fashion inspiration – Page 3

November 30, 2013

ooobop! review: Burda Style December 2013

Good grief! How did it get to be nearly Christmas? How do I get to be so not ready every single year?

Well thank you Burda Style magazine for the memory jog but I’m not sure I have enough disposable hours for many more makes before the big day.

I am sorely tempted by your cover dress though. More on that further down.

Merry Christmas is the opening section. Of course!

On first sight all looked a little uninspiring to be honest but on closer inspection there are some nice surprises. The long-sleeve top (top left) is made of lamé jersey. A very simple make, made all the classier with some glitz. The polka dot dress next door is a chiffon overlay dress, gathered at the waist, over a slinky satin bustier dress with spaghetti straps. I rather like the surprise of that one. And the pink crepe dress (bottom row next to the terrible peplum skirt) makes a beautiful shape (or would do if the hem was trimmed even!) It has a wonderful pointed yoke at the waist and a deep inverted pleat in the skirt. Lovely sleeves and a cute row of black buttons on the right shoulder. I approve!

Now back to that terrible peplum skirt. I don’t know what to say about it really. I just don’t think it works. No integration. No added flare. Just makes the body look cut in half! Just sayin’!

The next section is called Cruise Collection. For those already looking forward to summer! If anything, the garments here are more Christmassy than in the Christmassy section!

This is my favourite bunch this month. Buttery washed silk, organza, satin and chiffon. Yes to private stash of all those fabrics and colours please! The cover dress looks even better here (bottom row, 2nd column) It’s a short sleeve version of the polka dot dress in the first section. I’m guessing you could make one underdress and have different overdresses for different occasions! (says me with ardent fear of sewing with chiffon!)

Free Spirit is the next section. Lots of paisley and fine fabric:

This amount of opulence isn’t normally my bag but I keep coming back to the gold metallic jersey evening dress. Not sure where I’d wear it. Might have to invent a night out! Either that or strike a pose down at the Southbank with a hat at my feet!

The check bouclé trench coat (bottom right) looks right cosy though. A little bit of Vivienne Westwoodesque styling never goes amis!

Passion for Detail is the next chapter. And I so wish I didn’t have a headache.

All a bit much for me, sorry! Except for the wrap skirt with exposed zip (top row, 3rd col). I like that! In fact I might like more of this section if the crazy wallpaper didn’t do my head in so much!

Just take a looksy at this cute crocheted bag. Isn’t it sweet? It’s ages since I crocheted and I don’t even think I did it right the first time, but this is thick yarn and big hook with only 16 rows to contend with. I can feel a little Christmas holiday train journey project coming on.

And hooray! A man project! Well, just a little token one :-/

Loving the couture-style silhouett of the designer style outfit, below.

And finally we reach the plus fashions. Businessy and feminine this month. The flounce dress in a wine coloured duchesse is my favourite here. After saying that opulence wasn’t really my thing! I’m not sure I would personally be so bold but I do think it is very striking.

In other news. I have bitten the bullet and ordered my coat fabric. I think I will be giving Joseph a run for his money. It truly is a fabric of many colours! I will keep you posted as and when it arrives. I’m a little bit excited and a little bit nervous. But most of all very freezing and so totally in need of a coat!

Keep warm folks and see you real soon! x

October 27, 2013

ooobop! review: Burda Style November 2013

Good morning Burda lovers! The sky is blue, the sun is streaming through my window and it’s hard to imagine that we will all be battening down the hatches in preparation for a freak storm tonight. Quite frankly the idea of being house bound for a few days suits me just fine. Mustn’t forget to pop out for emergency supply of spools! 😉

I’m going to start with the cover image because that’s where I gave my first ‘ooo’! Ice-blue wool fleece. It’s just one of the fabric options I’ve been mulling over for my coat, when I eventually get to it. I didn’t really clock the style – it looks fine on the cover – but I think the unfortunate stance of the model in the top left image below, kind of ruins the class and brings on the tent!

This first section is all about Grey. (Even though that coat has an ice blue hue about it on the cover!) I wish I could wear grey with conviction. It does look dramatic, moreso than black, because you can actually see the detail in the cut and style. But it just accentuates my deathly palor. I don’t mind being ‘pale and interesting’ but when people ask if you are feeling ok more than once in a day, you know there’s an issue!

I’m intrigued by the strides (middle row, first col). I love that wrapped-look from the front view. I almost want there to be tails behind. But that amazing mirror prop only serves to highlight how ‘unusual’ they are from the side. Steals every ounce of flattery I’m afraid.

The blazer (centre pic) is a great wardrobe standard. It’s made in a twill weave wool here. Nice and heavy and great paired with skinnies.

And I really like the biker-style jacket in ponte jersey with leather sleeves and trim. (row 2, col 3).

There’s a strong likelihood of an overlocker joining the family soon and so the world of knits is becoming more of interest to me. I have a side-cutter attachment on my machine which doesn’t render the process impossible but it’s just really slow compared to the formula one skills of an overlocker! And I’m just imagining how delightfully speedy that two-piece jersey set would be to run up. It’s an ‘Easy’ one too! In case you think, as I did that its a long sleeve top with under arm air holes, I can confirm that its a sleeveless cowl-neck tank with a separate long-sleeved bias-cut shrug. (col 3, row 1)

It is heading for that time of year when we need to add a little sparkle to the dark winter nights and days. And party season will be upon us before you know it. So although I’m not favouring much in this next ‘Metallic Mood’ section, it’s inspiring enough to make me go on a treasure hunt for some shiny fabric.

