Vintage Butterick clutch cape

butterick 2556 clutch cape

Until I found the pattern for this I didn’t even realise there was such a thing let alone that I wanted one so much! On Googling ‘clutch cape’ one is presented with all manner of cape styles accessorised with a clutch bag but only one or two images of a vintage pattern oh and one fox fur version for a snip at $1,285.00! I can only assume it came into being and then disappeared from the world of fashion in a puff of smoke through lack of demand.

Well of course, that makes me love it even more!

butterick 2556 clutch cape pattern

The idea is that you can rest your hands in the naturally forming pockets where the shawl collar meets the hem. It is also the only way of holding it on in gusty weather as there is no other system of closure. But even without such gusts it does sit in place quite nicely due to the shaping of the shoulders.

There’s not much choice to be had in the Goldhawk Road faux fur range at the moment. I am assured that it arrives in October. But I don’t have patience of saints and I settled on this textured black fur fabric at £14.99/m. It only takes 1.25 yds but I bought 1.25m to be on the safe side and it was plenty enough. I like the pattern of the texture and it is actually quite silky for being faux.

butterick 2556 clutch cape

There’s some dart shaping on the fronts and back piece which you wont be able to see of course. And there is interfacing sewn into the collar to give a little structure. And so that if I want to look like a wicked stepmother it will stand up and stay up!

Youngest daughter tried to halt plans by saying it was plain weird and even Mr O made noises about me looking like Basil Brush. But they know full well that those kind of comments just roll off my feathered back!

butterick 2556 clutch cape back view

There is very little to construct and therefore it was very simple to make up, however I had to re-read the instructions to make sure I hadn’t missed anything re the lining insertion. The lining consists of the front and back pieces sewn in the same way; sewn together at the hemline, with right sides facing and then, having pressed the seam allowance all round, hand-stitched to the cape. Of course the problem that caused was that the lining was visible at the hemline. It needs to be shorter.

So, given my ever growing annoyance for things I’ve not done properly, I dutifully unpicked it (which is no mean feat if you’ve ever stitched lining to fur with small stitches!) and chopped off the seam allowance from the hemline and reattached. I could have gone half an inch more to be on the safe side but that seems to have done the trick.

It’s perfect for days like today, deceivingly sunny with a sneaky chill in the air. I haven’t begun any autumnal sewing yet and my polka dot Flora dress most certainly would not have got an outing today with bare shoulders. And it wouldn’t look out of place with an evening gown or ‘casualled’ down with a pair of jeans if that’s what takes your fancy.

butterick 2556 clutch cape front

In an effort to find a location with no gawping passers-by, these photos were taken down the side of Shepherds Bush Empire. I knew this building was quite old, built in 1903 in fact, but didn’t know that of all the acts performed there, Charlie Chaplin was one of them!

I was just saying to Mr O how sewing and blogging and photography has changed how we have taken notice of our surroundings. There is so much history to be had, right on our very doorstep!

ooobop review: Burda Style August 2015

Burda Style August 2015 cover

Grab yourself a cuppa, some delicious snacks and pull up a chair. This may take some time. The little gasp of joy I inhaled when I picked up the latest issue of Burdastyle is about to manifest itself as an exhalation of excitable word spray!

That said, the cover is probably the least inspiring of images. I don’t know, something to do with a grubby looking pink jumper teamed with a skirt that doesn’t make much sense but don’t diss that skirt till you see it later on…

The first section is titled ‘Call of the Wild’. It’s mostly about animal print but get behind that if it scares you, to see some of the sophisticated lines that are very camouflaged by it.

Burda Style August 2015 magazine
For instance this sheath dress (A). The print totally hides it’s streamlined seamlines but what a shape. Further on you’ll see some colour blocking to illustrate them. I love the neckline. Not too dissimilar to the BHL Flora dress which we all know and love. Skirt (B) is a classic pencil with gold buttons along the front two dart lines as far as I can make out. They are kind of hidden in that print too but it’s a nice detail all the same.

The choice of contrasting blue pleated panel with the print on dress (C) is a little mind boggling to say the least. I don’t hate it, I don’t think. Just not really sure about it. It’s an add-on rather than an inset. I much prefer the version that comes later.

Animal print parka (D) I can deal with though. This one’s made from polyester poplin so it’s very lightweight and it’s got lots of pockets too!

I’m loving the contrast of ribbing against animal print chiffon in this shirt (E). I’m loving that it’s described as easy to put together too!

So here is that skirt from the cover (F), teamed with a top that also has ‘an enhanced added panel’. It makes much more sense altogether, if you like that sort of thing. Definitely better balanced. But perhaps still a little odd!

