One might be advised to take the following review with a pinch of salt. I am ill and grumpy and should never have ventured out on this cold, wet miserable day to get hold of my belated issue. Belated, not because of any neglect on my part to pick it up sooner but because Smiths clean forgot to put it on the shelves. I think I might have got a poor sales assistant busted as a result.
My glee turned to gloom when I flicked though the first section, before I got to the checkout. The ‘Party’ section. Really? Not my kind of party. What no LBD? No slinky numbers, save the Bacofoil one. Maybe overload of purple has left me unable to think outside of the box. mmmm…. what do you think?
There were a couple in this section that left me a little more hopeful. Gosh I am being so negative, soz! Strange though because I don’t really do strides or leggings but quite fancy a pair of leather ones, Given my determination to grow old disgracefully! Still not very partyish though.
But hang on. Here we go. This is far more up my street. A section entitled the Aenne Burda Collection. Five reinterpreted dresses and a coat from the 50’s and 60’s. And I love each and every one of them! Though I really want the button band on the pink dress to be narrower. I don’t need my midriff highlighted quite so much!
Loungewear, leisurewear, sporty home knits, whatever… not really a fan of such garments. Even though I could be accused of hypochrisy as I sit here, sniffling in my sloppy pjs and age-old baggy T!
But never say never. These patterns do come in handy from time to time and they whip up quick so long as you don’t have an aversion to stretchy jersey fabrics. I’ve made a few peasant tops but I think one in a lovely drapey viscose jersey with long sleeves might be a more glamourous casual addition.
So was the glamour saved for the Plus Section as per usual? Nope! I like the green dress and the waterfall fronts of the jackets. In fact I quite like the layering and the colour palette but I might give the huggy bear waistcoat a miss!
And just in case you need a fancy dress costume…. there is certainly a mixed bag going on here!
Looks like a lot of work to pull of a Hungry Caterpillar costume but wouldn’t that be a hoot?! I always gloss over patterns like these but on closer inspection there is always a bodice or a sleeve pattern that could be borrowed. Not forgetting random dressing up days at school!
There are lots of lovely little crafty projects in this issue too, like detatchable collars, a bead-embroidered neck band, bejewelled bangles and shoes plus these adorable teddies made from recycled jumpers and blankets. No actual pattern for these but the instructions and inspiration is all that is necessary.
Well in case I don’t touch base before the new year, here’s wishing you all a fabulous 2013. Thank you for faithfully sticking with me and for all your wonderful comments. It is already so difficult to remember life pre-ooobop! I’m hoping to get more stealthlike in my attempt at stealing sewing time in the new year and so be much more productive. But what good would that be without having you lovely lot to share it with.
Was beginning to get a bit anxious about the late appearance of this issue on the shelves of Smiths! But was it worth the wait?…. In my humble opinion, if there is just one great pattern in there it’s worth the cover price. Two and I’m laughing. Three and it’s definitely Christmas. But more than three? Oh yes, yes yes!!
Party Fashions opens with a great fitted jacket in black and gold. Sling it on over a pair of jeans and a T and you are so ready for the party. And check out the detail on the ‘Master Piece’ dress. Hurts my head a bit wondering how that is created. And it has 3.5 ‘difficulty blobs’ out of a possible 4 but as luck would have it, there is a step-by-step sewing course included, to help you on your way.
I love this ‘Black Power’ dress. Shame it is obsured by the jacket in this shot but the line drawing highlights the simple lines. Would be gorgous in silk. In stark contrast, not really a fan of ruffled layered bottom halves. Only because my bottom half doesn’t need bigging up. But this little skirt is pretty with the metallic tulle lace overlay. And incredibly easy to make.
Party Fashions wouldn’t be complete without an adornment of sequins but I can’t help but think how spiky they must be to wear. The skirt part on the black dress however is made from imitation leather scales. Now your’e talking! I don’t tend to do trousers anymore either but stretch nappa leather ones like these are luring me back!
More sequins and shine…
…. and then we are on to Christmas!!
Boy am I excited about this coat. I was given a decent length of a lime green/chocolate shot silk/wool mix fabric. Quite heavy. Probably intended for furnishing. Certainly not dressmaking. But I instantly had visions of classy and totally original coat. Have been looking for the perfect one. And now, as if by magic, I think I have found it! Just praying there is enough fabric!