The little cropped jacket (2nd row, 3rd col) is not dissimilar to the Vogue jacket I made recently. Excepting the flared sleeves. And I think if I could get past that fabric it would be a cute cape-like addition in wool or silk.

The skirt, (3rd row, 3rd col) has the same laid in pleats as the strides in the first section, but I can’t see a side view here to see what happens. The gold lamé is a good distraction and defo a new fabric consideration though!

I need no encouragement to make black clothes. It was my ‘colour’ of choice before sewing and I only sew coloured things because I think I ought to veer away from black. Because black is boring, no? Actually I don’t think it is boring and there’s a part of me that wants to revert to black every winter. The other inner me just fights it off all the time!

And so here temptation is laid before me once again in the shape of the inevitable LBD’s.

I love the idea of a massive silk flower added to an otherwise simple and classy dress. (row 1, col 1) and I really want to incorporate some cotton lace into garments. If I can find some, that is! Looks great on the bodice section of that dress (row 1, col 1). No sweaty pits either!

The line drawing of the fitted dress (row 3, col 1) didn’t sell well to me at all. I didn’t see the point in sewing quite so many sections together unless one is doing some serious colour blocking. But if the effect is a sophisticated dress which moulds to the figure, such as this one. I’m sold!

I quite like the coat dress with it’s low cut V-neck and front snap fastener band too (3rd row, 3rd col). Well, that is of course if somebody would sew on those little darling snap fasteners for me. Serious pet-hate!

I’m not quite sure what’s going on with the crêpe de chine dress (3rd row, 2nd col). It is fundamentally the same as the coat dress but with gathering at the vertical seams and leg of mutton sleeves. A bit too much pouffiness going on for me. Apparently this dress is reminiscent of the ‘wirtschaftswunder’ era. Learn something new every day!

Alessia Giacobino is the highlighted designer in this issue. I find these mini Burda features inspiring as I never studied fashion so never had any prompting to delve into the lives of designers. Guilt always overcomes me when I confess (or not) to not having heard of a certain designer. And I love it when I come across one that I truly love. I googled some more on Alessia and I really like her classy, flattering and surprising designs. I’ll leave you to do your own recce. I’m sure you won’t be disappointed.

Burda has supplied patterns for this designer-style outfit below. Imagine how luxurious that washed silk blouse would feel. I think the flounce would annoy me in the front. Would much prefer it at the side. But I do appreciate the detail, nonetheless.

It always surprises me, how drawn to campus style I am. I am neither the age or of the leaning towards these fashions so I can only assume that Burda sells them well or that students have properly upped their game recently!

Let’s start with the dress (row 1, col 1). Not dissimilar to some of the summer dresses I have made this year, but with the addition of a midriff (how I love a midriff), a low V-neck, long sleeves and made with a delicious mousseline (a very fine, semi-opaque fabric similar to muslin, apparently). So actually quite different, really! But I do love it!

I also love the cowl neck knit dress (row 2, col 3). Mostly because anything in tartan/plaid makes me go ‘ooo’ right now. And because I am dreaming of being behind the spools of an overlocker soon!

I don’t wear strides. Mostly because I have never found any to fit properly. But if I get the inclination one day, I will definitely be fashioning some like the ones in row 2, col 2.

The wind is starting to pick up now. We’ve got ghostly ‘wooooos’ whispering round the windows. So that’s why I guess I’m being drawn away from ‘classy’ and towards the ‘practical’ of the odd hooded-scarf (row 1 col 2). It’s not knitted but sewn from a knitted fabric and it has pockets too! Might need an overlocker for that one too!

Sophistication is definitely the theme for the plus fashions this month. Loving the star-shaped darts in the wool jersey dress (row 1, col 2). The neckline is lovely too and the shoulder line is really sharp. The dress in row 2, col 3 is pretty much the same but with a different neckline, creating a less formal but nonetheless still stylish look.

The tie-waist dress (row1, col 3) is very flattering too. Or is it that I’m just sold on the idea of animal print angora jersey?!

The kids section is great as always. A great selection of fun, versatile staples for little girls. But what about the boys? Not that I have a little boy but it does seem a little unjust to leave them out.

I’m also a little bit miffed as Little Miss O sits outside these sizes. I tried to make a pair of shorts from a very small ladies size recently but of course the proportions were all wrong and though they fit round the waist, they were massively massive elsewhere. So perhaps I need to attempt to scale up the shorts pattern (row 3, col 1) to see what happens. The dress is super cute too but I am sad to say that most 9 year olds seem to have ditched the dresses for now.

Well the sun has gone in. The ‘ooos’ are getting a little more howly so I better get finding some patterns… I mean battens!

Keep safe and warm everyone xxx

October 2, 2013

Couture Inside Out

I’m fresh back from the ‘Couture Inside Out – 1950s Paris and London’ workshop at the London Fashion and Textile Museum.

Must blog straight away for fear of forgetting anything! After all I forgot notebook and pen in the first place!

First treat of the day was that I got to meet and enjoy this experience with Handmade Jane. It’s always so good to have like-minded people to raise your eyebrows at, make ‘ooo faces’ with, and give knowing looks to, during a lecture!

It was a very informal 2-hour affair with such amazing content divulged by the lovely Dennis. We donned our white cotton gloves and prepared to soak up all the info we could.

