sewing for ladies – Page 11

November 28, 2014

Georgia the party squeeze!

Meet party girl, Georgia! She was meant to be my party dress for last Christmas. But well, you know what happens. I make a plan… and then I make another plan!

But nevertheless, here she is for this season’s line up of parties. Kicked off at London’s Bob Bob Ricard’s no less, for my good friend’s 50th birthday celebrations. I even had the foresight to ensure I coordinated perfectly with the lavish decor of black and gold.

Mr Ooobop wasn’t available to do his paparazzi bit, so many thanks to the lovely @Alphabeckles for this impromptu snap.

The pattern and instructions for the BHL Georgia dress are dead easy to follow. And the online sewalong is a great back up for the finer points.

I made some personal pattern adjustments that included a little FBA, a little shortening of the straps, and a not so little gradation from a 12 at the top to a 16 at the hip (Well that certainly was a surprise!).

I dutifully made the above alterations to a toile but the age old problem was that my toile fabric, although relatively the same weight as my chosen fabric, had a little more give. My gold and black heavy silk-like, embroidered viscose brocade had absolutely none, zilch, diddly-squat!

Yes I know! I know damned well the By Hand London ladies recommended a fabric with a little stretch so please don’t remind me that I totally ignored their perfectly perfect advice!! But you see I got sucked in by the gorgeous tartan version that Sally Bee made! And she used a woven with no stretch!

It must be mentioned that although I was exceedingly honest with my measurements for this dress: over bust, full bust, waist and hip. I neglected to take into consideration my underbust measurement. I think I have a disproportionate ~~bird~~ rib cage to be fair!

And so once I realised that I was going to twist my spine out of alignment or at best pull a muscle doing up the side zip of the actual dress, (which actually wasn’t going anywhere above waist level anyway) I figured I’d have to gain an inch at least from somewhere. So I claimed half inch from each side seam of the skirt side panels and accounted for that in the side-seams of the bodice too.

It fitted. Boy did it fit. No room for sharp intakes of breath but it looked pretty damned good, even though I say it myself.

I grinned and beared it… all day (yes I wore it to work before hand!) and all night.

But at some fateful point over that corsetted period I acquired a little uninvited breathing space!

This happened of course because I had left the teensiest of seam allowances to glean my inch and although I serged the tiny seam edge, it frayed from the strain!

Lucky I wore a ‘modesty jacket’! Which incidentally was a panic dirty rtw purchase the day before, from Monsoon. I say dirty, not because it is, it’s very clean and lovely in fact, but because there is an element of shame that I broke my routine of only hand made clothes for at least two years. I’ve only allowed myself underwear and cardi purchases from the high street. Anything else to be bought from charity shops. I could so easily have made this jacket. It’s not dissimilar to the Victoria Blazer. But time was not on side and nobody needs to see those fleshy underarm bits in daylight hours!

The jacket did it’s job and clearly hid the naughty side split until I got home too!

So now my dilemma. I want to wear this to at least 2 more parties which are coming up soon. Like next week… eeek! Do I patch it up or do I re-cut two new panels taking new seam allowances into consideration? I do actually have enough fabric.

TBH, I don’t actually know how I’d patch it up. So I think I know the answer. Unless of course anyone has any an amazingly good solution…. please?

November 23, 2014November 25, 2014

ooobop! review: Burda Style December 2014

Over the last few months I’ve been having a spot of bother getting a copy of my favourite mag from my local WHSmiths. Well from any Smiths actually. They are getting slack in their orders of big quantities or sometimes any orders at all!

But last month and this month, I decided to order it from an online newsagent and I think this is the way forward for me. It costs an extra £1.60 for post but I get notification of it’s arrival date and it is delivered within 2 days. I love the sound of the thud of the post landing on the mat and I certainly don’t miss the queues to the awful automated cash desks at Smiths!!

So here we are. Although not overly festive. But that’s ok.

The opening section, although very monochrome displays some lovely structure with a touch of shimmer.

A: Described as a long blazer but I think more a classy occasional coat. I love the asymmetry and I’ve seen some gorgeous silk-like viscose fabric that would work amazingly well. Could really do with one of these. I don’t have any party outer-layers! Burda suggests it could be a mini dress too.

B: I didn’t join the ‘peplum gang’ when they first got fashionable. But I might be persuaded by this one. I really line the clean lines of this top. It’s got a midriff that has sold me and I like the slit at the neckline.

C: A classic sparkly sequin jacket. But not for me I’m afraid. Too shapeless. Too scratchy. And I can just imagine all the cat fluff that would get stuck around the sequins!

D: Quite like this dress. Very classic and very flattering. It’s actually an extension of top B. But I would question that choice of fabric. Impossible to pattern match and so the optical illusion draws attention to a pokey out belly even when the model doubtfully has one!

E: Probably not that clear from this little pic but this is a sparkly turtle neck top with blouson sleeves and a lovely wide cuff. Love the silhouette and for me it’s a perfect work to night out top. There’s a tute to help the process. This one’s on the list!

