A gold quilted mini-skirt

 

gold quilted skirt front

Nothing ground-breaking to see here, save a self-drafted mini skirt in gold quilted fabric!

I’ve been wearing my black quilted skirt to death, lately so I thought I’d better make another in case my work colleagues think I’m a dirty stop-out!

In fact I’ve been wearing this one on a regular basis now so it may be time for a third!

I made it a while back and completely forgot to blog it. Or rather missed every small good-weather-window to photograph it. So an indoor remote shoot it was. And I’m so going to get into trouble for ‘trespassing’ in LMO’s bedroom! Those pink walls are a complete giveaway!

gold quilted skirt back

I used the same process as last time, namely a shortened version of a self-drafted pencil skirt pattern; added a facing of black cotton twill, this time and an invisible zip.

The hem is hand stitched this time. Mainly because the backing is a woven black affair and easy to pick up on a couple of threads for the sake of invisibility.

It seems I’m in good company with my choice of gold quilting. Have you seen Karen’s (Didyoumakethat) metallic tunic dress? I just love how something simple can literally shine with a crazy fabric!

I also find it amazing that as the months get colder, my hemlines get shorter! Anyone else find the same?

Sewing Dots for RNIB

Tilly and the Buttons Fifi pyjamas

I get so resentful when I don’t get any sewing time. And I don’t sport a good grumpy look either. So with back-to-back work deadlines this month, I needed to find a little sewing project that I could tap into in between marathon stints in front of the screen to retain balance and sanity… for everyone concerned!

#sewdots was brought to my attention on Instagram. Instigated by the brilliant Rosie of DIY Couture and writer of No Patterns Needed. She also works for the RNIB – Royal National Institute for the Blind – where she learned about their campaign that runs every October called Wear Dots Raise Lots. It highlights the impact of Braille and raises money for their services. It encourages the wearing of dots to raise awareness, encouraging people to hold dotty parties, or coordinate with colleagues and pick a ‘wear dots’ day for the office.

So Rosie has upped the ante to encourage the sewing of dots too!

The idea was to use fabric from stash and donate what you would have spent via the JustGiving page she has set up. Simples!

This was all shaping up nicely. I had two pieces of coordinating red and white polkadot fabric. And I had a Tilly and the Buttons Fifi pyjama pattern on my to do list. A pattern that needs little space to cut out and can certainly be achieved in manageable chunks of sewing time.

The Shorts took 40 mins, including cutting out time. And including unpicking my first elastic attachment!
The camisole happened a week later… over 3 days: The cutting and stay stitching in one shift, the main body sections sewn together in another, and the binding made and sewn on before work one morning. I sewed on the bow and attached the back straps just now!
But I’m sure if you had dedicated and uninterrupted sewing time, you could easily rustle this set up in a couple of hours.

handmade polkadot bias binding
Handmade polkadot bias binding

This is such a neat and gratifying garment to make. all the seams are ‘Frenched’ and it’s as neat inside as it is out. It really doesn’t need much fabric and if you are lucky enough to have coordinating scraps, the design possibilities are endless.

French seams
Lovely neat French seams!

And to boot, I have a lovely set of PJs at last! It appears I’ve made them for everyone in the household except me. I know they are slightly out of season but I really don’t care. I’m going to make more.

Theres still days left this month if you’d like to participate. There’s some great prizes up for grabs too!

Doesn’t have to be a garment of course. Could be a much smaller project still,  like a sleep mask or a headband or a scarf!

I can totally assure you that sewing and giving is a great self-indulgent, feel-good combo too. Good work Rosie!

 

Tilly and the Buttons Rosa Dress

Tilly and the Buttons Rosa Dress

Introducing my new Tilly and the Buttons Rosa dress.

I was delighted when Tilly asked me if I’d like to test this pattern. I was excited by just the line drawing alone. All I could see was piping and matching buttons and I didn’t falter when the pattern arrived.