The first thing I learned (and remembered) was the definition of ‘haute couture’. (please spare me if I’ve got this wrong!) It is a term used to describe the highest level of hand-sewn, bespoke garments, in Paris by a delegated team of incredibly experienced seamstresses to strict regulations. Interestingly enough it was a term that was originally associated with the fine work of Charles Worth who was an Englishman.

Of course we have couture in the UK but with much more relaxed rules, apparently!

As the garments were presented, on a white covered table, the polite student audience jostled for position to get a better view and a feel and a photo.

First up was Dior. A gasp as the two Dior creations were revealed from under the tissue.

The fact that both were aged: faded, stained and torn, did not deter from the unanimous awe.

Both dresses were in two pieces which was intriguing. Nothing like a skirt and a top. So much clever scaffolding with fine underskirts attached to the bodices. No waist-stay required.

Every little bit of both of these dresses were hand-stitched!! Including the tiny rolled hems on all the chiffon layers. Beggars belief!

Please excuse the fuzzy photos taken on a phone whilst being too polite to jostle too much!

Next up was a later Dior in a really heavy weight fabric. I will be looking at furnishing fabrics in a totally different light from now on. This was heavier than any curtaining I have ever felt.

It was laid out on the table, ready for inspection! A gorgeously shaped one-piece dress. Made for someone who clearly didn’t eat that much. The waist was super tiny. The seam allowances on the other hand were enormous. At least one and a half inches. All pressed open and hand finished. The fabric had a ridged, pin-tuck like texture. All the rows of which lined up perfectly on the side seams.

No lining, which was a surprise. Though the dress was underlined and interfaced.

Chanel then graced the table with black contrast dress and two piece skirt suit. Both very classically Chanel.

The bling was upfront and out loud on this one but only took shape as a collar detail and chain weight in the hem on the set below.

Chanel only incorporated details if they worked and if they were functional. The little ‘petal’ pockets sit at the hemline, precisely centred with the seams. The chain weights are typically seen in Chanel hemlines. She was obsessed with the way that fabric hung and remained throughout wear and this little trick became one of her many signatures.

Far removed from the finer details of Chanel but not to be sniffed at, is the work of Balenciaga. This Spanish master draped most of his designs and employed much fewer seams than other designers.

This coat was A blooming Mazing. My rubbishy i-phone photos do not do it any justice whatsoever. Firstly the colour. Secondly the texture of this fabric… OMG. It was hand created to get this incredible effect. And yet the design remained oh so simple. I can’t tell you how much I want this coat!

I didn’t care too much for Balenciaga’s Sarong Dress. But you gotta take your hat off to someone who incorporates so much into the under-scaffolding of something that fundamentally looks like a sarong!

Now, will I get shot for not having heard of Courréges? Probably. As these designs were pretty iconic!

Jane got right in there! Impressed by those perfectly bound buttonholes.

Dennis couldn’t be sure of the fabric that this Pierre Balman dress was made. It kind of felt like the sew in canvas that I recently used to interface my jacket! But it was gorgeous and necessary to keep that amazing shape. There were cutouts trimmed with velvet at the hemline and on the sleeves.

Of course it goes without saying that every detail counts. Balman even ensured that his labels were mitred.

The following is a really bad picture of the Ellie Saab dress that Halle Berry wore to the Oscars for Best Actress, The Monsters Ball. In stark contrast to the dresses that were 50/60 years older you can see no seam allowances, no underskirts and no hand stitches to speak of. It is undeniably a gorgeous dress and she looked amazing in it, but it is incredible how standards have changed over the years!

I cannot for the life of me remember who designed this dress but the fine pleating in the linen was unbelievable. An underlayer of shimmering copper gave a depth to the translucent linen and you could also see where the pleating was tacked.

(Thanks to the lovely Angela, I can now confirm it was Sybil Connolly!)

Just when you thought you’d seen it all, something very little left me lost for words. If you look closely at all those painstakingly sewn on eyes, you will see that they are all oversewn with thread!

Now it would have been rude not to have mentioned Zandra Rhodes creations at this very museum. She is the founder, after all!

She entered the fashion world as a textile designer and the following two garments are testament to her designs. I’d never be able to carry these off in a million years but you have to admire her total originality in the way that she designed around the design of the fabric instead of sourcing suitable fabrics for a pre-determined design.

Here is her Knitted Circle dress. So called because the fabric design is made up of graphic knitting stitches. I swear there is more fabric in one of the sleeves than in the whole dress!

Both Jane and I left the workshop in a fuzzy reassured kinda way. It made us proud that we hand made our own clothes, albeit perhaps not to the same level of lavishness but there was nothing on show that we could not have handled. Give us a year or two for a deadline and we would gladly knock one up. But perhaps we might delegate the binding of the hook and eyes to someone else!

I did wonder whether I should have posted in so much detail so as not to spoil the experience for future visitors but really, you have to be there to actually see it. You have to feel and you have to hang onto every word that Dennis speaks because he knows everything there is to know!

September 21, 2013May 25, 2015

ooobop! review: Burda Style October 2013

Before we skip to some of the inside shots of September’s Burda Style Mag, I just want to reiterate the wording of the flash on the cover.

16 Free patterns, 51 different outfits worth £61, for only £4.75!

So whether you like 51 or just 1 of the following styles, you must agree, it’s still such an amazing cover price.

