doesn’t render the process impossible but it’s just really slow compared to the formula one skills of an overlocker! And I’m just imagining how delightfully speedy that two-piece jersey set would be to run up. It’s an ‘Easy’ one too! In case you think, as I did that its a long sleeve top with under arm air holes, I can confirm that its a sleeveless cowl-neck tank with a separate long-sleeved bias-cut shrug. (col 3, row 1)

It is heading for that time of year when we need to add a little sparkle to the dark winter nights and days. And party season will be upon us before you know it. So although I’m not favouring much in this next ‘Metallic Mood’ section, it’s inspiring enough to make me go on a treasure hunt for some shiny fabric.

The little cropped jacket (2nd row, 3rd col) is not dissimilar to the Vogue jacket I made recently. Excepting the flared sleeves. And I think if I could get past that fabric it would be a cute cape-like addition in wool or silk.

The skirt, (3rd row, 3rd col) has the same laid in pleats as the strides in the first section, but I can’t see a side view here to see what happens. The gold lamé is a good distraction and defo a new fabric consideration though!

I need no encouragement to make black clothes. It was my ‘colour’ of choice before sewing and I only sew coloured things because I think I ought to veer away from black. Because black is boring, no? Actually I don’t think it is boring and there’s a part of me that wants to revert to black every winter. The other inner me just fights it off all the time!

And so here temptation is laid before me once again in the shape of the inevitable LBD’s.

I love the idea of a massive silk flower added to an otherwise simple and classy dress. (row 1, col 1) and I really want to incorporate some cotton lace into garments. If I can find some, that is! Looks great on the bodice section of that dress (row 1, col 1). No sweaty pits either!

The line drawing of the fitted dress (row 3, col 1) didn’t sell well to me at all. I didn’t see the point in sewing quite so many sections together unless one is doing some serious colour blocking. But if the effect is a sophisticated dress which moulds to the figure, such as this one. I’m sold!

I quite like the coat dress with it’s low cut V-neck and front snap fastener band too (3rd row, 3rd col). Well, that is of course if somebody would sew on those little darling snap fasteners for me. Serious pet-hate!

I’m not quite sure what’s going on with the crêpe de chine dress (3rd row, 2nd col). It is fundamentally the same as the coat dress but with gathering at the vertical seams and leg of mutton sleeves. A bit too much pouffiness going on for me. Apparently this dress is reminiscent of the ‘wirtschaftswunder’ era. Learn something new every day!

Alessia Giacobino is the highlighted designer in this issue. I find these mini Burda features inspiring as I never studied fashion so never had any prompting to delve into the lives of designers. Guilt always overcomes me when I confess (or not) to not having heard of a certain designer. And I love it when I come across one that I truly love. I googled some more on Alessia and I really like her classy, flattering and surprising designs. I’ll leave you to do your own recce. I’m sure you won’t be disappointed.

Burda has supplied patterns for this designer-style outfit below. Imagine how luxurious that washed silk blouse would feel. I think the flounce would annoy me in the front. Would much prefer it at the side. But I do appreciate the detail, nonetheless.

It always surprises me, how drawn to campus style I am. I am neither the age or of the leaning towards these fashions so I can only assume that Burda sells them well or that students have properly upped their game recently!

Let’s start with the dress (row 1, col 1). Not dissimilar to some of the summer dresses I have made this year, but with the addition of a midriff (how I love a midriff), a low V-neck, long sleeves and made with a delicious mousseline (a very fine, semi-opaque fabric similar to muslin, apparently). So actually quite different, really! But I do love it!

I also love the cowl neck knit dress (row 2, col 3). Mostly because anything in tartan/plaid makes me go ‘ooo’ right now. And because I am dreaming of being behind the spools of an overlocker soon!

I don’t wear strides. Mostly because I have never found any to fit properly. But if I get the inclination one day, I will definitely be fashioning some like the ones in row 2, col 2.

The wind is starting to pick up now. We’ve got ghostly ‘wooooos’ whispering round the windows. So that’s why I guess I’m being drawn away from ‘classy’ and towards the ‘practical’ of the odd hooded-scarf (row 1 col 2). It’s not knitted but sewn from a knitted fabric and it has pockets too! Might need an overlocker for that one too!

Sophistication is definitely the theme for the plus fashions this month. Loving the star-shaped darts in the wool jersey dress (row 1, col 2). The neckline is lovely too and the shoulder line is really sharp. The dress in row 2, col 3 is pretty much the same but with a different neckline, creating a less formal but nonetheless still stylish look.

The tie-waist dress (row1, col 3) is very flattering too. Or is it that I’m just sold on the idea of animal print angora jersey?!

The kids section is great as always. A great selection of fun, versatile staples for little girls. But what about the boys? Not that I have a little boy but it does seem a little unjust to leave them out.