Not sure if I am suited to the following look, though I think the skirt is very interesting. Perhaps its the distraction of the 1D lookalike in the photo. I do however, reeeaaallly like that little girl’s shift dress. And love that it is actually in my daughter’s size. More often than not, the kids patterns are either too small or too large and I’m far too lazy busy for pattern grading!
Again. I’m not feeling the puritan look but the jacket with the retro peplum and the little girls coat is totally up my street!
The whole sweet angel and tweed look is maybe pushing the boundaries of sweet. Verging almost on sickly, I’d say! I can hear Mr and Master Ooobop! roaring with laughter as LMO and myself prepare Christmas lunch in such puritanical stylee. The fact that LMO would howl with protest if every I tried to dress her like this is a sure thing too!
A good teddy bear pattern always comes in handy as a gift for a small person. Or even a grown up! I do enjoy sewing toys just as much but so far haven’t strayed from the path of Tilda makes. Burda have even included the corochet pattern for the lovely shawl they are sitting on. Oh please don’t get me side-tracked!
I keep coming back to this dress. It’s not instantly my thing but I love how the seam joins have been highlighted in white. Definitely a conversation piece. I quite like the waiscoat too but they can keep their billowy sleeves!
There’s a Master Piece jacket and coat pattern for the smalls too. Very classy. I’m sure I could talk LMO into that jacket, if it meant she could keep her Doc Martens on too!
There’s a fun Street Style section with some clever twists on casual using wool. Makes for a more quality look than with the usual jersey. But I have glossed over that because I don’t really do casual street!
This dress certainly makes a ‘Grand Entrance’ when you turn to this spread. Works great as a short dress but soooo elegant as a full length evening dress. It’s made in silk crepe here. Imagine how luxurious it would feel too!
In stark contrast I fear the blue shiny combo on the left is a bit wrong! Luckily there is a pleasant distraction opposite! I really like the simple cut of this dress. A variation of the black dress at the beginning. But with the addition of long sleeves and an overlay of floaty chiffon it is transformed into and enchanting swoosh of loveliness! I do have a little issue with how the neckline seems to be pulling though. Anyone know why this might be happening?
Here’s a couple of real simple to put together outfits. Well, Im sure the jacket is a little trickier but I do think it would be worth any amount of hassle to be snuggled in wool velour. The gathered collar and three-quarter sleeves are gorgeous features. Rose and gold is quite a sophisticated colour combo too.
Oh and here we are. My favourite bit! The Vintage pattern. A very stylish French couture look. Though I like a nice bouclé fabric, especially one with a metallic thread, I think that gorgeous design feature at the front bodice is lost. If or rather when I get round to making this beauty I will definitely be employing a plainer wool fabric and keep it closer to the original.
There’s a few treats in the plus section. Not least of all this hot LBD. Flattering sweetheart neckline and some glamourous gathering at the hip. Oh to have those curves!
Well that just about wraps it up for the clothes section but there are lots of extra crafty projects too, just to get you in the spirit of the season!
Thanks for swinging by. Hope you get some sewing in over this busy time. Till next time, toodlepip! xxx
Meet my biggest little girl! Hardly a villain but seriously rocking the whole Poison Ivy thing!
It’s not often I get asked to contribute to her wardrobe. It is in fact never! So I was very honoured by the request to make a capelet for her Halloween costume. Yes I know this is a bit late in the day, soz, but I wasn’t allowed a sneak preview on the day (something to do with me being an embarrassing mum at her last party I would think!) and had to wait patiently for photographic evidence so I could share it with you.
It was a very fun and quick project and even ‘biggest little’ was impressed! If you knew her like I do you would know how amazing that is!
Here’s a better picture of the stand-up collar. You cant see it for all the red luscious locks!
The exterior is a bright green poly satin fabric with red satin lining and I used some glitzy buttons at the neck to cover the ends of the ribbon. Should have sewn them in the collar stand really!
It was a very simple project for quite an effective fancy dress accessory…
First I measured the neck (plus ease) and the measurement from the neck, over the shoulder to just below the elbow. Using Pi (22/7) I worked out the radius to draw the neck hole and from that circumference I could mark the length of the capelet and draw the circumference at the hem (plus SA)
Have you ever wondered what that little hole is for at the end of your tape measure? Well I sure have found a use. If you position and hold down the tape measure at the distance required, on the centre point, or corner of your paper, you can put the point of a pencil in the hole at the other end and draw the arc of the circle. Its not as accurate as a compass but I don’t have a set of compasses that large and this method was good enough!