I won’t go into construction details, mostly because so many weeks have passed, I’ve quite forgotten them, but also I think it only fair to do that with a tried and tested one.

That said, I love it and its had so many outings already. The legs are still bare, making the most of this warm September, but I have another styled vision of red tights and black patent DMs for the colder months ahead!

I love the 3/4 rolled up sleeves with the tab. It adds such a lovely detail. I’m always doing stuff and sometimes a full length sleeve just irritates me and feels so restrictive. Rolled sleeves makes me feel like I mean business even if I actually don’t!

tilly_rosa_dress_4

I’m pretty sure I jumped at this pattern after making Mr O a few vintage western shirts (See two of them here and here). And I’m pretty sure the only shirt I’ve ever made myself – with a proper collar – is my 50s bowling shirt.

So I was due one. Even if it’s actually a dress! It still has that lovely vintage front and back yoke that I adore.

Tilly and the Buttons Rosa dress back yoke

I used a cheap washed out denim from A-One fabrics in the Goldhawk Road. Was a bit worried about the thickness, with piping sandwiched in the seams, but it worked just fine. Incidentally, the only piping I managed to get my hands on is upholstery piping for sure. It’s not dainty in the least. But hey I wanted statement red piping and I got it!

I apologise to anyone with a phobia of wrinkled clothing. I do have an iron – honest, guvs! But denim is just one of those tricksy fabrics I guess and in any case there is no official term for such phobia so I might just get away with it!

Tilly and the Buttons Rosa dress pockets

I actually sewed down the pockets, whilst sewing on the buttons (intentionally of course ;-)) to save me putting anything in them. Which I obviously would if they were functional. This will ultimately limit unnecessary boob distortion and minimize wrinkle action.

Another thing I really like about this pattern is the in-outness of the waist to hip. Such a lovely shape. And really helpful when one’s waistline is increasingly difficult to define!

Tilly and the buttons rosa dress

I should really declare that I took these shots myself. Not the usual quality delivered by Mr O, because he is away, gigging with his new band. It isn’t my favourite thing to do at all but needs must when your children declare they have better things to do, like walking someone else’s dog or doing Latin homework. Yeah, right!

Happy weekend everyone. Hope you get some sewing in! xxx

 

Vintage Blackmore 8194 dress

Blackmore 8194 vintage dress

I needed a dress for a wedding. Not just any old wedding but a beautiful Indian wedding where I couldn’t hope to compete with the finery of silks and saris. No pressure, then! I rifled through every kind of fabric and bored all the Goldhawk Road shop owners senseless with my dilemma, during the weeks leading up to the big day.

Blackmore 40s dress

I diligently visited a roll of paisley brocade in A-One Fabrics, three days on the trot, properly umming and arrring out loud. But it wasn’t quite right. I ordered some gorgeous cotton satin roseprint from Minerva thinking … actually who knows what I was thinking. It was all wrong until I spied a roll of drapey green fabric at the back of the shop. 100% polyester it transpires. My inner snob rose to the fore but I bashed it back down when I handled the weight and the smooth silky texture and noted the lack of crease when I screwed it into a ball. And oh the colour! Not to mention the price tag of £4.00 a metre. I wasn’t arguing at all!

I already had this pattern in mind: Blackmore 8194. It’s not dated but I’m guessing late 40s. Vintage Patterns Wikia has it down as 1950s but also claims that Blackmore published paper patterns between 1845 and 1940, so that doesn’t add up!

Blackmore 8194 sewing pattern

I was sold on the waist and hip detail, the softly gathered side fronts that fall from the hip and that cheeky little key hole detail with the bow tie feature.

Blackmore 8194 dress keyhole detail

Incidentally the bow tie itself is some vintage liberty homemade bias binding that I inherited.

I made a quick bodice toile in the original size, half knowing it was too small, but wanting to test the pattern without sleeves. Inevitably I changed my mind and graded the pattern up a size. Redrawing the pattern allowed me to add the seam allowance on too. Something this pattern didn’t allow for which also shows it’s age a bit, I think.

