style – Page 9

August 9, 2012

Drafting a skirt block made clearer

Why on earth would I want to go to the bother of drafting a skirt block when I already posess a pattern collection of monster proportions? Good question.

Well apart from the fact that I am the world’s greatest procrastinator, it’s mostly because I plainly just don’t like not knowing about stuff! Well, that plus the fact that I wanted to create a perfectly fitted skirt! I have managed it once or twice before, by adjusting patterns, but only by the power of ‘flook’ and not by any knowledgable means.

Making a fitted skirt pattern is something I have been wanting to do for such a long time. I looked into taking a course but was really shocked by the prices. I guess I set my hopes high starting with the London College of Fashion! Getting a course to fit in nicely with work and children is a bit tricky too. So I set out on a mission to self-teach! It has taken me a long time to get my head round it (the old grey matter aint what it used to be!)… and get round to actually doing it.

The truth is, I am quite impatient and the idea of some mountainous mathematical process leading up to the joyful part of sewing wasn’t very enticing to say the least. But if I am ever to realise some of these far fetched designs I carry round in my head then I have to start learning to draft a properly fitted skirt block at the very least!

To be honest. Now that I have sussed it, it seems remarkably easy!

The hardest part of this process was being totally honest about my own body measurements! I’m forever thinking I’m smaller than I am or believing that if I make anything at least a half a size smaller I will loose some pounds to fit into it properly! But I had to be true to myself this time if I was going to go to the effort of making something to properly fit.

The following instructions have been compiled from various sources and put together here in a fashion that is clearer to me. I can’t claim this as the best way forward for everyone. So if you are going to use these instructions and make a skirt from the pattern, please make a toile first! I needed, in any case to document the instructions as a note to self because even after my first attempt, I forgot some of the process! This method really did work for me and it would make me such a happy bunny if they work for you too, so be sure to let me know!

All measurements are in inches (sorry). I use millimetres in all that I do at work but I can’t break away from imperial measurements for sewing and cooking!

Drafting the basic skirt block

First make a note of your measurements.
It is easier if someone does it for you. Less chance of cheating!
Make sure the tape measure is comfortable and not tight.

You will need 3 measurements:

Waist
Hip
Length

and the following materials:

A large piece of paper, that is just over half of your hip measurement by just over how long you want your skirt to be. (Tape pieces together if necessary)
A long ruler
A pencil
A right angled triangle/set square.

NB: this pattern allows for 1 inch of ease which can be altered to suit.

(Click on the images to enlarge)

STEP 1:

On the left hand side, draw a vertical line the length you would like your skirt to be.
Mark the top point as W. (W to L = length of skirt)

STEP 2:

Draw a line at right angles to point W, to the length of half your hip measurement + 1/2 inch ease.
Complete the rectangle.

STEP 3:

Draw a vertical line between the two outside edges, at a distance that measures 1/4 hip measurement plus 1/2 inch ease, from the centre back seam. This will separate the front from the back pieces.
Mark the left vertical line as centre back and the right vertical line as centre front. Draw arrows on centre front to remind you to position centre front on fold.

STEP 4:

Measure 8 inches down from the W point. Mark this new point with H. Draw in the horizontal Hip Line.
Measure half way between the Waist Line and the Hip Line and draw a line across. This is the Middle Hip Line. Mark it MH.

STEP 5:

Draw a line from point W that rises to half an inch above the Waist Line.

Measure across from point W, diagonally up to the new guide line, the distance of 1/4 waist measurement + 1/4 inch ease + 1.5 inches for 2 back darts. From that end point, draw a line down to the point where the Hip Line meets the centreline. This creates the hip curve and a shape to the waist.

Repeat the process for the front pattern piece to create the hip curve for the front side. The diagonal waist line for the front piece will be 1/4 waist measurement + 1/4 inch ease + 3/4 inch for 1 front dart.

You can use a french curve or freehand to give a smoother curve at the end.

STEP 6:

To create the front dart: find the centre point of the wast line on the front piece and draw a vertical line, from the Waist Line to just before the Middle Hip Line. This is the central fold of your 3/4 inch wide dart. Draw in the dart as shown below.