F: There’s that peplum again! I’m not that enamoured with it but I like the idea of mashing some interesting fabrics together: Pinstripe suiting, lace and embroidered something!

G: This is a great skirt. The fabric choice is stunning. Graphic and structured. You can’t really see the detail but involves a hip yoke and a deep pleat at the centre front.

H: This outfit isn’t my thing. I don’t like the silhouette. I don’t do culottes or drawstring waists. Not on the list!

I: This lacy top looks so pretty in the picture. You’d never be sold by the line drawing. It looks really wide and strange but the draping effect is a winner.

The next section gets some red in with some festive flair!

There’s some cute little girls garments here but only up to age 10. LMO is 10 but wearing age 14 clothes so as much as I’d like to make her coat B, I’ll have to sort my grading skills out or just admire them on the page.

A: Lovely simple dress with a structured skirt and a petticoat underneath. None too girly but still with a pretty fitted silhouette.

B: Double breasted child’s coat with cute peter pan collar. Sewn up in top notch wool it is truly a classic forever coat. Well at least the child grows out of it! I think I like the grown up dress too. Love the simplicity, the red, the deep pleat and the neckline. But the sleeves are worrying me. They look kind of too big at the top.

C: A raglan blouse (or peasant top in my book!) and an extended version as a dress. Like both. And they would be very simple to make for presents. Don’t have to be too precise with the sizing either.

D: Scarf blouse and skirt with ties says it all. Too much flounce for me. They are both made in crepe too. Maybe that’s what is putting me off asides from the dipped pink and coral combo all clingy like that. Proper girly Christmas wrapping!

E: But just in case that scarf business appeals, here’s another variation on a dress with longer ties to tie in two places. Genius. But not on the list!

F: I think this is the same little girls dress as A but without sleeves. I don’t mind mums semi fitted brocade number but it does look a tad mumsy at that length to be honest.

G: They lost me at ‘loose cut’! And drawstring!

H: Boxy jackets always look good on children! The simplicity of the style can make way for some statement fabric.

A departure from girly to freestyle. Some very interesting fabric combos. And I like that.

A: Hopefully you can just about make out the giant underbust fringe! It’s a maxi top sewn in a crushed jersey knit with an asymmetrical draped collar. I don’t wear strides but if ever I did I may have to pair up with one of these. Just because!

B: This is indeed a master piece! Military made beautiful. Slightly fitted wool coat with trumpet sleeves, asymmetric collar and buttoning. And that gorgeous design you can see up one side is appliquéd lace no less. I’m still revelling in my coat from February but I can totes see myself in this. Maybe next year!

C: Described as a bell skirt. Nothing much to see here but some lovely overlaid fabric and trim has planted some seeds for sure.

D: Gotta love a cape. Proper sturdy one too. I do want a cape but not this one with its belts and panels and epaulettes. It looks a bit overly involved for me. Don’t dislike it though.

E: There’s that top again. Same as E in the first section but in a totally different fabric. Making it more jumper than blouse for a more casual approach. You wont be able to see from the little pic but the seams are ‘outwardly open’! Why? Imagine how irritating when everyone and their aunt asks if your top is inside out!

F: In interesting patched shirt using patched stretch jersey, stretch faux leather and wool. You could use any kind of combo but I’m finding this all a bit too much. I do very much like the leathery sleeves though. The skirt looks more interesting than the pencil skirt it is but even though it is relatively straight I think that top needs to be worn with a much less interfering bottom half!

G: Pretty sure this is repeated from the festive section but I love how much more retro it appears with a shorter hemline.

H: Tube dress with rolled collar in a stretch knit lace. Great on the right bod. But not on mine!

I: I like this dress. Lovely defined bodice and flouncy skirt in an overlaid lace tulle. Sold on the colour too. Eliminates girly girly and makes it more day time. I can’t decide whether I like the sporty grosgrain straps or not. Actually I do!

J: I’ve been thinking of a poncho. Not like the one my mum made me wear in the 70s but something understated like this one. In truth I’m being lazy so as not to have to get involved in a cape! Its just a rectangle with minimal sewing, yay!

Burda’s designer pattern this month comes with a nod to Jean-Charles de Castelbajac. I love these little insights into the lives of designers. JC professes to be inspired by love andcuriosity. I like that! Just as much as I like this straight cut mini-dress with its massive pocket details and topstitched standing collar. burda december 2014 JC de castelbajac dress

I’ve made pj bottoms for 3 other members of my family but never for myself. It’s just occurred to me that I’ve got the most raggedy selection of nightwear and that things must change. Here’s some pretty things and one seriously crazy pair of pj bottoms!

A: Cutesy bustier and French knicker set. Piping, ruffles the lot!

B: Isn’t the idea of a boyfriend shirt that you just nick one off your boyfriend? I’m not sure I can afford to invest that much time into making a proper nightshirt. Piped collar, inverted back pleat, button placket, breast pocket with embroidered monogram and inseam pockets too!