I folded the fabric into quarters and pinned the pattern, making sure it was butted to both adjacent sides.
I did the same with the lining and cut out. This is not my favourite fabric to work with, I hasten to add!
Next up, I pinned the self to the lining, right sides together, using lots and lots of pins. I am telling you, this is soooo not my favourite fabric to work with. It slipped and slid all over the place!
Then I cut the front opening. You can see just how far out I was with the cutting/positioning of this slippery stuff!
But I saved the situation with a genius idea to round off the corners! And note my next exclusive dressmaking tool…. a dinner plate!
I stuck in some more pins before I attempted to sew around the base hem and up the front openings. But it still took 3 or 4 attempts. It was like a couple of magnets repelling against each other!
I left the neckline open while I constructed the collar. First I made the collar stand. The measurement for which was the neck measurement (plus ease) by 5 inches (I think!)
I folded it in half, lengthwise and applied fusible interfacing to one side.
To make the ruffle, I cut a strip the same width only twice as long, folded, pressed and seamed the short ends, right sides facing. I gathered the raw edges to the same length as the collar stand.
I don’t have pics for the next stage but hopefully it will make sense. I sewed the short ends of the collar stand together and turned right side out. Matching raw edges, I pinned the ruffle to one side of the collar stand, right sides together, careful not to catch the underside.
I turned the ruffle up, hiding the raw edges inside and gave it a press to keep it in place. I then folded in the seam allowance from the remaining side and topstitched in place.
Again I am missing a few pics, but to finish off I sewed the base of the collar stand (the folded edge), right sides facing, to the neckline of the self side of the cape. I then folded and pressed in the seam allowance on the lining and top stitched to the other side of the collar, very close to the edge.
Buttons and ribbons were then sewn in place.
Hope this gives you some insight. So sorry for the missing pics. I will be more diligent with my tutes next time!
This is indeed a very fun and quick make… but I would advise a woven fabric just for sanity’s sake!
I love a 50s style blouse and this pattern was a definite sell the moment I saw it. The pattern itself was a freebie with Woman’s Day (about 55 years ago!) and as luck would have it, the gift supplement was in that Morrisons bag too. Great to see the blouses modelled and photographed. Sometimes those illustrations on the cover of the envelope give a slightly different impression to what they look like in real life! 😉
Norman Hartnell, or “Sir Norman Bishop Hartnell, KCVO (12 June 1901, London – 8 June 1979, Windsor) was a British fashion designer. Royal Warrant as Dressmaker to HM The Queen 1940, subsequently Royal Warrant as Dressmaker to HM Queen Elizabeth The Queen Mother. Royal Warrant as Dressmaker to Queen Elizabeth II 1957.”
“Although worried that at 46 he was too old for the job, he was commanded by the Queen to create the wedding dress of Princess Elizabeth in 1947 for her marriage to Prince Philip (later the Duke of Edinburgh).[1] With a fashionable sweetheart neckline and a softly folding full skirt it was embroidered with some 10,000 seed-pearls and thousands of white beads. He subsequently became one of the Princesses main designers[2] and so gained a new worldwide younger generation of clients, as the Princess began to take on more duties and visits abroad. The younger Princess Margaret became the obsession of the press and her Hartnell clothes were similarly given huge publicity and received much newsreel coverage.”
It’s a worry that he thought he was too old to continue at 46!!!
Anyhows, I quite fancy ‘a wardrobe of crisp gay blouses’. And if Norman’s are good enough for Queenie, they are good enough for me!
This was on the whole a very simple pattern. I measured off the tissue and figured I could add a bit on the waistline, as I usually do to get a reasonable fit. I made it up in a cotton poly that was semi decent just in case it worked!
But oh no! My measuring skills were unbelievably inaccurate. Either that or I have this illusion that I am the size of a small child!
I considered moving on to another project. But of course that would have been hugely defeatist of me and heaven knows I need to learn to grade a bodice properly so I set about cutting and slashing.
It worked, kind of. Well at least it fits but there are a couple of issues for a blouse so simple.
I think I need to open up on the lines of the hip a bit more. It’s a little snug!