There’s a bit of a War and Peace theme this month but before we launch into that, it opens up with a softly, softly approach. I’m not really a pastel person or a boxy one for that matter and so I wasn’t grabbed by any of these. A close fitting ‘nude’ dress would have me feeling just as self conscious but I like the wrapped over pleats on the front waist of the dress, bottom row middle pic. I also quite like the asymmetrical skirt, top right, but I’d have to see views all round to be convinced. I think it might not look so great from the other side! Now generally, I do like a square neckline as in the tunic, top centre pic but what is going on with it rolling out? Too big/too small, not pressed? That would annoy the pants off me!

The A-line skirt that sits directly below has large hip yoke pockets. I am so going to incorporate those into another skirt.

Light and breezy is the theme of the next section. Lavish cocktails of lace and silk, flowers and bouclé, jersey and sequins.

Of all these, the sequin mini skirt grabbed me the most (bottom row 3rd column). Not that I would make it with said crunchy fabric, more tartan or plaid wool. Quite by coincidence, I was planning on drafting one of my own last week. Looks like I wished hard enough!

The dress is quite nice. I think I’m being sold on the print though. Its a great shape but it is a variation of that tunic in the first section so I’m assuming the same issues with the neckline.

I may have liked more in this section had it not have been for the accompanying style tip on the page of the pink bouclé coat. Apparently ‘The egg shape form is ‘in’…’ Noooo! I don’t want to be an egg shape!

So to war it is then with the New Military section.

I love the opening furry lined mini cape. No fastenings. Nothing complicated. Just a chic little snuggly accessory. There is another, more practical cape of coated twill, top row, 2nd column. But I’ve never been one for a practical choice!

Now it’s probably the styling. This model and her mane is very striking, it has to be said, but there is something about that camo mini dress, top right. It is fundamentally a long-sleeved T with batwings and a front placket closure, cinched in with a belt, and I like it a lot!

You can keep the metallic voluminous shirt though!

The dress certainly looks better to me in darker contrasting colours (middle row, far right). I’d wear that and those fancy gloves!

And just as the army greens take hold, the Peace section comes bearing flowers and paisley. Never did I think that flares, ponchos and banana skirts would make such a return. But hey, each to their own.

The maxi coat is lovely (top, centre). Ankle-length with fitted upper section and gathered skirt. A standing collar with hook and eye fastening is a neat touch too. But I already have the loveliest coat pattern, as you know!

It’s a bit difficult to see the detailing of the jacket, middle row, far right, but it is essentially a uniform-style Sergeant Pepper jacket. Timeless and always so cool. Apparently its the ‘it’ piece of the season!

Plus fashions are a bit slim on the ground this month.

I’m not sure I approve of asymmetrically cut blouse with laid-in and partially stitched pleats with one white lapel (top row, middle pic). Far from being clever and a little bit unusual, it just looks like a bodge job. Sorry Burda. It looks far better in the ‘dark gemstone shade’ below it. All those ~~odd~~ fancy details are a little more subtle!

However the leather trousers (opening pic) save the day. I had no idea you could get ‘stretch leather’. Perhaps they are referring to ‘pleather’. You know how things get lost in translation. But maybe there is such a thing. mmmmm…. the possibilities!

And so to the kids! Shirts, dresses and strides in jersey and denim. Perfect for mucking around in.

I love the little girls jersey dress, made from patches with cute ruffles on the shoulders and ribbing on the neck cuffs and hem. Quite a bit of faffing I should think but the end result is really neat.

The little boys blazer steals the show though. Also made from sweatshirt fabric, it looks so cool but with the elements of stuffy and prep taken away.

There really are only a couple of defo makes for me in this issue: The skirt and the little fluffy cape. But that never ever deters me from looking forward to the next issue of Burda Style.

I can be inspired by a sleeve or a shape or a colour or a photographic location… and inspiration is what so totally floats my boat!

August 22, 2013

ooobop! review: Burda Style September 2013

Good afternoon lovely ooobop followers. Today I bring you news of September’s Burdastyle mag all the way from sunny Malta. Well actually not so sunny. More stormy right now, which Is why I am insanely posting from my phone. Impressed that I am able to do so but RSi of the thumb and index finger setting in already! Plus forthcoming punctuation and spelling blunders abound! 80s fans are in for a treat this month with batwing sleeves, baggy pants and pirate shirts aplenty! Some loves some hates but no borings! Batwings all of a sudden look great in open work knit lace. Fine example of the power of fabric! (Top right) and slinky floral dresses appear to make schoolboy socks acceptable! (Top left). I love the vintage style double breasted coat (top centre) but I already have the most divine coat pattern in the world! Just got to make it, that’s all but I do love and have a need for that fabulous tweed jacket. (Bottom centre)