C: Lovely little ballerina slippers. Could be a lovely little Christmas present perhaps.

D&E: A traditional set of pjs. What’s not to like? Love the cool crisp blue.

F: This is a knitted coat and I want it! I don’t want to knit it though. I’d be bored of it before I finished it, I’m that slow. But I’m sure someone out there would love to whip this up.

G: And theres those crazy palazzo trouser pjs! Can’t do those. I’d get myself in a pickle for sure.

H: Camisole and French knickers. Now you’re talking. Maybe this is my Christmas present to me!

I: This nightdress is pretty too. Ruffles top and bottom are a bit cake-like for me but I like the elasticated empire line.

As is traditional, it’s the plus fashions that bring the party to the fore.

A: Long jacket and pencil skirt. A classy pairing. The jacket comes with an optional belt but I’d leave that out unless you want the dressing gown look!

B: Low cut V-neck tunic top. I love the contrasting black band around the neckline. Very feminine and perfect with pencils and skinnies.

C: Bit odd this ‘volant’ tunic. Burda’s word not mine! Longer at the back than the front with ruffly bits. Not really my cup of tea.

D: Described as a peplum dress but someone more sophisticated than that I feel by the way that the centre point extends. Very jewel-like indeed. I’m not keen on the colours but greens and blues would do it for me. Or blacks and reds! A lot of precision sewing though. Only for the more patient among us!

E: Ah! There’s that long jacket with the belt. See.

F: Can’t make my mind up about this skirt. Its fundamentally a pencil with satin bands that run down the back. Apparently they make the bottom look slimmer. Are big butts out now then?

G: In the right drapey material this tunic dress would be gorgeous. I’d prefer not to look like a galaxy but I do like the contrast of the black bands and a busy print.

H: This colour-blocked peplum blouse is a no from me. Too much like hard work. Too much going on in such a small space. But I bet somewhere out there, there is a quilter who is itching to get going on it!!

Well that just about wraps things up. I hope you enjoyed the sneak peek. I failed in every way to make this a shorter exercise but no regrets. I thoroughly enjoyed spending the time to look closer at each garment. And of course it always makes for a great record to come back to.

Enjoy the rest of your weekend x

November 4, 2014

Virgin wool win!

I visit charity shops on a regular basis, almost always blinkered, and head directly to the fabric section and back. But a couple of weeks ago I was drawn magnetically to the back rail and to this wonderful tartan skirt.

The lady who served me knows me all too well and said she just knew it had my name on it!
The label read ‘Basler Collection’, which I hadn’t heard of but I was assured it was sign of good quality.
Back at base and on further inspection, that was verified…

The seam allowance is very generous for RTW. Even on the lining seams.

French tacks held the facing in place.

The pattern matching is faultless, across all pleats and seams.

And an internal button and loop adds that extra safeguard to zip-ups and unintentional zip-downs. Fine quality zip too!

The hem is blind stitched by hand. Though I can’t guarantee this was an original feature.

I only say that because the detective in me has spied that the previous owner had made adjustments to make it smaller… by making two fat darts at the back of the skirt. Inclusive of the lining. Very lazy and detrimental to the positioning of the side seams but I suppose that’s the sewing-snob coming out in my know-it-all self!

All the above aside, this lovely skirt was way too big for me and way too granny-long. And so my mission which I chose to take to the table, was to fix it and properly. I put my £7.99 where my mouth was and turned this beaut into something that should have already have been in my wardrobe.

Yes I know I could have made one from scratch. It’s not that tricky. But not for anywhere that price tag. The label says 100% virgin wool. Virgin, I tell ya! I even had to Ask Jeeves what that was! Transpires that stuff can sell between £20 and £80 per meter!!

And so I was already quids in. And so I decided it was worth the work.

First to unpick those fat back darts.

Initially, I was going to pin the excess at the waistline whilst wearing the skirt. But have you ever tried to do that without stabbing yourself or at least getting both sides even.

Common sense prevailed thank goodness and I opted to measure my waist, measure the waist of the skirt and deduct the first measurement from the second…. doh!

Once I determined how much I needed to lose (6 inches in total!), I divided by 4. I needed to mark 1.5 inches down each side from the top of the waist band and gradually blend in with the side seam where it felt natural. I was quite keen to keep the width of the pleats and to create a more A-line silhouette at the same time

I needed to separate the facing from the skirt and also the lining from the facing. More detail was revealed in a 1cm fusible stay tape at the top, sandwiched between the main fabric and the facing.

inside facing — Inside, between facing and main fabric – small seam to unpick

right side facing unpicked — Right side facing: Top edge of waistband unpicked.

side seams chalked — New side seams marked with chalk along a French Curve

excess cut away — New seam sewn and excess fabric cut away

Once I’d stitched and pressed the seams open I tried it on for fit.
All was good so I evened up the seam allowance and overlocked. I left a generous SA as before as there’s every possibility I’ll need an increase after Christmas. This skirt is definitely in for the long haul, baby!