I’m also a little bit miffed as Little Miss O sits outside these sizes. I tried to make a pair of shorts from a very small ladies size recently but of course the proportions were all wrong and though they fit round the waist, they were massively massive elsewhere. So perhaps I need to attempt to scale up the shorts pattern (row 3, col 1) to see what happens. The dress is super cute too but I am sad to say that most 9 year olds seem to have ditched the dresses for now.

Well the sun has gone in. The ‘ooos’ are getting a little more howly so I better get finding some patterns… I mean battens!

Keep safe and warm everyone xxx

October 19, 2013December 23, 2019

Pinstripes & parasols

Now there’s nowt very exciting to say about a pinstripe pencil skirt. It’s pinstripy and pencilly… and that’s about it really. But it can’t possibly go without documentation, especially since Mr O and his buddy the camera made it look more interesting than it actually is!

I self-drafted the pattern so it fits well and it used up just under a metre of leftover wool-mix fabric and a piece of purple stash lining which makes it cost-free, sort of!

The main reason for making a garment so dull, was to rehearse the fitting process before I make a long awaited-skirt for my friend, who bid for it in the school auction! (More about that soon hopefully). But dull and boring as it may be, this skirt does make for a great go-to for work.

I made it a last week but needed some divine inspiration before shooting it. And then I spotted these beautiful brollies over at Masato Studio Boutique! (Yes, they are brollies and not parasols but that would kind of ruin the whole alliteration thing, don’t you think?)

It was well worth the investment. Total distraction from skirt but much more interesting photos… win! My little red beauty is made by Love Umbrellas. They do some really cute heart shaped ones too. Rainy days most certainly wont get me down any more!!

Mr O took these shots around St Pancras Station, London, today, Just after I had the most lovely lunch with some of my favourite sewing ladies: Amy, Sally, Clare, Rehanon and Alison. They had all done their fabric shopping in the morning and I was so pleased to catch them for a couple of hours and a couple of G&Ts over at Drink Shop & Do. Boy I love that place! Should have really got Mr O up earlier to get an impromptu shot of us all but heyho can’t have it all!

October 2, 2013

Couture Inside Out

I’m fresh back from the ‘Couture Inside Out – 1950s Paris and London’ workshop at the London Fashion and Textile Museum.

Must blog straight away for fear of forgetting anything! After all I forgot notebook and pen in the first place!

First treat of the day was that I got to meet and enjoy this experience with Handmade Jane. It’s always so good to have like-minded people to raise your eyebrows at, make ‘ooo faces’ with, and give knowing looks to, during a lecture!

It was a very informal 2-hour affair with such amazing content divulged by the lovely Dennis. We donned our white cotton gloves and prepared to soak up all the info we could.

The first thing I learned (and remembered) was the definition of ‘haute couture’. (please spare me if I’ve got this wrong!) It is a term used to describe the highest level of hand-sewn, bespoke garments, in Paris by a delegated team of incredibly experienced seamstresses to strict regulations. Interestingly enough it was a term that was originally associated with the fine work of Charles Worth who was an Englishman.

Of course we have couture in the UK but with much more relaxed rules, apparently!

As the garments were presented, on a white covered table, the polite student audience jostled for position to get a better view and a feel and a photo.

First up was Dior. A gasp as the two Dior creations were revealed from under the tissue.

The fact that both were aged: faded, stained and torn, did not deter from the unanimous awe.

Both dresses were in two pieces which was intriguing. Nothing like a skirt and a top. So much clever scaffolding with fine underskirts attached to the bodices. No waist-stay required.

Every little bit of both of these dresses were hand-stitched!! Including the tiny rolled hems on all the chiffon layers. Beggars belief!

Please excuse the fuzzy photos taken on a phone whilst being too polite to jostle too much!

Next up was a later Dior in a really heavy weight fabric. I will be looking at furnishing fabrics in a totally different light from now on. This was heavier than any curtaining I have ever felt.

It was laid out on the table, ready for inspection! A gorgeously shaped one-piece dress. Made for someone who clearly didn’t eat that much. The waist was super tiny. The seam allowances on the other hand were enormous. At least one and a half inches. All pressed open and hand finished. The fabric had a ridged, pin-tuck like texture. All the rows of which lined up perfectly on the side seams.

No lining, which was a surprise. Though the dress was underlined and interfaced.

Chanel then graced the table with black contrast dress and two piece skirt suit. Both very classically Chanel.

The bling was upfront and out loud on this one but only took shape as a collar detail and chain weight in the hem on the set below.

Chanel only incorporated details if they worked and if they were functional. The little ‘petal’ pockets sit at the hemline, precisely centred with the seams. The chain weights are typically seen in Chanel hemlines. She was obsessed with the way that fabric hung and remained throughout wear and this little trick became one of her many signatures.