I graded up the sleeve in line with what I had increased on the bodice but there was far too much ease. So I used the original sleeve piece. Still a little too much ease for my liking but that seemed to be solved with the addition of some shoulder pads. I used the cuffs from the toile for my real one because the dots ran into each other and defeated the object of having cuffs at all!
I have to say, the method suggested for the sleeve cuffs was a bit long-winded and strange. When I do it again I will be cutting on the bias, and attaching in the same way I did to my shorts.
The winged-collar effect is not a wing collar at all. It is just the effect of opening up the facings. There is no raised collar stand at the back, just a faced neckline so it is a very flat feature. Next time, I might be inclined to cut the front piece at the start of the inner facing and sew a contrasting colour piece that folds back just to accentuate the shape.
The ‘lapels’ seems substantially smaller than those photographed. Next time I might grade the front and front facing allowance a little, too.
The instructions called for a bias cut strip to finish the back neckline and join the front facings but as luck would have it, the previous owner had cut a ‘back facing’ piece from some newspaper. I checked it against the back piece to make sure it was meant for this pattern. I just had to decrease the depth a bit, otherwise it fitted perfectly. It created a continuous facing too, which is surely a better idea and certainly much neater too. I understitched the adjoining seam, to the point just before it folds back and catch-stitched to the shoulder seams to stop it poking up, willy nilly!
Because the design called for 3 buttons I had an array of odd interesting ones to choose from. My son so kindly remarked that, because the shirt ‘kind of looks quite old, it would be good to use those old fashioned phone buttons’. I am sure he meant that in a good way! 😉
So that just about wrapped up my chilly childless Saturday. Amazing what you can achieve in a few hours when the house is vacated. The photographs (care of the wonderful Mr Ooobop!) and the blogging took a little longer… such fun!
A little later than usual but I do hope that November 2012’s Burda Style magazine serves to whet your appetite and make your sewing list longer all the same!
I’m going to jump straight to the Vintage pattern because that is exactly what I did in the shop and it is so totally my favourite and my best! I do like it in black but I also like its original floral form. Such style in the fifties! Bring it back, I say!
Lots of lovely misty neutrals in the first section this month. I am quite surprised to see a floaty batiste dress (top left, below) considering the chill factor but I like it all the same, especially styled with boots and the faux fur waistcoat. I am also tempted by the blouse, centre bottom row. Batiste with a metallic print…. not sure I will stumble across that fabric choice in the Goldhawk Road, but always worth an ask! It’s got 3/4 raglan sleeves and bust darts so its simple but not completely shapeless.
The trousers (bottom right) are nagging me to attempt my first pair of trousers. These ones have hip yoke pockets and are ankle length to display some fabulous show-off shoes!
Next up is the Gem Colours section. You may have already have seen some of these patterns on the Burda web site. They were quick to go up this month.
This jacket or ‘blouson’ as its called here, would present such a rewarding project. Having just completed my first proper jacket I’m itching to employ some more tailoring techniques and this one looks like it could present a few more. Its got some beautiful hand stitching going on which gives it such a professional finish.
Undertones of the 70s with oranges, purples and browns are the order of the day for Gem Colours. I’ve not worked with crèpe de Chine before but I think the first dress (below, top left) would be a great place to start. It’s semi-fitted and has a wide neckline, with broad sleeves that taper into slip on cuffs. Perfect for those bloaty days or when you just want to throw something over a pair of leggings or sturdy coloured tights before flying out the door.
Two Sides of Me is an interesting section this month. I like the dress!
Not too sure about the boyish looks. Bit boyish for me to be honest! But I’m quite drawn to the blouse on the left. Not my usual style but I like the idea that this could be whipped up a couple of hours before a theatre date! It is made of stretch silk satin here. Much like my pin up pants, so I bet it feels gorgeous on!
I kind of flicked past the Knits section to get to the Kids. Nothing against knits, honest, and I feel bad now for not including them. But they just seemed like staple loungewear. And I need to avoid making stuff that everyone is going to think is from ‘Primani’!
But… there is some totally cool kid stuff as usual. Keeping the neutral theme and mixing up metallics and matte. Lovely textures and fun, chic designs that will even fit Little Miss Ooobop!… hoorah!!
And a Burda mag would never be complete without some hot plus-size gorgeousness. My picks this month are very vintagesque. Creature of habit, moi?! Very elegant and sexy and perfect for a hot wintry date!