Not so keen on this flared jacket (G) though. I think I’d prefer a more cropped look like the Vogue jacket I made (and have since lost… I’m so gutted!!). It kind of looks a bit maternity at this length.

Next section is Western. Fringe, kilim, wool and leather. Not generally my style but there are still some lovely things going on here.

Burda August 2015 Western

I can just picture the envy of all my camping buddies if I were to turn up in that blanket coat (H) Its made of Jacquard and leather. A most special kind of parka!

The dress (I) is all a bit too much for me. The kilim design and the long bodice. I’m sure if the accented rib knit sat on the actual waistline it might appeal more. In a different fabric though.

This funny little garment (J) is classed as a waistcoat. It’s not for me, I’m afraid. But the urban western leather suit (K) totally is! I’ve only ever done an alteration on a leather skirt, never sewn one from scratch so all the topstitching on those panels scares me but excites me in the same breath! There’s a sewing class included for the jacket too.

And could this tailored blazer (L) be any more stylish if it tried? I properly love this jacket!! And I don’t even mind the ruffles that poke out on the little top (M) Though I foresee a nightmare and an expensive tantrum if 100% silk chiffon were indeed to be used! The ruffles on top (N) only decorate the front.  but looking at the back view, I quite like the way that only the sleeves are ruffled.

Loving the dropped hem on this midi skirt (O) and especially how the centre front seam is embraced with diagonal stripes. A cotton/wool mix – I bet this skirt feels amazing.

The Timeless Beauty section brings forth polished cuts, sophisticated fabrics and delicate colours…

Burda August 2015 Timeless Beauty

Here’s that funny little waistcoat again (P). A little more classically acceptable in leather, wouldn’t you agree? But I don’t like ruffles enough to deal with a full length dress worth of them! This dress  (Q) just says ‘pain in the backside from beginning to end’ or ‘patience of a saint’ however you look at it!

Here’s another version of that top and skirt (R). A touch more casual but still very elegant. The sweater/slacks combo (S) is not really my thing though.

And just look how much more elegant that kilim dress gets to be in grey poly crepe (T)!

Shirt with accent and skirt with buttons (U) are a good office combo and I even like the variation on that blazer in velvet with details (V). Or do I?! Maybe it is a bit odd. But the classic sheath dress (W) is not only good as a classic staple, it’s designed for tall sizes too. This issue is definitely teaching me that there is sophistication to be found in plain colour dresses. Step away from the print!

There’s some cute little Cowgirl tunics and dresses in this issue. Some lovely details going on and I adore the fox purse. Surely that’s not for children alone?!

Burda August 2015 Cowgirls

The next section is called The Art of Colour. Lots of colour blocking with high tech fabrics.

Burda Style August 2015 Colour

For instance you can now see some of those seamlines in that first sheath dress that were previously hidden by animal print, in this colour blocked version (1). It’s made from a high-tech reversable jersey, though you’d have to have darned neat seamwork to reverse this I would have thought! I find the blocking of this top (3) is quite jarring and unnecessary. It’s like one of those optical illusion vase pictures where you’re not sure whether to look at the black or the white bits. But, strange as it still is, because of the different colours employed, I’m quite diggin’ the weird pleated panel on this dress (4) now.

Whilst dress with no pleats is refreshingly, classically simple (5).

The giant pleat of fabric in the teal top (7) quite appeals now. Just with that contrasting neckline. Turns a very ordinary T shirt into something far more interesting.

There’s a lovely choice in the Plus Fashion section this month.

Burda Style August 2015 plus fashion

Who doesn’t love a shirt-waist dress (9) ? I’m currently working on a second version of the 60s shirt dress I made but I’ve already got sleeve and pocket envy, looking at this one.

The pretty cape collar dress (10) is so pretty but this fabulous bohemian knitted coat (11) is a total winner. Just imagine how cosy that would be in Astrakhan (71% new wool, 19% mohair).

I love the lace cuffs on that blouse too (13). Guipure lace in case you can’t see. Totally poshes up a peasant blouse! That neckline is repeated on the tunic dress (15) and the short sleeved version (16) too which incidentally works beautifully with leather strides. I think I want some.

And that just about wraps it up as far as this months gorgeous garments are concerned.

Did you get your issue yet? Any thoughts? Any faves?

BHL Zena dress tested

bhl zeena dress front

So here is my version of the newly released Zeena dress pattern by the By Hand London girls!

It’s had so many wears since I sewed it I’m sure most of you have seen it already but it wasn’t quite right to post deets until the official launch date, which is today, hooray!

This dress is a seriously easy sew. There are no sleeves to inset, It is not lined, having just a neck facing, and you could even skip the pockets if you wanted to make it faster. Though I kept them in as a useful device for holding the skirt down on a blustery day!