Ok. Bananarama eat your heart out. The blouson and the chiffon is back! Add a cheeky little hat, raise that waistband, ladder those stonewashed jeans and you are as good as a walking time machine! All a bit too fresh in my mind, I fear and I’d certainly give Bobby Ball a run for his money in those strides… Rock on Tommy! But I can forgive that lovely dress (top left), socks and all! Asia style is up next featuring kimono sleeves, wraparounds and asymmetric necklines with a dose of almond blossom applique in jacquards, silks and linen lawn. I quite like the dress (centre left) with its wide over cut shoulders and would equally give time to the geisha style dress (centre right) but I’m not entirely sold on the sleeves. Irritated even by the thought of them flapping round my elbows! I keep promising myself a white shirt and the next section serves to remind me that it is a must have timeless wardrobe essential to dress up or down. That said, I’m not really drawn to any of these. I’ve got one in mind that goes by the name of Edith! A fabulous 50s style blouse pattern designed by Maria Denmark. The following shirts have their place but create just a bit too much white space for me. The ‘masterpiece’ a la John Richmond (bottom left) is 80s blouson typique in an extravagant mix of organza satin and linen. Totally time machine worthy! And even though its not included, I so totally want a black leather circle skirt. Plus fashions go Patagonia stylee this month. It’s all about patterns, layers and colours. That cape is so earmarked for my next UK camping trip. I will be the envy of all fellow campers. Though I imagine a few pleading orders will arise out of it too! The blue rouched jumper is described as a shirt if Angora jersey. I like it a lot. And I love the dress too with its high waist and softly frayed ruffle neckline. Baby Bliss rounds up this months collection with some really cute makes. Apart from the diddy clothes, patterns are also included for that cute little case and the doll and the moccasins. I don’t have a baby anymore but I so want to make all of these especially the dress and the blouse and the coat…

So there we have it! Mission September Burdastyle i-phone blog post complete. Squiffy eyes and permanent pointy finger but so happily delivered from the comfort if the poolside! Wishing you all summer loveliness and looking forward to reading about your new creations. Laters x

July 30, 2013May 25, 2015

ooobop! review: Burda Style August 2013

Well hello August Burdastyle Mag with 16 Free Patterns. So very pleased to receive you!

This month veers completely away from the beach and heads into Autumn with a whole range of styles. Heaven knows how the Burda team keeps it up each month. It’s as much as I can do to come up with one style that I wan’t to actually make!

Neo Romantic a la Downton Abbey, makes a dramatic entrance with chiffon and ruffles. Very reminiscent too of my 80s New Romantic phase. I’d have killed for a neck ruffle like that back then… and actually maybe now! Don’t ask me about the Michael Jacksonesque lace blouse though. I actually don’t have words. But I did use to have a dress very similar to that white one, top right. Though mine didn’t look like I was wearing pants over the top!

The lace dress in the centre is lined with silk. A fitted bodice and three quarter length sleeves make for a very special dress indeed. I don’t reckon I could carry off the Hong Kong Phooey look, alongside, though.

Bottom row left corner, coat is a very simple but stylish design and I might have considered it had I not have accidentally on purpose purchased a good looking coat pattern just recently 😉

I like the pinafore dress though. Very much. But it’s odd that the chiffon sleeves are joined on. I would defo leave them out and have the option to wear my own blouse under or not.

And that jacket, bottom right is really cute. I would defo have worn that in the 80s and I might be persuaded now. Leather puffy sleeves or not!

Described as having graphic inspiration from the 20s, I get an 80s vibe too from this next section: Form and Style. I don’t dislike anything from this section, I just don’t think it’s my thing. It’s a bit too ‘blocky’ and casual for me. I’m aware that it’s completely away from my colour palette (kidding myself I actually have one) and as much as I try and envisage the styles in a teal or a red or a black or an orange, it’s still not working for me. The skirt, top row centre, is quite interesting though.

And then enter the Style Icons!

Swinging London, rock ‘n’ roll meets bohemia. Now that’s very much more up my street.

I have had a blouse like the first one on my list for such a long time but the leopard print chiffon brings it up a line or two. I love the idea of leather drainpipes but might have to rein myself in a bit there! The jacket top centre is a very sleek chic sort and there’s a great step by step tute included for this one too.

Check out that cape! Kind of commands a big floppy brimmed hat to carry off the whole dramatic look and I might be inclined to add a pair of thigh high leather platform boots. (Woahhh…..there I go again!)

One of these days I will run up a maxi. I’m sure I won’t look back. I love the whole floaty nature of them but I just can’t seem to get going on one. Too busy eyeing up the leather pants and fitted jacket look! (bottom right)

Am I just fickle or is the next ‘All in Red’ section the best? Am I blinded by one of my favourite colours or are all of these styles indeed strong, sophisticated and stylish, red or not?

Ok, ‘all’ might be a bit of an exaggeration. The peplum is still hanging around. Just to annoy me. I got vaguely interested in creating something with a peplum at the beginning of the year. I toyed with it in my head and for whatever reason, now it just really annoys me. There is a ridiculous amount of volume in the front of this one too. I don’t need that kind of volume placement, I can tell you!

But I do like everything else. That gorgeous dress top left is made of washed silk. Red washed silk! So cool and soft and luxurious. I love that massive bow. But I dislike the pockets. I think they are too much for a fabric so delicate.

Red silk velvet for the dress 3rd one along top. I would make the front opening a tad more discreet but I do love an empire waistline. The collar stands higher at the front than at the back and again I love the three quarter length sleeves. Teamed with some 60 derniers and some Docs, I would be happy as some Larrys in that cheeky little number!

The coat is lovely but not as lovely as mine! 😉

The jacket bottom and bottom right is the one that has a supporting step by step tute. Such a versatile shape. Teamed with strides or a skirt. Dressed up or down. But properly bringing some class each time.

No little retro number for me to harp over this issue but there is a special Designer Style a la Wolfgang Joop. I had a ‘quick’ Google of the Wunderkind label and was pleasantly surprised. This dress pattern, though tamer than most of the dramatic styles I saw, is an attention seeker nonetheless. (Would be even moreso in red!) And oh how I love that style of fashion drawing. Going to teach myself how to draw like that one day.