I didn’t reduce the width of the lining. Merely pleated the excess to one side. Never a worry to have the lining bigger than the skirt.

Lastly, I just needed to shorten it. Luckily this skirt was cut perfectly so all I need to do is follow the horizontal line of tartan to cut.

I overlocked the edge, pressed well and hand stitched with invisible stitches

Ta darrrrr!!

Me in my new perfectly fitted Basler tartan skirt!
I wish I’d have taken a before picture now. There is such a difference. The shaping has made a much better silhouette and the shortening of the length has made if much more modern!

Not quite as exciting as a brand new make. But I’m so glad to have gained a great quality skirt at a fraction of its worth and to have given it a second life… and of course the feel good factor of having donated to a good cause in the meantime. Win, win, win!

And throughout the whole sewing process some totally fond ‘virgin’ memories sprang to mind …

November 1, 2014November 1, 2014

Bombshells and Seashells

Try as I may I can never skip the post-holiday blues. But hey, the sky in London town today is so blue and cloudless and sunny so at least we can be gently and pleasantly eased back in to our daily duties.

But before I stick my head into that stinky case to launder the smalls, I’d like to present a long overdue blog post. About my bombshell swimsuit. With me in it!

I wasn’t sure whether I’d be brave enough to do this and my nerve was duly questioned by work colleagues and family alike, but I have to say, it’s a lot easier when you’re posing on a lovely Spanish beach and not at your local city pool! And made easier still when the cozzie is so modest and flattering. If you Google Closet Case Files Bombshell Swimsuit I hope you will agree that it is such a wickedly clever design that looks great on everyone, any size, any age. So thank you Heather Lou for your great pattern and for eliminating the usual cringe-factor from my holiday snaps!

As near as I live to, and search as I may, I could not find the right cozzie fabric in the Goldhawk Road. One or two shops tried to sell me some spandex but there wasn’t much colour choice and none of the necessary extras I needed, like swimsuit elastic and swimsuit lining. So I braved the rave of the Fabricland website. Go there if you dare (for a fab selection of lycra and spandex), but beware flashing lights and neon starbursts upon every scroll… you have been warned! That said, the service was spot on. I ordered by phone one afternoon, from a lovely, helpful lady and it was delivered the next day.

I was busy as some bees leading up to the holiday so I had to make this cozzie in small bite-sized shifts. And I’d be lying if I said I found it a breeze. Stress head and senility probably pl orange shell ayed a part in the confusion but I did find it difficult following instructions for one version whilst looking at pictures for the other.

The rouching was a bit fiddly and tbh I didn’t really know what I was doing until it all came together, if you know what I mean! It’s not my greatest work. There are flaws, namely in the consistency of the zigzagging. Incidentally, unlike some other lucky sewists who breezed through with an overlocker, my vintage overlocker is of the three-thread kind that just neatens edges and doesn’t sew the seam, so I chose to use the zig zag stitch on my machine instead. This works absolutely fine but leaves the insides looking a bit rageddy. Or maybe I’m just not used to working with stretchy swimsuit garments. Gimme French seams and flat fells anytime!

shell I sewed cups into the halters. I did that just by encasing them and then with some tiny hand stitches to secure them in place. I just knew the icy waters would leave an unwelcome impression on the photos, otherwise!

I couldn’t say how long exactly this took me to make, because I did it over three or four days or more but I would guess about 5 hours. Longer than I’d anticipated. But worth it. I bought some black swimsuit fabric to make another but just didn’t get enough time to make the two. The red and white polka dot seemed more apt for a Spanish holiday in any case.

I will make another and I will make a few changes. Namely: making the elastic a bit tighter round the leg holes and adding a little bit of length to the body. I will also take more care with the topstitching, especially round the front, where it notices. And I will probably overlock the stitching after I’ve sewn the pieces together.

Dan was of course the fantastic photographer but my son took these next two which are priceless. Oh the glamour. Oh how he laughed!

We were staying in the pretty town of Denia, just south of Valencia, on the east coast of Spain. The locals were lovely and very patient with our pigeon Spanish! It was very very peaceful. Out of season, I guess. And I really didn’t expect the weather to be so fab. 24-28 degrees mostly. It’s amazing how much better I feel for some sun on my skin… and a week of no work. Dan got up at silly o’clock most mornings to climb Mount Montogó so that he could get some pics of the sun rising over the sea. He wasn’t disappointed. For anyone who’s interested, I’ll be sure to point you to them once he has selected his favourites.

OK. I think my time is up. Thanks for visiting. Cozzie’s off. Apron’s on. Hasta la próxima, mis amigos!

October 11, 2014August 6, 2015

Sabrina, checked and tested!

Remember Sabrina Duncan? She was my favourite Charlie’s Angel. She was the leader, the rebellious one. Not the one who spent any amount of time on her flicks. Nor ever to be heard complaining about a broken fingernail and her martial arts skills were unrivalled and unhampered by flares. So cool.

What’s that got to do with the price of fish you may well ask… Well this is my Sabrina dress. This is By Hand London’s latest lady and my new go to dress. Not named in honour of my Sabrina as far as I know but in a roundabout way she led the slightly unorthodox approach to this dress.

When I was asked if I’d like to pattern-test this one it was a no-brainer. Not only was the dress named after one of my childhood heroines, it had princess seams that presented a perfect project to utilise some of that inspiration that I sucked from the JPG exhibition. A clash of the Tartans!

Not anywhere near as edgy as JPG himself but I love it all the same.
A great chance to kick start the Autumn wardrobe too.

Minerva kindly supplied the fabric and I knew exactly where I was heading to search for the cloth in question. I’d been trawling recently and had seen these two tartans together. Blackwatch and Royal Stewart – such a great contrast that had to work.

Incidentally this is a poly viscose blend. Apparent from the prewash that future laundering of this dress would be a breeze; Hardly creases; A joy to iron. In fact if hung up to dry properly you could almost get away with not ironing at all.

I have a few nitpicky personal fitting issues to sort, namely a sway back adjustment and since studying the photos, I think there is some excess in the upper bust. Even though I made a muslin – I was never going to cut right into that fabulous fabric without testing the waters first!– I didn’t pay proper attention to a perfect fit. Plus its quite tricky when you are up late on your own and don’t have eyes in the back of your head. So with that aside, I made this dress straight from the packet. from one size, no adjustments.

It does fray, this fabric, especially when over handled. But given how the seams are pressed sideways, trimmed and overlocked seams were defo the way forward.

You may well ask why I would want to take on the added pressure of pattern-testing. After all, its not like I’ve got any spare time on my hands. Kids and all the outside school activities that get involved in, full time plus overtime self employedness, and contrary to the belief of my kids I don’t employ fairies to cook clean and bottle-wash and of course my night time activities are sewing! It’s not like it’s paid and its not like I’m given any lead time. And so I have even asked myself the same question. But in writing up this post the ‘why” suddenly presented itself to me in a duh sort of way.

I have a list longer than both arms of projects I want to sew. Dresses, jackets, suits and hats. Mostly all of them are inspired by a ready-made pattern that have a ready-made image on the front or in the mag. It’s quite difficult to think outside the box when you are presented with something that fundamentally works already. But when you are given a computer generated line drawing or better still a rough fashion sketch of a dress that isn’t even invented yet, that’s more than enough to shake up all those creative juices and set my brain on fire with ideas, mostly above my station I might add. Leather, feathers, fur, gold lame. It doesn’t matter that most of these aren’t realised. They will be in time. It matters that I’m focussing on the textile rather than the design. That bit has already been done for me in this case by the By Hand London Ladies. So I can concentrate on what fabric will work best which will have greater structure, beautiful drape or sharp enough edges to carry it off properly. It excites me. That is all.

I don’t think I pushed the boat out too far with this dress but its a start on my journey of discovery. When I presented my Photoshopped image to Vicki at Minerva she was really excited to see the end result and said she’d never seen those two fabrics put together before.

I’d like to try some leather in place of the Blackwatch in the future but even a pvc might be as good. I think Ms Duncan is calling for some added tomboy!

The dress itself is such a flattering and simple shape. Nicely fitted to the waist and charmingly flared to just above the knee. Its also a great base for incorporating a collar, changing a neckline adding some bodice detail.

It sews up real quick. Just be careful around the bust shape and watch out for puckers. That happened on my muslin.

It’s unlined. Just has a bodice facing which is all you need really for a medium weight woven. Doesn’t stick to my tights either!

The hem should be kept small to avoid gathering the excess in the flare and I would say that was the trickiest bit.

I kid you not its had more wears than any dress in my wardrobe and it’s the newest!

The above shots were taken in and around South Kensington and at the Victoria and Albert museum. That’s my favourite London hangout too by the way!

We were child- and fancy-free and popped in to see the Horst exhibition. Perfect inspiration for some glamourous dresses and stunningly lit fashion photography. Just Google Horst photographs for an eyeful of awesomness!

Photography Daniel James Photographic
Shoes Lola Ramona
Handbag: FARA Ealing

September 18, 2014April 9, 2018

Burda Brigitte Blouse

First I must apologise for those who have had issues trying to comment on my blog over the last week or so. I won’t bore you with the tecchie issues but suffice to say all is now good at Ooobop HQ! (touch wood!) Thanks for bearing with.

It feels so good to be able to write a post. I knew how much this blog meant to me but didn’t realise quite how much. I found out quick enough when I thought I’d lost nearly 2.5 years of work! I’ve been such a bloomin’ grumpy pants all week, Mr O will tell you for nothing!

I feel like I should be making a bit more of a dramatic re-entrance, but I’m afraid we’ll just have to make do with a humble gingham peasant blouse.

It’s a very nice gingham peasant blouse though. Care of Burda’s June 2011 edition Mag. It’s also available for download here where it’s featured in a sheer fabric.