The fabric I’ve used is very lightweight and drapey. A lovely donation from Handmade Jane. Hot orange with metallic gold spots. And why not?!

I foresaw issues with the sleeves and the tucks on the bodice if I were to use anything firmer. The skirt would probably be great though. Perhaps another option is to have lightweight bodice and midweight skirt. Those pleats would certainly stand to attention then!

bhl zeena dress back viewBut the more casual nature of this dress is what sold it to me. Especially on balmy days like today. Whilst I do love the fitted princess-seamed bodice of the Elisalex dress, (For the Love of Lawn, The Dress that Nearly Wasn’t, Speed Sewing for Sumer ) It feels more relaxed and cooler when the fabric isn’t so close to ones bod.

There’s lots of fabric going on in that skirt but the classy box-pleats take away that awful poof at the belly as is sometimes caused by gathering. I didn’t take a closer side view shot but I can tell you that the in-seam pockets sit hidden, perfectly inside those pleats. I don’t usually get the whole love affair with pockets but it does seem right somehow for a Zeena. I’ve only ever sewn them in one other dress I think, my Burda Maxi. But that was all together for more practical reasons!

bhl zeena dress side front view

It’s a bit shorter than I’d usually go for but I quite like that. I’ll like it better still once my pins have got some colour on them. They don’t get out very often these days! But there is a longer skirt option included in the pattern if you are after something a little more demur, along with three-quarter sleeves as a choice too.

I can’t guarantee what changes were made to the pattern once I’d tested it but I can say that I had no major issues with this one as I tested it. When I make it again I’m going to go crazy with French seams. Which I should have actually have done this time to save on the finishing!

One tip for those pleats though. Make sure you baste them along the top and down the pleat a bit to properly hold them in position before you sew skirt to bodice. I was a bit lazy with the basting and the pleats separated a little bit. Other than that it was a breeze. And I totally recommend it.

Here’s a link to the By Hand London Page where you can buy the Zeena Dress pdf download if you fancy one yourself. Happy sewing!

Photography by Daniel James Photographic

ooobop review: Burda Style March 2015

Burda Style March 2015 cover

Can you feel that spring sunshine, desperately trying to squeeze though your bedroom window in the morning? Well if that isn’t happening, the March 2015 issue of Burda Style magazine will do it’s best to brighten your days.

There’s some lively goings-on this month, with all sorts of asymmetric, geometrical, hankerchief-hemmed and draped goodness!

Beach Pearls sets some scenes for a summer wardrobe: I just love that maxi dress (A). It’s not dissimilar to the viscose jersey one I made here, but the bust detail is right on the money! A lot more support I would think and what a flattering silhouette!.

beach pearls burda march 2015

It also translates into a lovely strappy top (B).

Now I like where the asymmetrical skirt (C) is coming from but not quite where it landed up! Way too much like a sack tied round the middle for me. Further on it is redeemed with some better styling, I can assure you.

Nice Jumpsuit (C), btw. If jumpsuits are your thing. You might want to add some ‘fashion tape’ to the list of required notions, though. Click here: Hollywood Fashion Tape if you’re interested in buying any from Amazon!

Flared trouser suits (E)? mmm…and bat wing empire-lines (F)? double mmm… Lets move on to the shirtwaist dress with ‘maxitail in the right seam’ (G). I do like that. And I love the biker-meets-Mao jacket too (H)!

Uh oh. There’s that batwing-empire-line again (I). Swiftly moving on to the Flowers and Stripes section!

Flowers and stripes burda style march 2015

I’ve never made or owned a pair of culottes (A). But I bet they’re a far safer than a full skirt on a windy day. And looks lovely in a largish print. If you like that sort of thing.

And there’s that shirt-waist dress (B) again with ‘cut-on-dipped hem’ like last time! It would be better to use a fabric that has a reverse as good as the good side, I would have thought.

Look how that lovely maxi translates to a cute beach dress too (C).

This month features a chic wrap dress (D). There is some assurance of a button at the side and concealed snap fasteners to keep the wrap in place. Potential for a Bucks Fizz moment there!

The peasant top addict in me (see two of them here and here) is quite drawn to this ‘relaxed tunic’ (E)! Would need a fine drapey jersey to pull off with any sophistication I would have thought.

And there’s some more geometric delight in the shape of a simple v-neck dress with symmetrical ‘cut-on tails’ (F)!

Any weddings occurring this year? Loving both these bridal party dresses (A) in The Big Day section.

The Big Day Burda March 2015

The bride’s dress (B) is the same as (A) with a flowy underskirt of crêpe chiffon. That’s if you haven’t been put off by the chiffon adventures in The Great British Sewing Bee recent episode.

Can’t help thinking this dress (C) is a bit cake-like with all the tiers an’ all.