But it’s the Plus Fashion section that captures some fine vintage styling for me. I love all the styles apart from the crazy wide cut silk trousers. It would take someone special to carry them off. I’m getting closer in my quest to grade patterns, having just dipped my toe in with my latest dress. So I’m taking more notice of the bigger sizes with the hope that one day my grading skills will be enough to start with any size and make it fit me just so!

And so the Children section wraps up this issue. But not in such an uber dramatic way. The coat is lovely but Little Miss Ooobop didn’t look overly impressed. And both of us agree that the skirt looks more like a sewing fail than anything else! I’m sure the T-shirt pattern will come in handy at some point but hey. I’m not complaining. I could do without a small person adding more to my list!

Any faves? Any already made up? Do tell. x

July 23, 2013

On winning my most favourite pattern yet

I do worry myself sometimes. It’s not as if I don’t have enough patterns. It’s not even as if I don’t own any lovely vintage coat patterns. They just weren’t the right ones. And I just didn’t know it until I saw this one. And I wanted it.

The trouble is, someone else clearly had the same line of thinking, and that person wanted it badly too. We went head to head on Ebay. I even warned my prospective opponent up front, via Twitter, that I really really wanted it. But when the bidding reached £40, still with 3 days to go, I decided to back out.

But I dreamt about the finished coat in the meantime. I had a vivid dream of twirling in a garden. Heaven knows where I was. That was beside the point. It was enough of a sign that I had to get back on that bidding horse. After all, how much in real money would a ready made coat like that cost me in real life? I bags I couldn’t even find one to fit so perfectly for any money.

But I wasn’t that hasty, oh no. I did a frantic 2-hour search online just to check that there wasn’t the self same pattern in hyperspace ready to pop in my shopping cart for a fiver. Of course there wasn’t. In fact there wasn’t a single solitary fitted coat pattern remotely similar, anywhere on the web. I guess that’s why I had such a fiesty opponent to deal with.

Anyhows. To cut a long story of a 7-day bid a little bit shorter. I won this gorgeous pattern for a princessly sum of £50. It made a giant hole in my monthly budget and It’s true to say I would have happily survived without it. But I don’t regret it one tiny little bit.

I’m casually stroking wool in all my local fabric shops. Doing the sums and still constantly dreaming of twirling around in the finished article. But I have to say, it’s doing nothing to help me keep cool at night, I can tell ya!

June 28, 2013August 6, 2015

Princess Jessica’s Prom Dress

I think I have kept you all in suspense for quite long enough. This evening is Jessica and Tom’s leavers prom and so I am allowed to reveal the dress I have been working on for the last few weeks.

I was feeling a bit poorly today so Mr Ooobop, like the knight in shining armour he is, set off with his new birthday camera without sparing the horses. The following photos are some of the loveliest he has taken. And I think you will agree that the beautiful subjects contribute somewhat to the awesomeness too.

Meet Jessica. The most wonderful 16 year old daughter of my friend Tina. Can you now picture the pressure that was to create her a prom dress fitting for such a beautiful princess?!

Tayla Harris was in-house hairdresser for the evening and styled Jessie’s hair beautifully. Complete with little jewels to match her necklace.

And ooo… look. A cheeky first glance of the bodice! Such a tease, I know!

Hair styled with jewels to match necklace

With make-up, hair and outfit complete, enter Jessie’s Prince Charming – the lovely Tom. I’m so pleased he liked his tie. He didn’t really have much choice in the matter, bless him. It was delivered seconds before this photo was taken. I only finished it this morning! And here we also have a side view of the prom dress. I’m getting there, honest!

Tom's arrival and receiving the tie — Tom’s arrival and receiving the tie

The tie was made to match Jessie’s sash as you can see. And Tom did a much better job of tying it than I did!

Tom looking more like Prince Charming every minute!

So now they were both dressed to impress, Mr O worked his magic and took some awesome shots of them together. Don’t they look adorable?

A beautiful portrait of the prom Princess and her Prince

I would love to be a fly on the wall tonight and take a picture of them dancing together. The dress is a circle skirt underneath 10 layers of gathered polkadot tulle so you can imagine just how twirly and frothy it would be.

Jessie came to me with a firm idea of what she wanted and luckily for me there was a very similar pattern in one of my old Burda magazines. I’ve got quite a hefty collection now. It’s always a joy to go through back issues and see patterns you didn’t notice first time round. But this one was on the money! The only thing I had to do, knowing how standard the sizing works, was to do an FBA. And I had to learn how to do it pretty quick!

Thankfully for me, and for Jess, I had recently come across a great set of instructions on the By Hand London site. These totally took the fear factor out of the whole process. And I learned so much. Not least of all to come down 2 sizes for Jessies petite body and then doing an FBA. It took just 4 fittings to get it right but oh it was so worth it.

The strapless bodice section of the dress is boned. For good reason! This was a first for me too. Though I did discover some fantastic boning in my local haberdashery department that sold pre-cased boning. I just had to sew it directly onto the open seams.

The front and back have rouched tulle stretched across 2 panels

The front and back have rouched tulle stretched taught across 2 panels. I love the way they ‘butterfly’ out from the centre seam. And I love how classic and timeless they both look here. Reminiscent of the 1950s.

The tulle overlay is ivory in colour and works so well to soften the pink. Kind of like a frothy strawberry milkshake, don’t ya think?! Of all the techniques involved in making this dress, funnily (or not so funnily) the most tricksy part was gathering all those 10 metres into a 27 inch waist. I even made several gathering threads to avoid breakage but it was still a nightmare. I ended up gathering small sections at a time and pinning it on the underskirt, on the mannequin and then hand tacked it all together before I even thought of taking it to the machine!