Any faves? Any dislikes? Feel free to share your thoughts!
Well Bridget Jones, eat your heart out. Mine are big and all silk!
There has been a lot of knicker making activity going on in blogworld recently. For example these pretty French knickers by Kat at The Couture Academic, these ‘little pants‘ made by Rachel at the House of Pinheiro and just check out Gertie’s prolific pant production line! Plenty ’nuff inspiration to ease me gently into the beginnings of lingerie-making.
As with most things I do for the first time, I headed to my Burda Style magazine collection, remembering a Lovely Lingerie section in issue 01/2012, which of course included the perfect pattern.
The only thing that flummoxed me was that these ones had a side zipper! I can’t get my head around having to zip up your pants in the morning, call me old-fashioned! I guess the rationale was that the over layer of tulle wasn’t too stretchy and I for one would never be able to get non-stretchy nicks over my hips!
So first mission was to find some stretchy lingerie fabric so I could omit the zip. I went in search of stretch cotton satin but on presentation of skirt-weight cotton sateen each time, I gave in to the more luscious lure of 100% stretch silk. At £15 metre, these are definitely the most expensive but certainly the most luxurious pants I own. My faithful haberdashers in Shepherds bush market stocks the elastic lace at 50p a metre which softens the blow!
These were such an easy and delightful make. Though I don’t want to give you a ‘bum steer’ (!) They are more time-consuming than you would think, to stretch-and-stitch the elastic lace, top-stitching it twice on each opening . . . especially on to slippery silk.
Oh, and by the way, I make no apology for the lack of modelled garment. How could I possibly compete with the way that Scruffy Badger so confidently models her frilly knickers?!
When I was a child, I remember that the end of the summer holidays was always marked with a change in the weather. Going back to school, following countless sunny days in the park, sporting a coat for the first time and being bemused by the blustery weather. Well something has gone awry this year but I am certainly not complaining. 29 degrees in September? That’ll do nicely!
I did have plans for something a little more exciting than a pair of shorts this weekend but who wants to be in when its so glorious outside? Not me! So a quick pair of shorts it was.
I have made these shorts before in a more wintry plaid, so I knew how quickly this pattern was to piece together. Just under 2 hours no less.
I have given myself a ban on fabric buying for a while. I have been so lucky to have inherited so much over the last year or so and I must start using it, or Mr. Ooobop! is going to have a meltdown! It is a little bit out of control to be honest. And to be fair, I haven’t scratched the surface with these shorts as a stash-busting project but hey, it all helps!
On the subject of stash busting, I honestly think it’s the part of sewing that hurts my head the most. I keep the fabric because I like it (obvs) and I know that one day it will be perfect for a project. But that project might take years to materialise. And in that time the stash just gets taller! I don’t want to pick any old fabric for one of my makes. It has to be right!
I really think that this fabric is right for these shorts. It is a poly cotton mix (I think) but of the sturdy kind. So those interfaced cuffs on the legs are sturdy indeed! Pretty design too. Gingham, which is always good, with little embroidered daisies. Not so good to iron though. I tried with a hot-ish iron and it turned one of the daisies pink! I guess that’s the ‘poly’ bit in the mix!
I made a lapped zipper… a bit more confidently and certainly more neatly this time round. Can you see it?!
Well I don’t think I will get many more days of shorts this year, though stranger things have happened, but I got a great deal of satisfaction in making and wearing these today. Plans for autumnal garments are starting to emerge. But I’ll wait ’til it cools down before I can start handling wool!
As promised, here is the finished shirt. It is a revisit to the same shirt I made for Mr Ooobop! almost a year ago. On first inspection I thought it must be 70s, given the flappy collars and slim fit. But one reader clocked the hairstyles on the pattern envelope and said it was probably more 1980s. Either way, its another vintage make that has been a valuable learning curve and keeps the old chap happy at the same time… double whammy!
I made some brave adjustments to the pattern this time. (Well, brave for me, that is!) Namely to the chest, shoulders and sleeve length. Of course there is a knock on effect for each change, given the many different pieces to this pattern, so I had to keep on my toes!