Blackmore 8194 vintage dress

I’m quite used to vintage patterns without markings or seam allowances but one thing that struck me as a bit odd with this one, was an instruction to “Make darts in the back bodice where shown by dotted lines in diagram”. Quite literally the diagram which is the tiny pattern layout illustration on the back of the packet. So it’s anyone’s guess, really!

Inserting the gathered panels into that front skirt panel was a bit tricky but quilting skills have taught me how to clip and pivot at a point, so it wasn’t too terrifying. Again, the instructions are loose: “Gather upper edge of side fronts to fit hip yoke of front as in sketch and stitch together matching VV to VV.” Simples, lol!

Blackmore 8194 inserted panels

I’m pretty pleased with the outcome. And it worked well for a wedding where colour was the order of the day. But there are niggles: I forgot to add seam allowance to the sleeves which actually doesn’t appear to make much difference but I did sew them on back to front! How much difference that makes will show in the next version which I’d like to make soon while it’s all fresh in my head; The waistline could do with a bit of ease. I like how it’s nipped in but it’s not that comfortable! And although the fabric is nice and drapey, I’d like to try it in a lawn or a lightweight cotton so that the neckline and the darts press sharper. I also neglected to do my usual adjustment to take out the excess fabric from the back bodice. I cheated instead by removing the zip and trimming the centre back seam… not very well!

Blackmore 8194 vintage dress back view

Considering I pretty much sewed this up the day before and was hemming on the morning of the wedding, I think it turned out pretty well. The niggles can so easily be sorted next time round. And to get change from a tenner is such the ‘Brucey bonus’ that I feel it prudent to reward myself with some lovely lawn!

I don’t have any of the official pictures from the day to share as yet but I’m sure you can imagine how stunning all the ladies looked, as did the men in their exquisite flocked and braided coats. I can’t begin to tell you how gorgeous my friend the bride looked. But I did shed actual tears – in a good way – when she walked into the room. Such an honour to have been invited to such a special day. And I’m so glad I went to the bother of making a dress, especially.

Blackmore 1940s dress

Photos by the wonderful Daniel Selway
Location: St Pauls, London
Shoes: Lola Ramona
Handbag: vintage from local Fara Charity Shop

A blue half circle skirt

blue half circle skirt

This is my new half circle skirt. Self-drafted and made in a cobalt blue poly crepe.

Sounds pretty simple hey? Well to be honest, in principle it was. And it would have been a swifty project if I’d have remembered a couple of simple things.

ALWAYS MARK YOUR SELF-DRAFTED PATTERN PIECES AS SOON AS YOU’VE DRAWN THEM

Why? Well in my case, I have a fair few circle and half-circle skirt pieces that I’ve not only drafted for myself, but for others too. And in my haste I’d just labelled them ‘skirt front’ or ‘full circle’ and one just said ‘circle skirt piece no SA’. The latter was helpful, at least to know that I needed to add a seam allowance but none were any help at all to know if it was the right waist measurement, the right length, a full or half circle etc. What a twit!

blue half circle skirt

So first job was to redraft another, to my size. And second job was to ensure all that info was written bold and clear on the pattern piece for future use.

I’d already prewashed my fabric, so that was a win. The number of times I’ve been fired up to sew and didn’t have prepared fabric to hand is way too many to count. But swifty projects aren’t very swifty at all if you haven’t factored in to…

ALLOW A CIRCLE SKIRT TO HANG AT LEAST OVERNIGHT BEFORE HEMMING

Sewing a circle or half circle really doesn’t take that long but don’t bank on whipping one up, hours before a party because it has to hang at least overnight to allow the weight of the bias fabric to drop. This will almost definitely result in an uneven hem and will need levelling before hemming. I put mine on a dressmakers dummy but I’m sure if it was hung evenly on a pegged coathanger, you would achieve the same result.