The bodice and skirt are lined in full with a slightly darker pink lining. That was one of the easier bits! Unlike the Burda instructions, I sewed the circle skirt lining to the waist seam and then once the bodice lining was seamed at the top, I turned under and hand-stiched the waist seam of the lining over the raw edge of the skirt lining.

Oh yes! How could I forget? The shoes!! Check out these amazing Kurt Geiger shoes that Jessie snapped up in the sale for a mere £29! Pink patent leather with bows and bling!

Have you got loveliness overload yet? I think I have. But hang on I forgot to show you the back. Pretty bow sash and all

And so the ‘royals’, unfazed by their impromptu photoshoot, bade their farewells and headed off to the prom.

I would so love to have seen everyone’s faces as they walked in together.

A massively big thank you to Mr Ooobop for these amazingly professional photos. I would never have got these together myself. I also have to thank Tina for asking me to make this dress for her beautiful princess. It has been such a huge learning curve for me. I don’t deny there was a fear factor involved. I had no choice but to get it right. But that’s how we learn fast, right?!

And last but not least for the ever obliging Jessica and Tom. You make just the perfect models and have brought such beauty to my blog! I am being totally honest when I say that these pictures brought a tear to my eye. I hope you guys had the time of your life! x

May 24, 2013

ooobop! review: Burda Style June 2013

Can you believe this is the summer edition of June 2013? I can’t. I’m wrapped in my fleecy blanky, fingerless gloves no less, shivering my butt off as I point blank refuse to turn the heating on. My toes are curled for no other reason other than I can’t uncurl them because they are frozen solid. Is this weather for real?

I really want to get excited about summer clothes, really I do. But I’m struggling. So if you hear a slightly less enthusiastic tone this month, please bear with!

First section up is… Summer Fashion… ha! “Keep looking stylish, even in the heat…” is the opening line of the first intro copy. Ha bloody ha! Rub it in why don’t ya!

Ok. I’m going to try. I actually do really like the hand finishing on the brown shift dress, bottom left (above). Its a great couture technique that I’m thinking of employing on a future wool crepe dress I have planned.

The shorts, centre, bottom row, are not dissimilar to the plaid shorts I made. These ones are made with stretch pique which sounds more comfy. I will defo give these a go as one of my gripes was the lack of facing with with Simplicity ones. I know I could probably draft one but hey, I don’t need to now! A bit difficult to see in the photo (top row, centre pic) but that t-shirt looks to be a good fit with side panels and neat little sleeves. Don’t have an overlocker as yet and I’m wincing at the thought of messy insides so I’ll just hang on a bit for that one until I win the lottery. Boy I can’t believe how much those overlockers are!

My dislikes are the pink pants, bottom right. I love this look on the right kind of body. I don’t have that kind of body, unfortunately so they won’t be appearing on my list anytime soon. As won’t that dress top left corner, funnily enough. I say funnily enough because at first glance it looks like a classy dress. Save the pompoms! But it’s not even the pompoms that are putting me off. I quite like them. Its more the “artfully laid little pleats” that appear on the right shoulder aligned with the left hip. Even from the photo I can see some annoying crosswise folds that would annoy the heck outa me!

So who doesn’t like lots of dots? That’s the theme for the next section:

I think I can safely say I like everything in this section save the long shorts, first column middle row. Just a bit unflattering and boyish for me. I love the shirt-dress top right, most of all. If Me-Made-May’13 has taught me anything it’s that I need more shirt dresses. I love how comfortable and stylish and edgy they can be. It’s not to do with cutting edge design. More clever choice of fabric that makes a great shirt dress. And I’d love to have one for every day of the week. This is quite a slim-fit one and it sure fits the bill as far as I’m concerned.

The shift dress, bottom right corner, has some great side panels that are piped. I still haven’t attempted piping but this would be a great opportunity to practice. It would also be a great chance to practise some colour blocking too. Employing some block colour in those panels would create a great slimming effect.

The cowl top with gathered sides (top left corner) is a firm fave too. Much more stylish to wear than a plain old T! And I love the yellow swinging full skirt. Perhaps not in yellow though. It’s got plenty inset godets on top of all the gathering. And a big bow at the waistband. Dead funky!

The next section is all about beach wedding/party dresses. I truly have goosebumps right now thinking about how the chiffons and georgettes might feel next to my skin, but there are some pretties…

The cowl neck dress, bottom left corner, is my favourite here. With its side gathers and simple shape I think it could be really flattering and perfect for a few evening cocktails on the beach. The dress, top right, is quite stunning and doesn’t look that difficult to construct but there is some yardage of crèpe satin going on here, so it’s not really for the ‘thrifties’ among us!

I don’t dislike the others. They all have their place. Apart from the strange diagonal pleated bodice dress, top left corner – same issues as that purple dress in the first section. Oh, and that one sleeve wonder dress bottom right corner. Not sure I could handle that!

So, swiftly we move on to ‘Surfer Girl’. Not me. Not any part of it. I have noted there are a lot of runners that sew. Or sewists that run! I wish I could say I was one of those. But I’m not so I will leave judgement in the hands of the “Sporty Spices” of the sewing blogger nation…

That said, the little jersey skirt in the centre, bottom row, could be a quick and easy casual make for holidays and weekends. The jacket is a bit 80s for me, mind!

The Mother & Daughter section is at the very least tweeee!

Would anyone ever consider dressing to match their daughter?

I quite like the dress, top centre. Though it looks a bit starchy in the batiste. I might be inclined to use something slightly drapier. I do really like the idea of printing on the fabric though. That would totally seal the uniqueness of the garments. You could really create some signature pieces with a clever use of design. I just made a skirt, similar to the star-print one, top right corner, but from an old vintage curtain. I love the deep waistband. I need to finish mine but I hope it looks as good as it does on this mummy!

The Plus Section gets as much attention, if not more this month:

I love how each of these designs incorporate clever structured detail to flatter the curviest of bods. Simple lines and crepe satin exude the elegance and the loose cut sleeves and empire waistline of that red dress, bottom left is simple yet stunning. But the one I like most is the red dress on the right. Cute standy up collar and dinky button loops on a fabulous yoke bodice add perfect detail to really versatile dress.

So what do you all think? Any faves? Any absolute disses?

I’m off up the wooden hill to Bedforshire right now. I’ve given up trying to keep warm. But I’m still thinking shirt dress. Perhaps in some rockabilly print that I have in a box somewhere. I’ll dream about it and see how it looks!

Night all. And thanks so much for keeping up with my ramblings x

May 5, 2013

ooobop! review: Burda Style May 2013

Well this review very nearly didn’t happen. Firstly because I was in a grump when I bought May’s issue – there was no way that anything was going to impress me that day – and secondly the usual onslaught of work that is always determined to steal my blogging/sewing time!

But do you know what? The delay in between purchasing the mag until now has been enlightening. I am seeing much more potential in designs that I had initially dissed and I am seeing some valuable ‘easy makes’ that might just dig me out of a hole for Zo’s ‘Me Made May ’13’! Admittedly I am in a better mood now the sun is shining so that also helps the different slant!

So without further ado, let me present Full Bloom, the Flower Fashion section.

Lots of pretty lightweight floral loveliness going on here. I so wish I had the guts to go for one of these jumpsuits/playsuits whatever you like to call them. They look such fun. I just don’t think I could take the heckling from the smalls!

A bit difficult to see the detail, but the gathered drawstring top (below, top left corner) looks to be one of those easy ones. I have a fine bit of floral chiffon that I think should do it justice. The bikini below that looks a bit homemade if you ask me. Possibly the fabric – metallic poplin? But that aside I do think with a long skirt attached to the bikini top, it could be transformed into a gorgeous maxi. But my fave by far, out of all these flowery numbers, is the green print dress, on the right. It has a flattering midriff section which I love and some cheeky patch pockets on the skirt front. Total win!

The top (below, top left corner) is a super easy make. Its a tulle lace top over a shorter jersey one, sewn together at the bateau neckline. If you don’t fancy the belly button action, you can always make it longer and I’m sure it would be just as pretty. The denim shorts are included too, though surely easier to cut some jeans down?

I keep coming back to the green, v-back flounce dress but I’m not sure I’ve got Twiggy enough bod for that. Pretty though.

The dress at the end couldn’t be simpler. A long straight cut shirt with low-cut armholes. Pretty much 4 rectangles! Made from transparent chiffon and worn with an underdress. In fact the underdress is far more complicated! Perfect for the beach or a picnic or wherever the sun shines!

Top Stars is next up. A great little collection of funky tops. The gathered draw-string top features again, in a plain brown crepe this time. Not much of a variation except for the length, I think but great to see it in a block colour. If it really is quick to whip up, I would love a few of these to stick in a holiday suitcase.

It wouldn’t be a summer issue without a ‘whites’ section. So here are some of the more romantic looks this month. I personally could never leave the house in a dress as white as this and certainly wouldn’t survive more than half an hour in London if I did, but they would be well-placed on a sunny beach. The dress on the right probably shows in more detail how the upper section of the green print floral dress works.

Add some blue to the white and behold my favourite section of the mag. The Vintage Style. This little beauty gets away with being so stylishly modern despite its top spot in the fashion charts circa 1965. Tricky to see but underneath the deep V-neck, it has a fabulous seamed empire line, finished with a cutesy bow.

Given that my chances of a tropical holiday are very slim this year (or any year to be fair!) I’m finding it a bit hard to relate to the styles and colours in the Tropical section. 10 out of 10 for innovation though. I’ll wait till someone else tries that green knotted skirt!

But I did pick a few tropical delights. Check out the gorgeous Maxi dress (below, left) in large print satin! How divine would that be as you floated off for a pina colada all tingly from a day on the beach! The centre top is a must-have too. I love all the rouched detail is in the back. And the dress on the right is such fun!

I think the kids section is a little strange this month:

Apart from this little red number that I’m trying to persuade LMO to like!:

But hey! I’m not going to push it too much. It’s not like I haven’t got enough on my list already!

And last but not least is the Plus Section. Not so hot this month. But some pretty functional pastels all the same. I really don’t think the shot of the pink jersey top and the grey taffeta skirt (bottom left) best portrays these styles. They both have fabulous details. The top has side gathers just over the bust and to the hem. And the skirt is a double layer, the over-skirt being pretty much a square which creates those lovely flounces. It also has a jersey waistband which would add a bit of comfort to the class!

So there we have it, lovely readers. I do so apologise for the delay in getting this to you. No doubt most of you already have it in your clutches. But for those that don’t yet, I do hope it helps to bridge the gap until you get hold of your copy.

Happy sewing everyone! x