Far removed from the finer details of Chanel but not to be sniffed at, is the work of Balenciaga. This Spanish master draped most of his designs and employed much fewer seams than other designers.

This coat was A blooming Mazing. My rubbishy i-phone photos do not do it any justice whatsoever. Firstly the colour. Secondly the texture of this fabric… OMG. It was hand created to get this incredible effect. And yet the design remained oh so simple. I can’t tell you how much I want this coat!

I didn’t care too much for Balenciaga’s Sarong Dress. But you gotta take your hat off to someone who incorporates so much into the under-scaffolding of something that fundamentally looks like a sarong!

Now, will I get shot for not having heard of Courréges? Probably. As these designs were pretty iconic!

Jane got right in there! Impressed by those perfectly bound buttonholes.

Dennis couldn’t be sure of the fabric that this Pierre Balman dress was made. It kind of felt like the sew in canvas that I recently used to interface my jacket! But it was gorgeous and necessary to keep that amazing shape. There were cutouts trimmed with velvet at the hemline and on the sleeves.

Of course it goes without saying that every detail counts. Balman even ensured that his labels were mitred.

The following is a really bad picture of the Ellie Saab dress that Halle Berry wore to the Oscars for Best Actress, The Monsters Ball. In stark contrast to the dresses that were 50/60 years older you can see no seam allowances, no underskirts and no hand stitches to speak of. It is undeniably a gorgeous dress and she looked amazing in it, but it is incredible how standards have changed over the years!

I cannot for the life of me remember who designed this dress but the fine pleating in the linen was unbelievable. An underlayer of shimmering copper gave a depth to the translucent linen and you could also see where the pleating was tacked.

(Thanks to the lovely Angela, I can now confirm it was Sybil Connolly!)

Just when you thought you’d seen it all, something very little left me lost for words. If you look closely at all those painstakingly sewn on eyes, you will see that they are all oversewn with thread!

Now it would have been rude not to have mentioned Zandra Rhodes creations at this very museum. She is the founder, after all!

She entered the fashion world as a textile designer and the following two garments are testament to her designs. I’d never be able to carry these off in a million years but you have to admire her total originality in the way that she designed around the design of the fabric instead of sourcing suitable fabrics for a pre-determined design.

Here is her Knitted Circle dress. So called because the fabric design is made up of graphic knitting stitches. I swear there is more fabric in one of the sleeves than in the whole dress!

Both Jane and I left the workshop in a fuzzy reassured kinda way. It made us proud that we hand made our own clothes, albeit perhaps not to the same level of lavishness but there was nothing on show that we could not have handled. Give us a year or two for a deadline and we would gladly knock one up. But perhaps we might delegate the binding of the hook and eyes to someone else!

I did wonder whether I should have posted in so much detail so as not to spoil the experience for future visitors but really, you have to be there to actually see it. You have to feel and you have to hang onto every word that Dennis speaks because he knows everything there is to know!

September 29, 2013

Vintage 1950 Vogue Jacket

And here it is, at last, that tasty little Vogue jacket as inspired by that classy little lady, Ms Nicole Needles. It had to be done. I couldn’t resist!

The pattern is V2934, a reproduction of an original 1950 design. Such a clever and very simple pattern that would whip together so quickly if it weren’t for all the hand stitching. Which, strangely enough, I didn’t mind at all.

I’m loving the dolman sleeves and the big cuffs which nicely balance out the short cropped cape-like body.

I used sew-in canvas for the interfacing. Really great stuff! It molded beautifully around the neck and shoulders and was the perfect weight to maintain the shape whilst still allowing drape at the front.

Initially, I had a slight concern that this shape might make me look like a Weeble, given my lack o height, but I do believe it does nothing of the sort! In fact quite the opposite. It is amazingly flattering for a jacket that is more like a cropped cape and I love it!

It is also so warm and so snug. The outer fabric is a wool blend, exact content unknown but at £6 per metre I’m not really that concerned!

But the inside fabric, however…

It is the most lavish lining I have ever used. 100% red silk satin, baby! Costing more than the main fabric –but boy does it feel lush.

Did you know these things were called frogs? Neither did I till very recently. But they do the job so perfectly. Takes a while to do them up but I’m sure I’ll get quicker with practice!

OK. That’s quite enough of that serious posing Janene. What this jacket really speaks, (apart from sugar-gliders) is aeroplanes!

So never let it be said that black jackets are boring! Or indeed difficult to make. If you don’t mind a spot of hand-sewing the old fashioned way this is such a walk in the park.

Before I sign off I’d just like to give Little Miss O a mention. While we were busy being crazy she was so patiently sitting and drawing the most beautiful picture that I just have to share with you.

Pictures by Daniel James Photographic