I’ve made three sleeveless ones before but this one has long sleeves and no elastic. And it presented a fine oopportunity to create some bias gingham binding around the neckline and cuffs which is always lovely!

The fabric was sold to me as Egyptian cotton, which I had no reason to dispute. It is smooth and cool to the touch and feels like fine quality. But the pyromaniac in me is compelled to do a burn test, always. And the little black crumbly ash that resulted, confirmed the fibres as a poly blend, doh! Win some lose some. Should’ve sniffed a rat at £5.99 really!

But not a worry as it still feels nice against my skin and it’s not snug on the pits so remains a good choice for a warm summer’s day or an office with failed air-con.

The instructions suggested a gathered hem into another bias band but I was nervous about too much poof around my middle and given that I almost always tuck in my tops I just did a standard hem. But, note to self, I didn’t increase the length enough to compensate, and with one wave across the street, it comes untucked, whether I’ve tucked it in my pants or not!

It’s very quick to make if you can even up your gathers quickly. I faffed a bit too much with my gathers as usual, but it still got completed in an evening.

I love the raglan sleeves and the boatneck. So easy to wear. Great with a pencil and equally a circle skirt. And the plan is to make some capri pants one day, just like Burda’s styling, to come somewhere close to that retro Brigitte look.

Peasant blouse: Burda pattern, handmade by ooobop
Skirt: self-drafted & handmade by ooobop
Belt: H&M
Shoes: Rocket Originals
Photography: © Daniel James Photographic

September 7, 2014

Flora in Mitsi Valeria Red

How often do you revisit a messed up project to rectify the issues? I can hand on heart say I never have! But in the case of this dress it was wholly necessary and entirely worthwhile.

This is my new By Hand Flora dress and my love for her is as strong as for the other one I posted in March. But this one is the original – the one I pattern tested, and the one I screwed up so much I was embarrassed to send photos of to the girls. I must emphasise that I only had myself to blame. Making wholly unnecessary changes when the pattern clearly needed none!

But I had to put things right because I can’t tell you how gorgeous this fabric is. I couldn’t bear for it to go to waste. It is a beautiful lawn from Ray Stitch, called Mitsi Valeria Red. Thankfully I had just enough left to recreate the bodice. I don’t know what took me so long because it comes together so easily.

When the fabric arrived, I had to admit that I had doubts about it being weighty enough to give the skirt section the structure it deserves – The polka dot one is quite a heavy synthetic fabric that juts out in all the right places – but I love how this one elegantly drapes, creating a very different look. Plus it feels so silky and special.

Lucky it wasn’t too windy today. It’s so lightweight that the tiniest gust turns this beauty from demure to downright rude in seconds. I gave an elderly chap near heart failure the last time I went out in it. He didn’t know where to look!

Because of it’s delicate nature it didn’t feel right to create bulky serged seams so I pinked them and boy were those open seams satisfying to press. So crisp and neat and because of the ditsy pattern you cannot see the seam joins at all. A bit like the back section of the blue vintage dress I pieced.

This was also a particularly useful discovery as I had to cut the front skirt in two pieces owing to the narrow width of the fabric. It’s quite usual for special quality fabrics to come in narrower widths but ideally the front skirt of this Flora skirt should be cut in one piece from a 60″ wide fabric to avoid a centre seam.

And it kind of goes without saying that the By Hand Flora dress is indeed one of the most twirliest dresses around! It’s gotta be done!

Photography by Daniel James Photographic

August 17, 2014June 14, 2022

Mixing business with pleasure… and celebs

Sounds like a ‘no-no’, right? I’m sure these sayings evolved from past bad experiences but I’ve had a few gooduns lately that I’d like to share with you.

My day job is that of a freelance graphic designer. I studied studio practice and design at college and catapulted myself straight into the world of advertising, aged 17. It was poorly paid, work-heavy and I’m sure my liver has not forgiven me, but it certainly put me on a par with those lucky enough to afford to stay on course ’till degree level.

A lot of years since, and a journey from advertising, through marketing to publishing, I took the bold step to become a freelancer. Haven’t looked back to be honest. It completely opened up the pathways to meeting some of the most wonderful friends and colleagues I would otherwise have never have met nor had the pleasure of working with. And it has led me to work on such an amazing array of projects to boot. I’ve designed logos, game packaging, CDs, brochures, billboard posters, stationery, badges and books… and more.

So what’s all that got to do with the price of fish? I’ll tell ya!

I took up sewing a few years ago to give my eyes and brain a break from the screen. I’d always had it in me. Right from small. But the patience was never there as a child. Not too much more of it as a grown up either but just enough to turn a hobby into a forever passion!

And who knew I’d meet so many more lovely people from sewing and blogging about it?!

Well small worlds get smaller and it was inevitable that my two tiny worlds would collide at some point. And they did.