To create the back darts: draw 2 vertical lines equidistant across the Waist Line. The dart nearest the centre back line extends to an inch and a quarter down past the Middle Hip Line. The other back dart, nearest the side seam, extends just to the Middle Hip Line. Draw in the two darts, each 3/4 inch wide at the top, as shown in the diagram below.

NB: please note that although these darts appear to be standard measurements, you may very well have to alter them to suit your own body shape. Making a toile will highlight if this is necessary for you or not.

Et voila! The tricksy bit is done!

All that remains is to smooth those curves, cut the front and back pieces apart and add seam allowance. You should be familiar with this process if you regularly use Burda Style patterns from the magazine! 5/8 inch is usual. A good hem allowance is between 1.5 and 2 inches.

Remember not to add seam allowance to the centre front, but do add it to the centre back.

To create the facing, I traced from the Middle Hip Line up to the Waist Line on both pieces, cut out and folded the paper on the dart lines to create the curve at the waist. But you could alternatively make a waist band, whereby a facing piece is not necessary.

I do hope this is of help and that I didn’t make it too confusing. Do shout if I’ve missed anything or if there is anything you don’t understand.

First skirt from the self-drafted pattern

Probably the most boring skirt I have ever made, re. choice of fabric, lack of features… not even a walking slit, standard length etc. BUT, by the same token, probably the biggest learning curve so far!

This is a very wearable toile. I’m so glad I did this. Pencil skirts are a great go-to for work. Especially in neutral colours. This is a very lightweight, cheap suiting fabric and I never thought it would be wearable but with the addition of a lining it gained a bit more structure. To create the lining pieces, I cut the same skirt pieces from below the line of the facing and added a couple of inches across the width of front and back for ease, which was incorporated as a pleat along the top seam line. Incidentally the two-tone polka dot lining is far more interesting than the self fabric! I found 3 metres of it in a Charity shop recently for £1!

I inserted a lapped zipper but I still need a little practice in that department! One great tip I picked up along the way, however was to take the loose thread from the baseline stitching of the zip, thread a needle and take the thread to the inside of the garment. You can then either knot the ends together with the bobbin thread or, in the case where the bobbin thread is too short ( I have an automatic cutter and this often happens) you can just do a couple of reinforcement stitches and snip. It all helps to create a flawless finish on the outside.

I love the idea that I am on my way to making custom fitted garments. Im sure it will be a very rewarding journey.

I am going to experiment a bit more with variations on this block before I steam into the creation of a bodice block. I like the idea of changing the darts to princess seams, perhaps with piped seams, making it more of a wiggle skirt with a vent, and making a high-waisted version too. Oh hours in the day… where art thou?!

July 22, 2012June 13, 2015

The Daphne dress

In between the quilting and the vintage dresses and the obsessive pattern buying I’m quite often being art-directed by Little Miss Ooobop! for her next dressing up party outfit. Today was her friend’s birthday party, Scooby Doo was the theme and she wanted to be Daphne.

Burda Style 10/2010 came in handy, and not for the first time, with a great kids pattern for a long T shirt. The original had a button placket and long sleeves which wasn’t an option for Daphne’s dress. Believe me, LMO does her homework good and proper. The only requested variation was that the dress had short sleeves in case it was sunny. She wasn’ t wrong, that daughter of mine… what a glorious sunny day we had today.

The fabric is a mauve stretch cotton jersey which we found in the first shop we went into! And at £3.99 a metre, a bit of a bargain too! The satin bias trim was from my favourite haberdasher stall in Shepherds Bush market for 40p a metre! No other notions. A v-neckline makes sure of that.

To alter the pattern I simply cut the the body back and front on the fold, ignoring the placket shape. I lengthened by 4 inches and changed the neckline to a V-shape. And shortened the sleeves of course.

I used the trusty side-cutter to do a faux serge on the seams. Honestly it works like a treat! And I used a stretch stitch to finish the hems on the skirt and the sleeves. I have finished a v-neckline with stretch jersey once before, on my spotty top, and it was great to practice it once again. In fact I think I did a much better job this time!

The hairband is quite literally a tube of the stretch jersey. A head measurement minus an inch. No elastic involved. I just relied on the stretch of the fabric and it was fine. I wasn’t going to get too bogged down with it as it was going to get ruined by orange hair spray in any case!

The neckscarf is half a metre of finest lime green polyester, seamed all round with a gap for turning! Actually I was lucky to be served half a metre. Apparently only regular customers get that deal!

The only tricky thing about this project was getting said daughter to pose. It’s getting harder and harder to get her to willingly and graciously pose. It normally involves hard cash but today we got off light with a double scoop ice-cream!

July 18, 2012

Vintage patterns on Ebay… but not for the faint-hearted.

Mostly I am not very good at bidding on Ebay. Which is a good thing because I could very easily spend a fortune on vintage patterns and fabric. Don’t get me wrong. I do win bids, but at a price. The original quest for a vintage pattern at a bargain becomes a fight with an undisclosed bidder whom I won’t let get the better of me. And thus the whole bargain thing goes right out the window.

Well it depends how you look at it I guess. I am currently ‘watching’ Vintage 1940s, 1950s job lot of sewing patterns & ephemera 30+ patterns.

My original bid was for £30. That’s what I was willing to pay and if I lost then that should have been the end of it. But no. Somebody had the cheek to outbid me. So I upped it to £42.02. That should trick ’em, I thought! Then, when they up their bid to £40 they will think I’ve bid a lot higher, and give up, and let me have all those lovely patterns. But no. They’ve gone to £52.69 and there is 13 minutes remaining. I am actually biting my nails. What do I do? Hang on in there? Bid at the last minute? But at what price? That’s £22.69 more than I wanted to spend. But they’ve got to be worth at least £5 each, surely. That makes £150. I’m so not paying that. Going to go for £70 top whack.12 minutes, 30 seconds to go. My heart thinks I’ve just run around the block at least 5 times. £75.27 in the maximum bid box. That should do the trick…..just in case they’ve got plans on £70. 10 minutes 36, shall I ‘place bid’ now? No. Hold tight. They might be thinking the same. Its been a while since I’ve bid. They will think I’ve lost interest. 7 minutes 8 seconds. Do I really want these. Haven’t I got enough already? Maybe. But I wont be beat. Especially by someone who refuses to reveal their identity! 6 m 9s. Not yet. Hold back. Don’t give them time to respond…

I left it ’til 20 seconds to go. And I confirmed my max bid at £75.27… knowing I shouldn’t really. £53.69 accepted. Phew! glad it wasn’t the full max bid…and I pipped that bidder to the post… oh yeah… oh yeah!

Here is a section of my prize haul which I won, just now, fair and square (… oh yeah!):

When they arrive for real I will give them the proper photoshoot they deserve. Not sure I can cope with that amount of stress again in a hurry. And really, I do now have enough patterns… I do now have enough patterns… I do now have enough patterns… don’t I?

July 14, 2012August 15, 2019

1940s shirt dress revisited

I always wondered why, with all the patterns in the world, would I ever make one twice? In the case of my peasant tops, here and here, I can only say it was because they were dead easy and required little brainpower, perfect for a late night sew. But in the case of this dress, the rationale was purely because I’ve never had a dress I feel so at home in! I had in my head, that I was a simple shift dress girl but actually I think I’m more of a shirt-dress girl!

Without the association of the pattern, I wonder if anyone would guess it dated back to the 1940s? Do you think it’s obvious? Or have I been looking at vintage patterns for so long now, I think they are the norm?! Perhaps if I were to style it with appropriate accessories: hat, bag and gloves, it might give the game away, but – dressed traditionally sporting wellies and a brolly – I think it also crosses over as a modern shirt dress too.

I’d like to tell you what this fabric is but I have no idea! It’s red and it’s 100% cotton for sure. Kind of like a cheesecloth seersucker but not, and vaguely reminiscent of my candlewick beadspread I had as a child… without the little soft threads that pulled out oh-so satisfyingly easily! I thought it might be ribbed cotton. I’ve heard that mentioned before but I really haven’t a clue. It was kindly donated to me by a friend who desperately needed to get rid of a big bag of fabric… I could never be like that! And I knew what ‘the red’ was destined for immediately.

It came together sweetly as before with the addition of a few minor changes. I added a third button just because I love the little ‘targets’ and two didn’t showcase them enough. They cost £2.45 for six, bought at the London Vintage Fashion, Textiles and Accessories Fair, September 2011 and I think they are vey happy on this dress!

I made it an extra inch longer, but really could have gone for 2 inches… oooh, I am getting brave in my old age!

I also added an extra inch around the midriff, knowing the struggle I have to get the dress on, over my head and judging by the photos of the last dress, it does look a bit snug. But it was highly unnecessary on this version. The mystery fabric, unlike the shoe fabric, has a lot more give and resulted in little poofy bits at the sides. I put it on the mannequin and looked at it for a few days, wondering if I could get away with it. I probably could have done, but it would have annoyed the hell out of me!

And so… I sensibly turned the dress inside out and chalked and basted where I wanted the new line of stitching to be. Namely half an inch in from the original seam, starting from just above the waist, in a straight line up to the armscye. I tried it on again and was much happier with the silhouette.

Dutifully, I removed the basting and unpicked the topstitching where the midriff meets the bodice. I sewed the new side seams on the bodice over the chalkines. Sewed the new side seam on the right side of the midriff section and trimmed the left side opening to match (where the zipper goes).

I must be getting better at this. I would never have had the patience to do that a few years ago! But it was of course, worth it and now I am a happier bunny!

Here is a picture of the zip in the side seam. Once I’d sewn one size of the zipper in place, I made sure to make chalk marks where the midriff needed to line up. I pinned the second side of the zip to those marks first and then pinned the rest. Worked like a treat!

I opted for longer sleeves this time. Not full length, just three quarters. Mr Ooobop! thinks they will annoy me being so fitted and I have a little tendency to agree but I wanted to see how it affected the overall look.

I’m intrigied by the construction of the sleeve with darts to shape the lower arm. I guess this is a vintage thing because, to date, I have not come across these in a modern pattern.

Allowing for adjustments, this dress did seem to take longer than the first. About 5 evenings after work, spread over a couple of weeks. I have been really keen to see it finished but not so keen that I wanted to rush it and ruin it! And in any case I had to wait for Mr Ooobop! to be around to do his usual photo magic . . . and for the sun to come out! Well, we gave up waiting for the sunshine!

I’m sure that this little revisitation wont be the last but I do have an incredibly long list of other ‘wannamakes’ to tend to first, so its back into the envelope and into the box ’til next time!

Do you like to revisit a favourite pattern or do you prefer to try something new every time?

July 9, 2012August 30, 2019

Horizontal or vertical buttonholes?

I’m in the process of making a second version of the 1940s shirt dress I made in May, and I’ve been prompted into wondering (ie arguing with Mr Ooobop!) whether it is usual to make horizontal or vertical buttonholes on a garment. I couldn’t bear the quandary any longer!

So I did a little research and came up with the following…

Horizontal ones allow for a little more expansion. The button can slide along the opening without distorting the buttonhole as much as a vertical one.
It’s easier to sew buttons in position, following a column of vertical buttonholes as there is a little more room for manoeuvre, but you have to sew them on more accurately to meet the positions of the end points of horizontal buttonholes.
Horizontal buttonholes generally can’t be placed on a shirt placket band as there is not enough room for them to sit comfortably and so vertical ones are used.
Exceptions include the collar and cuffs where there is more stress, then you will find a horizontal one. And in the case of more expensive shirts, the bottommost button too!
Horizontal buttonholes take a bit longer to create as the foot needs to be repositioned and position measured each time, whereas its easier to shift the position down each time for vertical ones. I’m thinking this is a reason for mass produced garments having vertical ones.
Horizontal buttonholes stay buttoned more securely. Any stress across the garment opening, pulls the button into the the end of the buttonhole, where the button stops.
It is a little less-fiddly to button up with vertical buttonholes.
Most vintage patterns are marked for the buttonholes to be created horizontally.

So there you have it… fascinating, hey?! It doesn’t prove much except that you can seemingly create them however you like… so long as it works for you and your choice of garment!

I’m going with horizontal ones and now feel much happier about doing so. Apart from the fact that it makes me feel a bit rebellious, (and that I won the argument) I like that it’s a little bit of authenticity for this little 40s number.

Which way round do you sew your buttonholes? Any reason different from the above?

I’m hoping to have said dress all finished and blogged by the weekend so bring on the sunshine so Mr Ooobop! can take some sunny shots!

July 6, 2012June 12, 2015

Vintage pattern treat time!

I know, I know, I know… I have enough patterns to sink a battleship. Well that’s what I’m contantly being told. But it’s not strictly true, is it? I would need quite a few more, actually, to really make that happen! Plus, I haven’t bought any in aaaages!

Truth is, I really (honestly) didn’t have many cool blouse and top patterns. But now I have!!

I’m hoping these vintage top patterns will transform into a lovely collection of go-to tops for those panic mornings when I’ve come flying out the shower to find an outfit in 5 minutes for work! They all call for polka dots, stripes and gingham and I will find it hard to go outside of those boxes but will have fun trying!

Oh and this little 40s dress was just waiting to be ‘saved’ by me. Would have been plain rude not to!

1940s dress styles are fast becoming my favourite and my best! I love how fitting they are without being too saucy! I have only made this one to date but it happens to be the most comfortable and flattering dress and always gets lovely compliments. I am currently working on another version in a solid colour and I am also reminded how simple the pattern is too, thank goodness!

What is your favourite era for patterns? Or do you prefer modern ones?

June 30, 2012

Lady grey retro top

I saw the pattern for this top in the May issue of Burda Style (2012) and it made the project list, even usurping the more ‘urgent’ projects! The back as you can see is fabulously buttoned all the way down which I love but have you ever tried buttoning yourself up back to front? I have got better with practice though, and I reckon I could give Houdini a run for his money now!

The fabric suggestion was for embroidered batiste. I didn’t have any of that to hand but knew the fabric had to be a little bit interesting to make the front not look so boring! I have a heap load of this white eyelet stuff in my stash. I thought it was cotton but when I did the burn test it proved not! I still thought it would be better dyed. I always feel a bit prim and proper in white! This is the result of using black dye on a not so totally natural white fabric…

I quite like how it turned out. The dye coverage is uneven, probably only colouring the small amount natural fibre content to get this linen look. And the embroidered detail, which I knew was synthetic, unsurprisingly remained white.

I went up a size from my usual, (given the few extra pounds that have decended upon me recently) but to be honest I probably needn’t have done. The style is very boxy even though it has front and bust darts. But it is very cool to wear, perfect for what appears to be our summer (not holding my breath) and perfect for teaming with pencil skirts for work.

So apart from taking it a size smaller the only other alteration I would make is to the neckline. The instructions were to sew the bias binding 1cm past the seamline. This struck me as a bit weird as it would have been easier not to have added a seam allowance in the first place, surely? Anyhows I sewed the bias binding ON the seamline…. afterall isn’t that what a seamline is for? It turned out ok, much like a vintage jewel neckline but I am going to try omitting the seam allowance next time, just to give a little more room to breathe!

June 6, 2012June 13, 2015

easy peasy spotty top

Despite sewing at every available opportunity, my wardrobe is still lacking in basics. Tops mostly. And particularly ones that go with everything. I spotted this pin dot jersey in a remnant box for 99p and imagined it as a top right there and then. I’m still quite scared of sewing with stretchy fabric but only because I don’t do it enough, and that is probably why I have a serious shortage of go-to tops. But I have to say, this pattern: New Look 6753 really was as ‘easy’ as it said on the packet.

I remembered to use a ball point needle and set the stretch stitch and a couple of hours later it was ready to go. No notions, no sleeves, no lining… just the ticket for a brain addled by a weekend of pure self-indulgence!

The binding on the armholes and neckline looked to be a bit tricky from the instructions, mostly because I hadn’t done this before but it was painless, I can assure you. The binding strips are cut on the cross grain and not on the bias because, hey!… it’s stretchy already! The strips are seamed with right sides together on the short ends to make a loop and then pressed, long edges and wrong sides together. The binding is sewn, raw edges and right sides together and then the seam is pressed down towards the garment and a row of stitching made close to the seam from the right side, to stop the binding from rolling out.

To retain the ‘v’ shape neckline, before the binding is attached a small snip is made at the point of the raw edge of the ‘v’ and opened up to sew the binding on. When seamed and top stitched, a little dart is sewn on the wrong side of the binding to pinch the shape back into the neckline. All clever stuff!

As you can see from the picture above there is a top and a bottom bodice section. The top is subtly gathered to give some shape and create a bit of detail. This particular jersey fabric is very fine. Not sure of its content but I’m sure the shaping would have worked better on a sturdier stretch fabric. Not complaining at all for 99p though. This was a fabulous outcome for what really was a test drive.

I’m also sure that it is possible to go down 2 sizes in this style. I went down one size and it is still very roomy, though to be fair I haven’t washed it yet and if there is any amount of cotton present it is bound to shrink a bit, I hope!

I wore it today with my shorts which incidentally didn’t coordinate at all! Ironically, it appears I don’t have anything at all to go with this top so I now have some plain skirts to add to the project list. I did however have a snazzy M&S jacket to pick out the red of the shorts. Should have worn the blue shoes too I guess… doh!

June 1, 2012June 12, 2015

Blue suede shoes… and no silly walks!

Well you could’ve knocked me down when I saw these in Clarks! And in the sale… and they’re wide fitting (for my stupidly square feet) and so blue and soooo incredibly comfy and now they are mine!

They go by the name of Camelia Kate and a bargain, methinks, at £34.99. Here’s a link if they make you go ‘ooo’ and you fancy a pair too!

More often than not I will go for quirk over comfort when it comes to shoes, and that usually rules out Clarks, but these little beauties ticked all boxes and were defo one for the money! They have little spongy bits to soothe the ball of your foot which means I don’t look like a member of the ‘Ministry of Silly Walks’ when I come home from work! (usually like the lady with the tea tray)

[youtube http://www.youtube.com/watch?v=9ZlBUglE6Hc]
And before you ask, no of course I don’t have anything for them to go with, that would be plain silly!

May 27, 2012August 15, 2019

The 1940s Shoe Dress

I do believe I have just made my most fitting and appropriate dress for this lovely hot summer we have just entered into. And it’s covered in shoes! And it fits in with this weeks Sew Weekly challenge, ‘Inspired by the 1940s’. And I just realised it matches my Ooobop header too! I am just a little bit happy!

Last July, I posted about the ‘shoe fabric’, quite sure it was destined to be a 1950s shirt buttoned dress. The pattern had to be just right. I wasn’t going to waste that fabric, even if it did only cost a fiver! That was until I found this amazing pattern for a 1940s shirt buttoned dress which was spot on.

I was sold on the midriff! I knew it would be flattering, it was just a question of how the shirt top would fit. Well it all went together like a dream. I took 5 inches off the length, worried as usual about the granny factor but actually I might be inclined to leave it a bit longer next time. And yes, there will so totally be a next time! The other alterations I made included adding 2 inches to the waist, being careful to add it to the shirt top and the midriff and the top of the skirt.

I was a bit worried about the gathering ‘poofing’ out the skirt section so I replaced the gathers with soft pleats. I know it kind of takes away a bit of the authenticity but I think its a lot more flattering. I also included a little turn up on the sleeves, as I did with my wing collar shirt. Just a little detail but I think it finishes a short sleeve much better and gives a little more interest.

I so enjoy a good old rummage in the button tin. I quite often had my whole head in my mum’s button tin when I was little and so the whole searching for the right button thing generates such a nostalgic feeling which escalates to pure joy when you find the perfect ones! These two little red beauties were 2 of a little set so kindly gifted to me by Rachel at House of Pinheiro as a thank you for doing a little guest spot over at her place! Gotta love this whole blogging thing!

The back of the dress is finished off nicely with side-ties that tie in a little bow at the back which also serve as a great device to hide the near invisible side zip.

Of course, there are no prizes for guessing who took the lovely photos! Mr Ooobop! is so clever and so willing and so lovely. My blog would be truly rubbish without his wonderful photos.

We had such fun taking these today, en route to lunch in a local pub garden…. and then onto dinner at our local Italian restaurant, Casa Mia. Totally indulgent day today but it wasn’t our fault. It was all sunny and everything and we were seriously confused into thinking we were on holiday!

Sewing, Sunshine, park life, Prosecco and pizza….and more sunshine! I am so easily pleased!