So next there’s the levelling. I put the dressmakers dummy, wearing the skirt, on a table so that the hem is at eye-level. I use a metal rule from table top to my desired length and then mark all round with chalk or pins, rotating the whole dummy rather than spinning it (that’s another long story). I then go round a 2nd time to double check the measurements.

Once trimmed I sewed a quarter inch line of stitches from the edge and pressed up a hem. I stitched and in this case didn’t need to turn over again. But that might be necessary if fabric is more fraying.

blue half circle skirt

The lining of course needs the same treatment.

I rarely hate on any aspect of sewing, but I discovered this morning that I truly hate levelling, trimming and narrow-hemming lining fabric for a circle skirt, like massively!

It appears I’ve only made one other half circle skirt before, but it was so long ago, it’s well and truly worn out! So as much as I love this colour blue – quite unusual for me actually, don’t you think?! – I feel I must make a replacement black one too. And maybe a red as well!

I must at this point just big up my 12 year-old daughter who took these lovely photos for me. It was a very impromtu shoot as I was doing some shots of my eldest daughter who was face-painting in the park. Little Miss O brought her own camera along for some practice and certainly did me proud. Look out dad, someone’s hot on your heels!

Big Vintage Sewalong: Retro Butterick 5813

Big Vintage Sewalong dress

Back in March I announced I was taking part in the McCalls Big Vintage Sewalong. My scheduled date to blog seemed an awful long way off then, but all of a sudden today came shooting along like an express train and of course I’d left everything till the last minute!

My pattern of choice was the 1950s Retro Butterick 5813 – Nail on the head, Alana from Flying Purple Hippos.com! – but it wasn’t without a dither. I loved each of the three 1940s patterns on offer too!

retro butterick 5813

As soon as that pattern was in hand and I’d decided on version A, I headed straight down to Goldhawk Road and to the relatively new store, Goldbrick Fabrics, to snap up some gorgeous Italian brocade. I’ve been quite literally ‘stitched up’ (or rather unstitched) by brocade, once before (yes looking at you BHL Georgia!) and I knew as a rule, it has massive ‘give’ issues but this particular brocade is beautifully soft and luxurious with just the right amount of body at the same time and subsequently a little more forgiving.

retro butterick 5813

big vintage sewalong dress

And because the fabric was so special I wasn’t about to employ any gung ho scissor action. So I made a toile like the good girl I am. Fortunately I only had to make a few minor adjustments. Firstly I needed to remove some excess bagginess from the back bodice. I often come up against this issue but this style commanded some serious ease for practical reasons of movement I guess.

Big Vintage Sewalong Butterick 5813

Secondly, I needed to gain a little more girth. My go to adjustment for this is always to add a bit at the side seams but that often results in a loss of shape and a sausagey silhouette, so I thought I’d try a different way by sewing narrower darts and I do believe the result was way better, though, looking at the back view shot I should also have shortened the bodice a tad.

retro butterick 5813

Thirdly, I lobbed a fair bit off the length. I ummed and arred between below the knee or to the knee but I think after seeing these photos, an inch longer may have added a bit more drama. What do you think? I sewed a substantial hem so I could take it down a little I guess.

I wouldn’t recommend this dress to an absolute beginner. There are potentially, lots of hissy-fit inducing features like darts – lots of them, some underbust gathering (which admittedly would probably have been easier in a more manageable fabric) oh and inset panels! Luckily I’ve had some former training with insetting sections of my quilt panels – for example the Whirligig block –which made the instructions and the construction a near enough breeze!

Another thing to be mindful of is the precision of facing the front opening – sewing perfectly symmetrical seams to meet at a single point before turning through. I think the collar is such a lovely feature of this dress. There were no complications in adding it and it has a real neat finish that encloses the lining around the neck edge.

Big Vintage Sewalong dress

It’s fully lined too which means sleeves an’ all! I’ve only ever done this twice to my ever failing knowledge: My vintage plaid dress (which annoyingly seems to have disappeared from my blog) and more recently my Sew Over It Joan Dress. And I must say it feels like a bit of a rip off to have to basically construct the dress all over again in lining, no cutting of corners, darts, gatherings, inset panels the lot! And that means even more seams to overlock too!

retro butterick 5813

But of course it was all worth the effort and it’s so lovely and weighty. Proper quality, like!

I’m not sure whether I cut or sewed the wrist end of the sleeve incorrectly but in any case I opened the seam a little to avoid the puckering that was about to happen. And yes those are 3 little darts for shaping the sleeve. On the fashion fabric and the lining. That’s proper vintage detail!

retro butterick 5813

I chose an invisible zip over a more-authentic lapped one, only because I had one to hand but I’m really pleased with the outcome. It just looks like another side seam. I achieved such invisibility by taking my time for once, pinning and then tacking in position before using a regular zipper foot and then sewing a second time with the invisible zipper foot.

retro butterick 5813

One thing that surprised me was the vent. It’s just a slit with facings either side and the lining is stitched to the facings like a little bridge around the outside. Much simpler than the usual lined vents or kick pleats of most vintage dresses I’ve sewn but it does feel like a bit of a cop out after all the attention to detail elsewhere.

Overall I totally love this dress. It was such a pleasure to indulge in some vintage sewing again. Very long overdue and I’d love an excuse (and some more hours in the day) to make another. But I’d make a few more adjustments next time, namely taking a bit off the shoulders, shortening the bodice a fraction and adding a little more to the waist.

retro butterick 5813

It got some lovely comments as we strutted around Portobello Road and around Notting Hill. Not least of all from the lady who managed to sell me 2 new pairs of sunglasses. Flattery gets you everywhere, see!

retro butterick 5813

retro butterick 5813

retro butterick 5813

Many thanks to The Foldline for the encouragement, for McCalls Pattern Company UK for providing the pattern and fabric. I sincerely hope that lots of people get inspired to buy these gorgeous vintage patterns and that lots of wonga is raised for The Eve Appeal in the meantime.

retro butterick 5813

Special thanks also to Dan for dutifully shooting these amazing photos. We always have such fun. London is so full of amazing places and we’re lucky that most of them are just a short tube ride away. It’s always a hoot when we’re oot and aboot!

Marie from A Stitching Odyssey is next up. Can’t wait to see what she makes.

Born to be a gypsy girl

gypsy girl top and skirt

I gave up Flamenco dancing when I was 7 months pregnant with son. My teacher told me that if there was an ounce of gypsy blood in me I would continue dancing right up until the baby was born. Clearly my o-neg wasn’t cutting it. Lord knows how any amount of footwork is achieved when one is the size of a whale!

Anyhoos, just 4 years of practice and 17 years later there is still undeniable evidence of gypsy in me. Even if I’m not a real one. The dancing, the music, the earrings, the roses . . . the dresses. I think I’m just going to have to grab that bull by the horns and start over again.

gypsy girl dancing

But before I drift back to when I had time on my hands, lets talk about this outfit. It’s not a dress. It’s a top and a skirt. Separates, like!

I literally snatched the fabric out of the hands of the shopkeeper when he showed me some precuts on the counter. Just how hard is it to find border print these days? I knew it was going to be a skirt already but I had enough to make a top and my lightbulb moment was realising I had the perfect pattern in Butterick B4685. I’ve made it a few times before and blogged one of them here. Another version even served to complete Dorothy’s World Book Day costume! But this is the first time I’ve included the flounce on version C. And this fabric was perfect for the job.

Butterick 4685 top

I do have an issue with the fabric though. Mostly I find the shop keepers in the Goldhawk Road honest about the content. At least where they are informed themselves. And some even do an on the spot burn test for me if I ask. But this one (who shall remain nameless) confidently told me it was linen lawn. I had no reason to disagree. After all I’ve never purchased linen lawn before. But it sounded good and most importantly, implied of natural fibre. It is lovely and soft and lightweight. Perfect for keeping gathering bulk to a min. But I got that suspicious sweet smelling odour that hit my nose when I ironed it and felt compelled to do a burn test myself.

gypsy skirt and top back view

Surprise, surprise. Not an ounce of natural fibre to write home about. Well maybe one fibre in a million. It did crumble a bit betwixt forefinger and thumb so not 100 per cent plastic. Gah!! I hate the dishonesty. I probably would have still bought it with a bit of a haggle attached. But why glam it up when its so easily sussed?

I’m not too cross because I’m very happy with the outcome. I’m just cross with the bull****!

gypsy girl in the orchard

So the skirt is just a self-drafted gathered rectangle on a waistband with an invisible zip in the side. Unlined and therefore so quick to run up. Though I did hand-sew the hem because it pleases me!

gypsy skirt and top

Dan took these photos in and around the grounds of Fulham Palace, London. Such a beautiful and understated palace which is openly used as a museum and wedding venue and picnic grounds! The gardens are so immaculately kept. And the perfume from the wisteria was gorgeous!

gypsy style with wisteria

gypsy girl by outhouse

And as has become the norm, we had some more interest from the local residents. Clearly cleaning up from the picnics!

squirrel with a sandwich

And once again outposing me on the log shot! I’m sure Mr O does this on purpose. It had bugs and cobwebs and everything on it. Eeeewwww! Can I just say out loud. I hate sitting on logs!!

gypsy girl on a log

I love this outfit, not only because it brings out my inner gypsy, not even just because I made it  (well that as well!) but because its a style that never goes away. I’m as happy wearing this kind of dress now as I was in the 90s and the 80s and I’m pretty sure there’s photographic evidence of me wearing a dress very similar in the 70s! Or maybe I’m just plain old fashioned. Who knows. Who cares. I’ll make more anyway!!

BHL Sabrina dress v3

sabrina front view by fountain

This is my third Sabrina dress. And the best-fitting one yet. The first one was the result of a pattern test for By Hand London and the second, more recent version, was made so I didn’t keep wearing the first one all the time! It was also meant to address some of the fitting issues. But if you read that post, you’d see that I only created more!

But this one is certainly close to the mark with regards a perfect fit.

Most dress patterns come up too big across the back bodice for me. It’s not something I’ve ever properly addressed before I made a Sabrina, mostly because I didn’t know how. But it was as simple as taking a horizontal dart from the centre back and tapering to the armscye.

Sabrina dress back view

If I’m honest, it’s still a little snug across the hips. Probably because this fabric is less forgiving. It’s a sturdy brocade-like viscose. It has shiny woven ‘characters’ on a matt background which works great in the sunshine. The shop assistant guessed it was a polyester, which at £8 a metre stumped us both a little, so he took a sample outside to do a burn test. And it turned out there was more than just a little natural fibre in there!

viscose brocade close up

I also hemmed little bit shorter than the other two.  The skirt section flares out perfectly, especially in this fabric. Perfect for a bit of flirty, flarey fun!

sabrina silhouettes

bhl sabrina battersea

The weather was gorgeous on Wednesday as it is today, and promises to be on the weekend too! So Mr O suggested Battersea Park for our shots. I wasn’t too sold on walking from The Kings Road in Chelsea in high heels but he is mostly and annoyingly right with the no pain, no gain philosophy!

sabrina dress

I remember saying, not so long ago, that I couldn’t bear to make the same thing more than once, given all the amazing options out there. But I’m happy to make as many as it takes if it means I get the perfect fit, and the perfect fabric of course. I still have plans for more of these using some more challenging fabrics but those plans are on hold for a little while, as I focus on what I’m meant to be doing: Dan’s blazer and my Big Vintage Sewalong dress for example… ooops!

The By Hand London Sabrina dress pattern comes in two variations. This one and a lovely strappy button-front one…mmmm… no stop it, Janene. Focus!!

 

BHL Sabrina in animal print

bhl sabrina dress in leafy arch

I felt the need to sew a failsafe dress. No fancy features, no pattern matching and preferably no lining. One that I’d made before that fits just right and whips up quick. So here she is: The By Hand London Sabrina mark 2 in animal print.

I’m working on a couple of complicated projects at the moment, re Mr O’s #Blazerof2016 and my dress contribution for McCalls Big Vintage Sewalong and I don’t know about you, but whenever I’ve got a lot on, instead of getting on with it, I need a pleasant distraction just to up reduce the stress factor. A little bit of selfish sewing goes a long way in my book!

by hand london sabrina dress

I pattern-tested By Hand London’s Sabrina dress way back in October 2014 and I can honestly say it’s had more wear than any dress I’ve ever owned. To the point that I’m now a bit embarrassed that everyone in the office must think it’s the only dress I own! The fit was pretty good on the first one and all I really needed to do was remove some of the excess fabric from the back.

bhl sabrina back view

So I just needed to pinch out a horizontal dart on the pdf print out I’d kept and well, Bob should have been my lobster… but!

The finished dress came up huge and I just couldn’t fathom why. For sure my choice of fabric had more drape and less structure than the tartan. It’s a cotton/wool blend that I got at a bargain price from Classic Textiles in the Goldhawk Road. It has a little give but no stretch as such. I could only assume that it moved when I pinned it and perhaps I should have used weights. But following a really thinky night’s sleep it dawned on me. And I was horrified to find that I’d paid no heed to the version 1 and 2 lines marked on the front pattern piece. Version two is cut wider for a front fastening and I’m pretty sure I’d placed that pattern line on the fold instead. OMG no wonder I had to take the side seams in an extra inch each side AND pinch an extra quarter inch from the princess seams. It fits now, kinda. But I wish I’d have got it right first time and saved myself the bother of make-shift fitting, doh!

bhl sabrina dress

If I had cut it correctly from the off, it really would have sewn up in less than 3 hours. Not including a hand-sewn hem though. That takes a little time but I much prefer the finish to that of a machined hem, don’t you?

bhl sabrina hemline

This style of dress is so perfect for donning in the morning. No finding a top to match the skirt. Black tights, fancy shoes and perhaps a cardi if its chilly. A simple shift with a draping skirt that falls off the hips. Room to accommodate a cheeky plate of chips and a pint at lunchtime and worn with cardi for when the hot-blooded colleagues take control of the air con.

bhl sabrina dress

Mr O (aka Daniel Selway) took these photos for me, of course. Now that the children are getting older we are just beginning to enjoy a couple of spontaneous hours here and there, zooming off for pints shoots and today’s wander took us to Richmond Hill. I lived there some years ago but quite forgot how breathtaking the views were. And despite the chill factor, the rain held off and it was lovely to wander about the gardens and blossom trees. Actually it was more like an ungainly stagger in those heels If I’m completely honest!

sabrina dress under the blossom tree

That path was a lot steeper and muddier than it looks and Mr O believes I should suffer for my art. Short of a pigeon-toed pose, I’m trying to emulate a snow-plough ski stance here, in order to not fall flat on my face!

bhl sabrina in the blossom

A little stroll around the more wooded areas drummed up a bit of attention from the local wildlife too. This cheeky little robin insisted on following us around. I’d have loved for him to have created an extra splash of red on my shoulder!

robin redbreast in Richmond

Mr Jackdaw was very keen to join us for a cup of tea but I was thankful for him keeping a polite distance.

jackdaw in Richmond

And this wide-eyed and bushy tailed little fella was definitely keen to get in on the action. He looks much more relaxed on his log than I do on mine!

squirrel in Richmond

So that’s my little weekend fix. I managed a whole two days without working; sewed a new dress; got some running in and managed a cheeky afternoon out with Mr O. How was yours?

Knickers big and knickers small

It’s been a while since I made knickers – I made some Burda pin up pants here and here. But this week I had a go at some other varieties from this book: The Secrets of Sewing Lingerie by Katherine Sheers and Laura Standford.

The Secrets of Sewing LIngerie

One of my lovely work colleagues was given this book, but as a knitter rather than a sewer, she thought it would be better placed in my hands and who was I to argue?! It pays to let the whole world know that you are a crazy sewing blogging lady: beautiful sewing things seem to gravitate towards you from all angles! And what a beautiful book this truly is. The photography is gorgeously inspirational and leaves you wanting to make everything in it.

So I started from the beginning, intending to work to the end. And I still might. I just need to overcome a few hurdles.

The first pattern is for a pair of cotton minis, entitled Pretty as a Picnic and they truly are. The fabric suggestion is cotton lawn and I could just imagine how lovely they would be to wear. It’s not my usual style. I’m more partial to a pair of stretchy big pants but ‘pretty’ won me over. I also have a fair bit of printed cotton in my stash and it struck me as a good project to use it up.

cotton minis

I painstakingly followed every instruction which incidentally was very clear and I even basted where suggested, like a good girl – I’m not usually that fastidious! But I had to abandon mission before completion when it became apparent how small they were! Far too mini for me. I think the photo in the book is a shot at an angle which makes them look wider at the sides than they actually are.

So I adjusted the pattern: I added an inch to the depth and a bit extra across the width too. (Gawd knows why I just didn’t trace a size up!) And so I made another pair. Seemed to do the trick but lets just say I’ve worn better. The recovery of the elastic is a bit slack (my bad, probs) and where the fabric is cut on grain there is just no give, so they do feel and look a bit strange. I may give them a third go, cut on the bias and see what happens. I WILL have a pair of pretty minis!

But rather than have a go straight away. I got lured by the cotton French knickers. After all. What could go wrong with those? And even if anything did, I could wear them to bed where no one would see. They are described as natural bed-fellows in any case.

cotton knickers

But why don’t I learn? These are cut on grain too. And I didn’t even pay heed to the need to size up either. I’m seriously such a bozo sometimes!

They look dreadful on me. They are simply too small but yet the waistband extends at least an inch above my natural waistline despite being sold as a ‘softly-fitted style sitting between the natural waist and the hips’. I checked that I’d traced the pattern correctly and I had, so I think that may be an issue with the pattern itself.

That said, I loved the implementation of some of the techniques used. There are French seams throughout. No rtw-style serged seams going on here and the centre front and centre back are pressed in opposite directions so there’s no bulk at the crotch.

knickers french seam

The top edge of the waistband is top-stitched at the fold and at the base of the elastic casing with gives such a neat and professional finish. Exact measurements are given for the casing and the size of the elastic which seems to prevent the elastic from twisting too. Little things certainly please my little mind!

knickers waistband

The coquettish vent is a lovely touch too. There seemed to be a notch missing off the pattern so I just allowed 3 inches which worked just fine.

knickers side vent

But if only they fit!! I’m convinced that these also would be made far better by being cut on the bias and then I realised that there was a version of bias cut silk satin French knickers further on in the book, doh! They use different pattern pieces with shaping at the centre front and back and appear to be much wider in size. I’m confused by this. Why would the bias cut ones need to be bigger? Surely the on-grain version would need to be bigger to account for lack of stretch. Am I missing something?

Anyhoos. I’ll report back once I’ve had a mo to try them out. Because I really really want these to work.

I’ve had a scout round to see if anyone else has had experience in sewing undies from this book but mostly the reviews are of the book itself and not any real findings. So please let me know if you’ve made any and what the outcome was. I’m really keen to know how these patterns have worked for for you.

Oh, and don’t forget to enter the Classic Tailoring Techniques for Menswear book Giveaway if you haven’t done already. Good luck all!