I have said it before, and I am very conscious of blowing Mr. Ooobop’s trumpet, but he is very good at knowing what fabric suits and especially good at choosing buttons. Check these out…
They are little chunky white buttons with a yellow fill and a black outline. They are indeed a trifle camouflaged here but I can’t imagine any other button being better on this shirt. I have mastered buttonholes, which is a good thing seeing as there were 13 of the damned things to make, but I did get a bit over confident and had to unpick two of them because they weren’t perfectly centred in the placket. I really don’t want to be doing that on a regular basis. Took as much time to unpick 2 buttonholes as it did to sew 13 of them AND hand sew on all of the buttons!
I couldn’t resist adding a couple of new features to this one. I underlined the collar, the collar stand and the under flaps of the pockets in a plain red cotton…
… and I added some bias trim to the curved shirt hem. Mostly because Mr. Ooobop! wanted to preserve the length. It was an obvious solution but I think it makes for a lovely finish too, highlighting the shirt-tails!
I am really happy with the fit on this one.
Mr Oobop! got a fair few comments when he turned up at his last gig.
The finishing on this shirt – all the topstitching and flat felled seams – was the time consuming bit. but imagine how long it took me to match that rose on the shoulder?! (wink, wink, nudge, nudge 😉 )
Special thanks to George, Tom and Cat of The Redfords for the fabulous photography.
I thought you might like a look in more detail at that Ebay haul I won in July.
Their arrival was a little ungainly to say the least. Not damaged in any way but clearly hurriedly bundled and tied up in… a Morrison’s bag. Not that there’s anything wrong with Morrison’s. But I did have a moment of OMG have I just bought a sack full of rubbish?! Surely these antique patterns deserved a carriage with a little more style!
I gingerly untied the knotted handles. Actually that’s a lie. I completely tore the bag apart because I couldn’t wait a minute more. Was a bit whiffy to say the least! But I can totally forgive the smell, the packaging and the wait.
I think I am still gobsmacked.
For starters, almost all of them are my bust size which means the only alterations will be to the waist and hip. So much less faffing. Even the few that are too small will be worth the adjustments. And I tell no lies when I say that each and every one was a doozy. Most of them unused and uncut.
The first little beauty that caught my eye was this cut out cover of Home Notes. A delight in itself but what was the chance of the patterns for these beauties being inside?
Every little lovely chance. I had guessed 1940s by the styling but in fact this unused and perfectly preserved pattern is nicely dated October 7th 1939:
Love the bit about: “Other sizes… obtainable FREE on application”. Can you imagine that happening nowadays?
I can’t find dates on most of the patterns but all are truly vintage and very beautiful. This is the first I’ve heard of Economy Design patterns. And I feel pretty damned lucky to have landed these lovelies:
Economy design patterns 161, 197, 198
Next up is a more familiar name, Simplicity. These stylish little numbers have all their pieces in tact, despite the damage to the envelopes. In fact the one on the right had some very interesting accompanying material!
Simplicity patterns 3979, 4494, 8488
Whoever Mrs Poole was – the name on most of the mail order pattern envelopes – she was a lady of very fine taste with impeccable organisational skills. In the envelope with Simplicity 8488 (above right) there was this cutting:
Great to see these vintage patterns in ‘real life’ photos. And it makes me love the ensemble even more! Also inside the envelope (from Readers Digest) was each copied piece of the pattern, traced and labelled with precision onto a 1960s edition of the Daily Express. This is one of the reasons that all these patterns are in such great condition and seemingly unused. Mrs Poole has dutifully copied them and kept the originals factory folded. This has given me a fine source of entertainment too, reading all the snippets of the papers. This one quite topical: “Billie Holmes, 24 year old Hull engineer, won the first Olympic cycling road race trial yesterday – by ONE inch. And this victory, over 96 miles near Chesham, Buckinghamshire, strengthens his claim for Rome spot……”
Thank you Mrs P.
Leach Way Patterns is a new one on me too. Any one heard of these? The dress pattern was still in it’s original mail order envelope which is date stamped 1949, so I might be inclined to date the coat and the suit around that time too. Needless to say, all three in perfect condition.
Leach way patterns 12375, 12536, 12963
Weldons is a name I recognise. I have a couple in my collection already and I love how they are always so incredibly stylish and yet a little bit quirky.