Didyoumakethat was one of the sewing blogs I came across and Karen, one of the first bloggers I met in person. It was seriously like meeting a celebrity. From screen to in the real! And it was a pleasant surprise to find out that she worked in the same publishing industry as me too! Anyways, a couple of years down the line, a few more meet ups and plenty more projects (sewn and designed) in the meantime, Karen asked if I’d design the cover of an Ebook for her. It was to be a downloadable tutorial for creating the perfect bound buttonhole. I’m sure you’ve seen it featured on her blog for a while but for those of you who haven’t and who seriously want the best advice, click right here!

Sew Busy Lizzy is another of those sewing celebs who has beautifully graced my screen for as long. And even though she lives across that giant pond, I was still so very lucky to spend a few hours with her at Drink Shop and Do a year or so ago. My belly still hurts from just thinking about all the raucous laughing that evolved that night. And so when Lizzy asked if I’d design her a business card, I leapt at the opportunity. It would have been more difficult to do a bad job when you are presented with such beautiful photography!

Both the above are examples of design work from sewing meets but more recently I was commissioned by a publishing house for a sewing job! And this time for an Olympic swimming celebrity!

I was asked if I would be able to sew an apron to congratulate Ellie Simmonds on the success of her first in a series of published books: Ellies Magical Bakery. She’s a busy lady that, Ellie Simmonds! Would I?! Oh all right then!

The book cover was printed on cotton before being turned into a front pocket. I lined the apron to conceal all seams and enclose all straps. And I incorporated a couple of D-clips for adjustment purposes.

Ongoing, I have a fabulous logo to design for an amazing lady and her amazing new range of makes. All is hush until completion. But still, secretly I am more excited to meet her when she comes over. I’m a terrible tease, I know! But keep tuned and you may find out!

I think there is greatness in the mix of business and pleasure, for me anyway.

Have you had any cross-over experiences recently, good or bad?

August 5, 2014April 9, 2018

1939 Vintage Simplicity Dress

It’s been a while since I sewed a proper vintage dress and when I spied 5 gorgeous yards of pretty blue and white print fabric in a charity shop for a fiver, it was a sure sign to unwrap one of my favourite patterns. I bought the fabric thinking that if I screwed up, a fiver was worth the risk. But actually I loved the fabric so much I used some other polycotton, from stash mountain, to rehearse a toile for the bodice first.

Very few alterations were needed. I did a slight FBA to add a bit of shape and added an extra inch to the waistline. I think it fair to say that I manage to pack away a few more calories than those svelte 30s women!

The pattern is a vintage original from 1939: Simplicity 3302. And the condition of the pieces was impeccable. Factory folded and clean. Such an honour to be working with such precious pieces that are 75 years old!

The most surprising thing about this dress is that it takes 5 yards of fabric. At 35 inches wide that is. But it really doesn’t look that extravagant. I’m used to 50s style dresses taking up miles of fabric but the skirt section of this one isn’t even a full circle!

I kept to the instructions, like the good GTS I am, and I created a neck facing instead of lining. I also decided against overlocking the seams. It somehow seemed wrong! The fabric behaved beautifully and frayed very little so I opted for a spot of pinking! Feels far more authentic and it pressed beautifully flat.

I’m not totally sure what the fabric content is. But on doing a burn test, I was left with a very silky white dust. So the consensus is that it is 100% natural fibre and top notch quality I reckon! It has quite a good drape going on and doesn’t crease too much either which makes me wonder if it is cotton or not. I made a decision not to line it. Mostly because of the gorgeously warm weather we’ve been experiencing but also because it always seems a bit mad to line a natural fabric with a synthetic lining. And I wasn’t about to splash out on silk!

Having said that. I did use a silk organza for the sleeve stiffeners. You didn’t think those puffs stick out like that, unaided did you?! Quite a clever little trick that involves a circular piece of fabric like tafetta or flannel or organza, folded in half and sewn to the sleeve head before the gathering is done.

vintage_1939_dress_sleeve_head It looks a bit comical until you press the seam onto the sleeve and not onto the bodice which I did at first. Didn’t get a shot of that but the look on Dan’s face was priceless!

There is also an inverted pleat that is topstitched at the hem of the sleeve. So neat.

I’d like to say it all went swimmingly but I made quite a big boo boo when I inadvertently cut the back as two pieces and not on the fold. Very easily done when patterns of that era are unprinted, but, regardless, I needed a quick solution as it would have come up too small once I’d seamed it and also, I didn’t have a large enough leftover piece to cut another back piece. Quite a big issue when you get your hands on a unique piece of fabric from a charity shop. It’s not like you can go back and bag another metre!

So… This is a bit bodgie… I made an inch wide length of bias tape from a 2 inch strip that I’d rescued from the selvedge, using my trusty Simplicity Bias Tape Maker Machine. And with half inch seam allowance I sewed it on each centre seam of the back. That effectively joined the back pieces together where they would have sat had there had been a fold!

Luckily the seams are disguised by the busy print so I think I got away with it!

I know my hair do isn’t strictly 1930s and the shoes are far from authentic but it needed a little bit of vintage styling to pull it off. Especially as youngest dort decided it was ‘lovely but very 80s!!’

I love the sweetheart neckline. So discreet and so pretty. It doesn’t have any added interfacing so I’m surprised it holds so well. I did clip into those curves good and proper though!

I wrestled a bit with the zip. I knew I didn’t want an invisible zip. That seemed a bit wrong too so I opted for a lapped style zip insert. But could I get my head around it… No I bloomin’ couldn’t! I can do it with my eyes closed in the back of a pencil skirt but for some reason I just couldn’t pull it off. So I went for a straightforward zip insertion whereby I basted the seam shut, centred the zip and sewed to seam allowance. I did however prick stitch close to the teeth on the right side.

I reluctantly wore my new dress a to a party on Sunday. I didn’t know any of the guests and was a bit worried I’d stick out like a sore thumb (in my 80s dress…. thanks dort!). But my assumptions were way off. Such wonderful food and great music and the most amazing people. My ‘wallflower status’ was upheld!

candy from Black Dwarf Designs — With Candy from Black Dwarf Designs

Oh and hats off to my wonderful fella, Daniel Selway who took the photos and who now finally has a site to host his pictures. Right here, in fact!

July 23, 2014April 22, 2019

Nikita’s Prom Dress

I’m grinning like a Cheshire cat and welling up with pride as I sit poised to write this post. Meet Nikita, the sister of Jessica who was the lovely recipient of my first ever hand-made prom dress.

I knew there was another one on order, a year ago. After all you can’t make for one without the other can you?!

But what joy. What an absolutely pleasure to have another opportunity to make such a special dress. I’ve learned one hellofalot in this last year. Fitting mostly. This little beauty only took two fittings. I quite forget how many Jessica’s one took! I’ve learned not to be scared of cutting into the fabric. Learned how to be honest with measurements, how to be brave with fabric choices and mostly that I CAN make a dress befitting of a princess!

Up until a few weeks ago, all Nikita’s dreams of her school leavers prom were wiped out when her school declared no funds for such frivolities, after all, this year. Everyone was gutted for her. Especially knowing how hard Nik has worked throughout her last school years… despite being asleep for most of them! Normal teenage behaviour you might assume but no, unfortunately for Nikita she suffers with narcolepsy. An awful condition which means she has to take very strong medication to keep awake. Lots of things trigger a collapse. Not least of all a fit of the giggles.

I reprimanded her dad recently, for his insistence on telling jokes one after the other but Nikita assured me it was fine because his jokes were so rubbish! She has the best S.O.H. ever!

It was such a relief when her school confirmed the prom would actually go ahead. But then a little panic set in when I realised I had a couple of weeks to pull off the dress.

I think by now you have the right to safely assume that Mr Ooobop, AKA the lovely Daniel Selway has been behind the creation of these blinding photos!

Helped by a scorching summer’s day and the beautiful setting of Fulham Palace, he has blown me away once again with his amazing self-taught skills.

The dress itself is fashioned from the same materials as Jessica’s, only in stronger colours. Red Duchesse Satin and Black polka dot tulle.

The halterneck bodice section is Simplicity 3825. Inspired by Nikita’s leaning towards a Marilyn-esque dress.

I’ve had this pattern in my collection for some time and I’m so glad it came into good use.

I basted a layer of the dotted tulle over the bodice pieces and treated them as one for the outer pieces. Inside the bodice is self lined with the red satin. Its a good medium weight and gave the dress some necessary structure whilst not losing out to optimum swishy drape for the skirt.

Oh just look how divine her smile is!

The skirt is a full circle, of course. One can’t pose over street vents if the skirt doesn’t rise above one’s head! But actually a more demure pose was to be found next to a water fountain in the grounds of Fulham Palace!

And lest I forget! There are the now signatory and obligatory 10 metres of soft-as-you-like dotted tulle that adorn said circle skirt. And no tears this time. I knew what to expect. I knew to pin section by section and I knew to baste… and to breathe!

The back of the dress is genius in design. It has a wonderful elasticated panel which keeps the bodice fitted nice and snug with no gapes. I just love the effect that is created with the gathered netting over the liquid shiny satin.

I can honestly say that this dress is testament to everything I love about sewing. Not only about what I get out of the whole deal but what everyone else gets too. Nikita loved her dress and I feel so honoured to have made an original number for her. Mummy Tina was delighted to see her daughter have the best time in her new dress, Daddy Tim was very happy that I’d fulfilled the brief of a ‘modest’ dress and we are all so happy with Daniel’s outstanding photos.

Nikita will do well with whatever she choses to do. Of that I am sure. Nothing is going to hold this little lady back!

And the talents didn’t stop there, oh no. Nikita’s lovely sister Jessica did such an amazing job of her make up for the prom and also today before the shoot. I’m so miffed I missed out on todays events. Slogging away in an icy office when I could have been out on location with the dream team in Fulham Palace!

So thank you girlies, for making a crazy sewing lady so happy and thank you Daniel for making my blog so pretty and thank you lovely readers for making it all worth it.