And although I usually embrace a bit of invention, I still wouldn’t want to look like I’d been dragged behind the wedding car, en-route in this dress (D)!

This fairytale dress (E) is far simpler and much more sophisticated though. Just get rid of the batwing-empire-maid who’s ruining the photo!

Oh this is much better (F). Lovely wide-dipped hem again. Bust darts for shape. Cotton lace overlay, crepe satin underlay. I’d wear it with cowboy boots. Or even DM’s. Or is that just the hippy in me?!

Now there’s that asymmetric skirt again (centre, G), styled much more favourably with a gorgeous jacket: standing collar and 50s style winged lapels. See, it does have potential to work. Nice suit on the right too!

I’ve picked out the following three from the Reader Favourites section:

reader favourites burda march 2015

Jumpsuit (A) made short for all you lovely long-legged people!

Lovely floor-length dress (B) in striped jersey with side slits and a ‘hankerchief hem’. I can definitely feel some more maxi’s coming on this year.

And a cute little dress (C) based on the short lace wedding party dress design. Not my cuppa tea fabric-wise, but I’m always sold on a midriff piece!

Not overly inspired by the plus section this month I’m afraid, though the trench coat is rather amazing, I must say.

plus size trench coat burda march 2015

But, there is cuteness for small people at the back.

Childrens section burda style march 2015

The best design and the garment most fitting to the Colour Splash section by far, is the paint-spattered dress (A) with tying bands that resemble the sleeves of another garment. Hands up who wants an adult version? Genius!

Pattern testing: BHL Sophia

BHL Sophia dress

If you heard a rumour that there was a new BHL girl on the block, you heard right. And I can assure you that Sophia lives up to that By Hand London reputation of gorgeousness.

Victoria contacted me with an emergency test request. And despite my ongoing mega work load I couldn’t turn this one down.

By the drawings alone I knew I wanted this dress. I mean, check out those darts and oh that 50s style collar. Totally up my street with a little nod to vintage.
bhl_drawing_sophiaI chose the pencil skirt version as my vision involved ‘old man Prince of Wales check’ fabric! I was after a bit of structure backed up with office chic stylin’!

And so here is my first testing of the test pattern itself!

back_detail_front_full

And yes, call me crazy, but I did opt for checked fabric to test a pattern, and not for the first time. My thinking is that if it does turn out good then I haven’t wasted time. It happens… occasionally!

Truth is, not accounting for any amendments to the pattern that might be made by BHL in the meantime, I do need to make a few tweaks, including a small fba and to taper the skirt a bit. But that’s just personal preference.

bhl sophia collar detail

The fabric was from Dave the Drapers in Goldhawk Road. One of my faves. But lesson learned with cheap fabric: Even though the quality isn’t bad (its a wool mix) the grain is slightly off and that matters one helluva lot with checks! Well that’s my excuse, and I’m sticking to it!

I love the way the darts radiate from the central front and back seams. I’ve seen this approach in vintage design books but not on a pattern I own, vintage or modern. So it was a real treat to get to test how this works. I just have to figure out how to do an fba with this kind of dart. Presuming I swing to the side seam and proceed as normal but very open to suggestions if anyone knows of another way.

Sophia should be making her appearance in the BHL pattern shop soon So keep eyes peeled. Shes a good’un!

 

Vintage wrap-blouse

vintage wrap blouse

In the olden days I used to worry that I wouldn’t have enough to blog about but now it seems I’m capable of even forgetting that I’ve made stuff to blog about!

This lovely pattern was generously gifted to me by Anne of Mercury Handmade. Not only did she post me a much-wanted, missing copy of Burda Style magazine back in August but she also enclosed two surprise gorgeous vintage patterns. This being one of them. If you’ve not caught up with Anne yet, I seriously advise you to pop over to her blog for all the inspiring and perfectly made clothes she makes for herself and her two lucky daughters

Bestway D.3,109 blouse pattern

The pattern is Bestway D.3,109. One of those mail order sorts, by the looks of it. And I’m thinking early 1950s.

I love the flattering neckline and the extended sleeves. The back is just one piece which incorporates the sleeves and there are interesting yoke pieces which incorporate them on the front. The ‘collar’ lays flat, sitting on the collar bone to create that lovely opening. And its beautifully shaped to nip in at the waist.

It’s held closed with just two vintage buttons. The third is for decorational purposes but at some point I would add an internal button or snap to keep the under-wrap in position. For the time being I generally tuck it into my pants!

lighthouse blouse buttons

I used a nice crisp cotton from the goldhawk road. It’s printed with lighthouses which seemed a perfect choice for this blouse.

vintage lighthouse blouse

I love wearing vintage style blouses. There’s always something a little bit quirky about them. And they are so easily paired up with a circle or pencil skirt. I’m slowly getting away from the easy-to-wear jersey tops that I used to wear all the time. Just need to make a couple more so I can ditch the rest of my tatty go-tos!

vintage lighthouse blouseAnd in case any of you are wondering. I wouldn’t ordinarily be out in December without a coat. It is winter as I post this and it is very, very nippy out! We just ran across the road while the sun was out to take these shots and ran back in before the goosebumps set in!!

I’m now about to add about 10 more layers and head out into the wild and crazy world of Christmas shoppers! I’ve not even scratched the surface yet. Please don’t tell me you’ve all done yours!

 

 

ooobop! review: Burda Style December 2014

Burda Style Magazine December 2014 issue
Over the last few months I’ve been having a spot of bother getting a copy of my favourite mag from my local WHSmiths. Well from any Smiths actually. They are getting slack in their orders of big quantities or sometimes any orders at all!

But last month and this month, I decided to order it from an online newsagent and I think this is the way forward for me. It costs an extra £1.60 for post but I get notification of it’s arrival date and it is delivered within 2 days. I love the sound of the thud of the post landing on the mat and I certainly don’t miss the queues to the awful automated cash desks at Smiths!!

So here we are. Although not overly festive. But that’s ok.

The opening section, although very monochrome displays some lovely structure with a touch of shimmer.

Burdastyle December 2014 art deco section

A: Described as a long blazer but I think more a classy occasional coat. I love the asymmetry and I’ve seen some gorgeous silk-like viscose fabric that would work amazingly well. Could really do with one of these. I don’t have any party outer-layers! Burda suggests it could be a mini dress too.

B: I didn’t join the ‘peplum gang’ when they first got fashionable. But I might be persuaded by this one. I really line the clean lines of this top. It’s got a midriff that has sold me and I like the slit at the neckline.

C: A classic sparkly sequin jacket. But not for me I’m afraid. Too shapeless. Too scratchy. And I can just imagine all the cat fluff that would get stuck around the sequins!

D: Quite like this dress. Very classic and very flattering. It’s actually an extension of top B. But I would question that choice of fabric. Impossible to pattern match and so the optical illusion draws attention to a pokey out belly even when the model doubtfully has one!

E: Probably not that clear from this little pic but this is a sparkly turtle neck top with blouson sleeves and a lovely wide cuff. Love the silhouette and for me it’s a perfect work to night out top. There’s a tute to help the process. This one’s on the list!

F: There’s that peplum again! I’m not that enamoured with it but I like the idea of mashing some interesting fabrics together: Pinstripe suiting, lace and embroidered something!

G: This is a great skirt. The fabric choice is stunning. Graphic and structured. You can’t really see the detail but involves a hip yoke and a deep pleat at the centre front.

H: This outfit isn’t my thing. I don’t like the silhouette. I don’t do culottes or drawstring waists. Not on the list!

I: This lacy top looks so pretty in the picture. You’d never be sold by the line drawing. It looks really wide and strange but the draping effect is a winner.

The next section gets some red in with some festive flair!

There’s some cute little girls garments here but only up to age 10. LMO is 10 but wearing age 14 clothes so as much as I’d like to make her coat B, I’ll have to sort my grading skills out or just admire them on the page.

Burda december 2014 festive flair

A: Lovely simple dress with a structured skirt and a petticoat underneath. None too girly but still with a pretty fitted silhouette.

B: Double breasted child’s coat with cute peter pan collar. Sewn up in top notch wool it is truly a classic forever coat. Well at least the child grows out of it! I think I like the grown up dress too. Love the simplicity, the red, the deep pleat and the neckline. But the sleeves are worrying me. They look kind of too big at the top.

C: A raglan blouse (or peasant top in my book!) and an extended version as a dress. Like both. And they would be very simple to make for presents. Don’t have to be too precise with the sizing either.

D: Scarf blouse and skirt with ties says it all. Too much flounce for me. They are both made in crepe too. Maybe that’s what is putting me off asides from the dipped pink and coral combo all clingy like that. Proper girly Christmas wrapping!

E: But just in case that scarf business appeals, here’s another variation on a dress with longer ties to tie in two places. Genius. But not on the list!

F: I think this is the same little girls dress as A but without sleeves. I don’t mind mums semi fitted brocade number but it does look a tad mumsy at that length to be honest.

G: They lost me at ‘loose cut’! And drawstring!

H: Boxy jackets always look good on children! The simplicity of the style can make way for some statement fabric.

A departure from girly to freestyle. Some very interesting fabric combos. And I like that.

Burdastyle December 2014 Free Style

 A: Hopefully you can just about make out the giant underbust fringe! It’s a maxi top sewn in a crushed jersey knit with an asymmetrical draped collar. I don’t wear strides but if ever I did I may have to pair up with one of these. Just because!

B: This is indeed a master piece! Military made beautiful. Slightly fitted wool coat with trumpet sleeves, asymmetric collar and buttoning. And that gorgeous design you can see up one side is appliquéd lace no less. I’m still revelling in my coat from February but I can totes see myself in this. Maybe next year!

C: Described as a bell skirt. Nothing much to see here but some lovely overlaid fabric and trim has planted some seeds for sure.

D: Gotta love a cape. Proper sturdy one too. I do want a cape but not this one with its belts and panels and epaulettes. It looks a bit overly involved for me. Don’t dislike it though.

E: There’s that top again. Same as E in the first section but in a totally different fabric. Making it more jumper than blouse for a more casual approach. You wont be able to see from the little pic but the seams are ‘outwardly open’! Why? Imagine how irritating when everyone and their aunt asks if your top is inside out!

F: In interesting patched shirt using patched stretch jersey, stretch faux leather and wool. You could use any kind of combo but I’m finding this all a bit too much. I do very much like the leathery sleeves though. The skirt looks more interesting than the pencil skirt it is but even though it is relatively straight I think that top needs to be worn with a much less interfering bottom half!

G: Pretty sure this is repeated from the festive section but I love how much more retro it appears with a shorter hemline.

H: Tube dress with rolled collar in a stretch knit lace. Great on the right bod. But not on mine!

I: I like this dress. Lovely defined bodice and flouncy skirt in an overlaid lace tulle. Sold on the colour too. Eliminates girly girly and makes it more day time. I can’t decide whether I like the sporty grosgrain straps or not. Actually I do!

J: I’ve been thinking of a poncho. Not like the one my mum made me wear in the 70s but something understated like this one. In truth I’m being lazy so as not to have to get involved in a cape! Its just a rectangle with minimal sewing, yay!

Burda’s designer pattern this month comes with a nod to Jean-Charles de Castelbajac. I love these little insights into the lives of designers. JC professes to be inspired by love andcuriosity. I like that! Just as much as I like this straight cut mini-dress with its massive pocket details and topstitched standing collar. burda december 2014 JC de castelbajac dress

I’ve made pj bottoms for 3 other members of my family but never for myself. It’s just occurred to me that I’ve got the most raggedy selection of nightwear and that things must change. Here’s some pretty things and one seriously crazy pair of pj bottoms!

Burda december 2014 nightwear

 A: Cutesy bustier and French knicker set. Piping, ruffles the lot!

B: Isn’t the idea of a boyfriend shirt that you just nick one off your boyfriend? I’m not sure I can afford to invest that much time into making a proper nightshirt. Piped collar, inverted back pleat, button placket, breast pocket with embroidered monogram and inseam pockets too!

C: Lovely little ballerina slippers. Could be a lovely little Christmas present perhaps.

D&E: A traditional set of pjs. What’s not to like? Love the cool crisp blue.

F: This is a knitted coat and I want it! I don’t want to knit it though. I’d be bored of it before I finished it, I’m that slow. But I’m sure someone out there would love to whip this up.

G: And theres those crazy palazzo trouser pjs! Can’t do those. I’d get myself in a pickle for sure.

H: Camisole and French knickers. Now you’re talking. Maybe this is my Christmas present to me!

I: This nightdress is pretty too. Ruffles top and bottom are a bit cake-like for me but I like the elasticated empire line.

As is traditional, it’s the plus fashions that bring the party to the fore.

Burda December 2014 plus fashion

A: Long jacket and pencil skirt. A classy pairing. The jacket comes with an optional belt but I’d leave that out unless you want the dressing gown look!

B: Low cut V-neck tunic top. I love the contrasting black band around the neckline. Very feminine and perfect with pencils and skinnies.

C: Bit odd this ‘volant’ tunic. Burda’s word not mine! Longer at the back than the front with ruffly bits. Not really my cup of tea.

D: Described as a peplum dress but someone more sophisticated than that I feel by the way that the centre point extends. Very jewel-like indeed. I’m not keen on the colours but greens and blues would do it for me. Or blacks and reds! A lot of precision sewing though. Only for the more patient among us!

E: Ah! There’s that long jacket with the belt. See.

F: Can’t make my mind up about this skirt. Its fundamentally a pencil with satin bands that run down the back. Apparently they make the bottom look slimmer. Are big butts out now then?

G: In the right drapey material this tunic dress would be gorgeous. I’d prefer not to look like a galaxy but I do like the contrast of the black bands and a busy print.

H: This colour-blocked peplum blouse is a no from me. Too much like hard work. Too much going on in such a small space. But I bet somewhere out there, there is a quilter who is itching to get going on it!!

Well that just about wraps things up. I hope you enjoyed the sneak peek. I failed in every way to make this a shorter exercise but no regrets. I thoroughly enjoyed spending the time to look closer at each garment. And of course it always makes for a great record to come back to.

Enjoy the rest of your weekend x

 

Sabrina, checked and tested!

Remember Sabrina Duncan? She was my favourite Charlie’s Angel. She was the leader, the rebellious one. Not the one who spent any amount of time on her flicks. Nor ever to be heard complaining about a broken fingernail and her martial arts skills were unrivalled and unhampered by flares. So cool.

What’s that got to do with the price of fish you may well ask… Well this is my Sabrina dress. This is By Hand London’s latest lady and my new go to dress. Not named in honour of my Sabrina as far as I know but in a roundabout way she led the slightly unorthodox approach to this dress.

Sabrina dress in kensington

When I was asked if I’d like to pattern-test this one it was a no-brainer. Not only was the dress named after one of my childhood heroines, it had princess seams that presented a perfect project to utilise some of that inspiration that I sucked from the JPG exhibition. A clash of the Tartans!

Not anywhere near as edgy as JPG himself but I love it all the same.
A great chance to kick start the Autumn wardrobe too.

Minerva kindly supplied the fabric and I knew exactly where I was heading to search for the cloth in question. I’d been trawling recently and had seen these two tartans together. Blackwatch and Royal Stewart – such a great contrast that had to work.

Incidentally this is a poly viscose blend. Apparent from the prewash that future laundering of this dress would be a breeze; Hardly creases; A joy to iron. In fact if hung up to dry properly you could almost get away with not ironing at all.

bhl sabrina dress kensington station

I have a few nitpicky personal fitting issues to sort, namely a sway back adjustment and since studying the photos, I think there is some excess in the upper bust. Even though I made a muslin – I was never going to cut right into that fabulous fabric without testing the waters first!– I didn’t pay proper attention to a perfect fit. Plus its quite tricky when you are up late on your own and don’t have eyes in the back of your head. So with that aside, I made this dress straight from the packet. from one size, no adjustments.

It does fray, this fabric, especially when over handled. But given how the seams are pressed sideways, trimmed and overlocked seams were defo the way forward.

You may well ask why I would want to take on the added pressure of pattern-testing. After all, its not like I’ve got any spare time on my hands. Kids and all the outside school activities that get involved in, full time plus overtime self employedness, and contrary to the belief of my kids I don’t employ fairies to cook clean and bottle-wash and of course my night time activities are sewing! It’s not like it’s paid and its not like I’m given any lead time. And so I have even asked myself the same question. But in writing up this post the ‘why” suddenly presented itself to me in a duh sort of way.

sabrina dress stained glass

I have a list longer than both arms of projects I want to sew. Dresses, jackets, suits and hats. Mostly all of them are inspired by a ready-made pattern that have a ready-made image on the front or in the mag. It’s quite difficult to think outside the box when you are presented with something that fundamentally works already. But when you are given a computer generated line drawing or better still a rough fashion sketch of a dress that isn’t even invented yet, that’s more than enough to shake up all those creative juices and set my brain on fire with ideas, mostly above my station I might add. Leather, feathers, fur, gold lame. It doesn’t matter that most of these aren’t realised. They will be in time. It matters that I’m focussing on the textile rather than the design. That bit has already been done for me in this case by the By Hand London Ladies. So I can concentrate on what fabric will work best which will have greater structure, beautiful drape or sharp enough edges to carry it off properly. It excites me. That is all.

bhl sabrina dress phonebox

I don’t think I pushed the boat out too far with this dress but its a start on my journey of discovery. When I presented my Photoshopped image to Vicki at Minerva she was really excited to see the end result and said she’d never seen those two fabrics put together before.

I’d like to try some leather in place of the Blackwatch in the future but even a pvc might be as good. I think Ms Duncan is calling for some added tomboy!

The dress itself is such a flattering and simple shape. Nicely fitted to the waist and charmingly flared to just above the knee. Its also a great base for incorporating a collar, changing a neckline adding some bodice detail.

sabrina dress tube stn

It sews up real quick. Just be careful around the bust shape and watch out for puckers. That happened on my muslin.

It’s unlined. Just has a bodice facing which is all you need really for a medium weight woven. Doesn’t stick to my tights either!

The hem should be kept small to avoid gathering the excess in the flare and I would say that was the trickiest bit.

I kid you not its had more wears than any dress in my wardrobe and it’s the newest!

The above shots were taken in and around South Kensington and at the Victoria and Albert museum. That’s my favourite London hangout too by the way!

sabrina dress, victoria and albert museum

We were child- and fancy-free and popped in to see the Horst exhibition. Perfect inspiration for some glamourous dresses and stunningly lit fashion photography. Just Google Horst photographs for an eyeful of awesomness!

sabrina dress at the victoria and albert museum

Photography Daniel James Photographic
Shoes Lola Ramona
Handbag: FARA Ealing

Burda Brigitte Blouse

First I must apologise for those who have had issues trying to comment on my blog over the last week or so. I won’t bore you with the tecchie issues but suffice to say all is now good at Ooobop HQ! (touch wood!) Thanks for bearing with.

It feels so good to be able to write a post. I knew how much this blog meant to me but didn’t realise quite how much. I found out quick enough when I thought I’d lost nearly 2.5 years of work! I’ve been such a bloomin’ grumpy pants all week, Mr O will tell you for nothing!

I feel like I should be making a bit more of a dramatic re-entrance, but I’m afraid we’ll just have to make do with a humble gingham peasant blouse.

burda gingham boatneck blouse

It’s a very nice gingham peasant blouse though. Care of Burda’s June 2011 edition Mag. It’s also available for download here where it’s featured in a sheer fabric.

I’ve made three sleeveless ones before but this one has long sleeves and no elastic. And it presented a fine oopportunity to create some bias gingham binding around the neckline and cuffs which is always lovely!

burda gingham peasant blouseThe fabric was sold to me as Egyptian cotton, which I had no reason to dispute. It is smooth and cool to the touch and feels like fine quality. But the pyromaniac in me is compelled to do a burn test, always. And the little black crumbly ash that resulted, confirmed the fibres as a poly blend, doh! Win some lose some. Should’ve sniffed a rat at £5.99 really!

But not a worry as it still feels nice against my skin and it’s not snug on the pits so remains a good choice for a warm summer’s day or an office with failed air-con.

The instructions suggested a gathered hem into another bias band but I was nervous about too much poof around my middle and given that I almost always tuck in my tops I just did a standard hem. But, note to self, I didn’t increase the length enough to compensate, and with one wave across the street, it comes untucked, whether I’ve tucked it in my pants or not!

burda gingham peasant blouse

It’s very quick to make if you can even up your gathers quickly. I faffed a bit too much with my gathers as usual, but it still got completed in an evening.

I love the raglan sleeves and the boatneck. So easy to wear. Great with a pencil and equally a circle skirt. And the plan is to make some capri pants one day, just like Burda’s styling, to come somewhere close to that retro Brigitte look.

burda gingham peasant blouse

Peasant blouse: Burda pattern, handmade by ooobop
Skirt: self-drafted & handmade by ooobop
Belt: H&M
Shoes: Rocket Originals
Photography: © Daniel James Photographic

 

Flora in Mitsi Valeria Red

By Hand London Flora dress

How often do you revisit a messed up project to rectify the issues? I can hand on heart say I never have! But in the case of this dress it was wholly necessary and entirely worthwhile.

This is my new By Hand Flora dress and my love for her is as strong as for the other one I posted in March. But this one is the original – the one I pattern tested, and the one I screwed up so much I was embarrassed to send photos of to the girls. I must emphasise that I only had myself to blame. Making wholly unnecessary changes when the pattern clearly needed none!

BHL Flora dress

But I had to put things right because I can’t tell you how gorgeous this fabric is. I couldn’t bear for it to go to waste. It is a beautiful lawn from Ray Stitch, called Mitsi Valeria Red. Thankfully I had just enough left to recreate the bodice. I don’t know what took me so long because it comes together so easily.

Flora dress back view

When the fabric arrived, I had to admit that I had doubts about it being weighty enough to give the skirt section the structure it deserves – The polka dot one is quite a heavy synthetic fabric that juts out in all the right places – but I love how this one elegantly drapes, creating a very different look. Plus it feels so silky and special.

Flora dress bodice

Lucky it wasn’t too windy today. It’s so lightweight that the tiniest gust turns this beauty from demure to downright rude in seconds. I gave an elderly chap near heart failure the last time I went out in it. He didn’t know where to look!

Because of it’s delicate nature it didn’t feel right to create bulky serged seams so I pinked them and boy were those open seams satisfying to press. So crisp and neat and because of the ditsy pattern you cannot see the seam joins at all. A bit like the back section of the blue vintage dress I pieced.

Flora dress back view

This was also a particularly useful discovery as I had to cut the front skirt in two pieces owing to the narrow width of the fabric. It’s quite usual for special quality fabrics to come in narrower widths but ideally the front skirt of this Flora skirt should be cut in one piece from a 60″ wide fabric to avoid a centre seam.

And it kind of goes without saying that the By Hand Flora dress is indeed one of the most twirliest dresses around! It’s gotta be done!

twirling in Flora Dress

Photography by Daniel James Photographic