Weldons patterns 143 and 151
Now I am assuming ‘Womans Day’ was a womans magazine and this was a supplement… correct me if I’m wrong:
womans day gift book
But even better still, than this cheeky little gift book, the blouses featured on the cover and in centre spread are an exclusive Norman Hartnell pattern and all the appropriate pieces are present and correct in this gorgeous little pattern envelope:
Normal Hartnell blouse patterns
I love this 40s (?) McCalls suit. It is so reminiscent of the suits my grandma used to wear:
McCall 6780
And who could resist running up a few slips and bloomers for under their vintage dresses?
Style 4469 slips and bloomers
Woman’s Realm was defo one of my mum’s reads. So these conjure up a bit of nostalgia. I love the first dress. It’s numbered WR.1. I wonder if that is the first ever dress pattern issued by Woman’s Realm? The middle one is far too small for me in any case but the wedding dress with a few adjustments, I’m sure would be really flattering. I do like an empire waistline.
Womans Realm patterns
Here’s a classy Dior number from Woman’s Journal:
Womans Journal Dior pattern
There’s a couple of other great coat patterns too. One from Odhams and the other from Woman’s Own magazine. I am thinking of making a coat. Just thinking, for now!!
Odhams and Woman’s Own coat patterns
I think Mrs P was too as there were various cuttings of coat images too:
It’s amazing that all the pieces seem to be present for these Du Barry patterns. Whatever their pattern envelopes were made of they certainly disintegrate in a big brittlesome way. But look how Mrs P (I presume) has lovingly recreated the image herself. Don’t you just love the sharpness of these suits and frocks?
Du Barry patterns
I do like a shirtwaist dress and was delighted to find this one from Woman’s Weekly in the bundle. Woman’s Weekly was another of my mum’s reads. I distinctly remember the pink header and the elongated type on the cover:
Woman’s Weekly B170
Here’s a smart little dress suit from The People. One day, one day!:
The People 794
There was one little girls pattern included in the bundle. I would love my youngest daughter to wear little vintage dresses but I think there is some chance and no chance of that ever happening 🙁
Butterick 9161
Most of the other patterns were from Woman magazine. Another of the larger format mags if I rightly remember. And what a fine selection we have here:
Woman patterns
And imagine how excited I got when this one jumped out at me:
Woman Hardy Amies exclusive pattern
With all supporting cuttings once again:
I love the collar and the buttoned hip pockets. Not to mention the self covered buttons all the ways down, ooo… and the self covered belt. How amazing would that be?!
I am soooo making that Hardy Amies number!
And this wrap dress from Woman looks so much more inspirational in the mag too:
Woman 479 wrap dress
And, if ever I am going to make a pair of ‘Trews’, it is going to be this pair! I love that they are called ‘trews’. I thought that was a term only used and made up by my mum!
Woman p132 Trews
Apart from the masses of cuttings that I still have to sift through – believe me, there are stacks of pattern pieces cut out from really old newspapers – the above are without edits, the most amazing collection of patterns ever. Not one duff one among them. Well…. there was this strange one…
Woman p131 bed-jacket, bolero, hats and duck
…which has to win the prize of most random pattern ever!!
There were a couple in this section that left me a little more hopeful. Gosh I am being so negative, soz! Strange though because I don’t really do strides or leggings but quite fancy a pair of leather ones, Given my determination to grow old disgracefully! Still not very partyish though.
But hang on. Here we go. This is far more up my street. A section entitled the Aenne Burda Collection. Five reinterpreted dresses and a coat from the 50’s and 60’s. And I love each and every one of them! Though I really want the button band on the pink dress to be narrower. I don’t need my midriff highlighted quite so much!
Loungewear, leisurewear, sporty home knits, whatever… not really a fan of such garments. Even though I could be accused of hypochrisy as I sit here, sniffling in my sloppy pjs and age-old baggy T!
There are lots of lovely little crafty projects in this issue too, like detatchable collars, a bead-embroidered neck band, bejewelled bangles and shoes plus these adorable teddies made from recycled jumpers and blankets. No actual pattern for these but the instructions and inspiration is all that is necessary.
Well in case I don’t touch base before the new year, here’s wishing you all a fabulous 2013. Thank you for faithfully sticking with me and for all your wonderful comments. It is already so difficult to remember life pre-ooobop! I’m hoping to get more stealthlike in my attempt at stealing sewing time in the new year and so be much more productive. But what good would that be without having you lovely lot to share it with.
…when out popped this little cutting which tickled me, I must say:
