Putting my self-drafted leggings to the test

Janene is posing sideways, standing on one leg with the other leg straight out and arms forward. She is wearing her snakeskin print leggings with high heel boots and a black rollneck top

I remember quite plainly saying I did not see the point in making my own activewear. Where’s the fun? It’s just boring and functional. And let’s face it, there are plenty more interesting and fun things to be sewing up!

But never say never! I did a rain-check on the RTW pieces I already own – after one pair pretty much disolved, despite various fixing attempts – and realised not one single pair of bottoms actually fit me properly. Mostly the rise is the problem but also the waist elasticity.

I spent the best part of an afternoon perusing patterns online. There are heaps! And I’m sure most of them would work a treat. But I would undoubtedly have had to make adjustments to said patterns and so I figured I may as well draft my own if it wasn’t going to work straight out the packet. 

I followed instructions from Winifred Aldrich’s Metric Pattern Cutting for Women’s Wear – a firm fave in the sewing community. And it didn’t take long at all to draft the one single basic pattern piece.

Flatlay of drafted leggings pattern piece, drafting tools, note book and pattern drafting book

In fact it took longer for me to decide how to finish the waistband!

I sewed up the leggings in a lightish weight very stretchy lycra. Took minutes on the overlocker with 4 threads. I didn’t even need to substitute stretch needles.

flatlay of partially finished leggings. Just awaiting the waistband.

A quick try-on confirmed the fit was OK apart from quite a lot of ease at the waist – the back waist in particular. I didn’t really clock the excess at the thigh at this point. I was poised to take the waist in, before making a casing and threading elastic through – that totally would have been the quickest waistband solution – but then I visualised some gathering at the waist where the elastic waistband would have cinched it all in. I didn’t like how it looked (in my head!). So I set about another solution.

I measured the depth of the waistband from one of my existing pairs (10cm) and then measured the circumference of the leggings, 10cm down from the natural waistband. I halved that measurement to make a rectangular pattern piece that would ultimately be cut on the fold of the fabric.

I marked top edge, fold and side seam on the pattern piece.

To avoid all the gathering at the waistline I marked 10 equidistant slash lines from top to bottom and closed up the top edge until the top now-curved edge measured approximately 80% of the bottom curve.

I then traced the now-curved rectancle onto another piece of paper to add 1cm seam allowance all round apart from the fold edge.

Flatlay of the drafted pattern pieces, one with and one without seam allowance, for the waistband. a tape measure and a pair of scissors are positioned next to the pattern pieces.

I pinned the pattern to the folded fabric and cut 2 fabric pieces. With each piece right sides together, stitched the short edges to make 2 circular bands.

I placed one band inside the other, right sides facing, and stitched along the top (inwardly curved) edge.

I remeasured the top seamed edge of the waistband and cut some narrow (7mm) elastic to that same measurement with no overlap allowed so it would be a wee bit tighter still.

I then overlapped the elastic by 1cm and sewed the ends together to form a circle. I made quarter point markings along the finished top edge of the waistband. And with corresponding marks made on the elastic, I pinned and lightly stretched to fit as I zigzagged the elastic to the seam, making sure the edge of the elastic didn’t go past the actual seam line.

I trimmed 9cm down from the top of the natural waistline of the leggings (to leave 1cm seam allowance) ready to attach the waistband.

Before attaching I gave a quick press to the waistband, right sides out, to shrink the elastic a bit and make sure both pieces were aligned accurately. Then I attached the bottom two edges of the waistband to the top of the right side of the leggings (right sides together). I aligned the seam of the waistband with the centre back seam and clipped the band all round the top of the leggings. There was no need to stretch to fit this time because both measurements were the same. The clips worked a treat by the way, because the pins kept catching on the fabric.

The waistband of the leggings is clipped in position with some colourful plastic clips.

A quick zoom round on the overlocker, and it was clear that all that care taken for accurate positioning paid off.

Now I wouldn’t normally volunteer a photo of my rear end, but I’m so chuffed how those two centre back seams lined up and how nicely that deep waistband hugs my hips and dips into the small of my back!

View of Janene's bottom! She is holding up her top a few inches to reveal the back of the waistband and show how it fits very snugly.

The last thing to do was hemming. Believe it or not I found this bit the most tricky! With everything else going to plan and so quickly, I decided to get the twin needle out and do it properly rather than employ my usual lazy zigzag treatment.

I dug out my barely used Millward stretch twin needle and rehearsed a twin stretch stitch on a scrap piece of the fabric. Took a while to perfect before I sewed for real. But then it messed up before I finished the first round. Sooo annoying! I dug out the manual to see if I’d set it up wrongly and the only thing I did was not to use the needle supplied with the machine, doh!

So I changed up the stretch twin for a regular Brother twin needle and tried again on some scraps. Again, seemed ok until I went to sew the real hem and the same thing happened again. It just got jammed and sucked into the feed dog with the bobbin threads all tangled under. I unpicked and managed to re-sew over the last bit but still, sooo annoying!! I’m totally sticking to zig-zagging next time!

Side view of Janene wearing her handmade snakeskin print leggings and high heel boots. Her head is cropped out of the image.

First test of the finished leggings was at my Zumba class. And I was so chuffed that they didn’t end up round my ankles. However I could feel how loose they were from the knee up the inner thigh and I really didn’t like the wobble factor as I was dancing! I’m so much more used to sturdier fabrics holding me in place!

I’m going to take them in but decided to shoot them as general day wear with heels as inspired by @paulalovestosew! They are entirely fine as… well, tights really!

Front view of Janene wearing her handmade snakeskin leggings. Her feet are slightly apart. There are some small wrinkles on the knees.

And now I am on the hunt for some heavier stretch fabric. Thank you to everyone who have given some brilliant suggestions. I now appear to have too much choice!!

From not wanting to ‘waste time’ making my own, I can see how making these will quickly become addictive. So… absolutely… never say never!

Image of Janene doing a high kick in her handmade snakeskin leggings. She is also wearing high heel boots, a black rollneck top and a pair of black rimmed glasses.

Posed photos by Daniel James

UK v Germany: A Burda-off! PLUS a tiny feature

Burda UK v Germany covers

I’ve been an avid collector of Burda Style Magazines for three years or more. It’s my monthly inspirational treat and over the years the collection has become my now go-to library for instant pattern pieces and reference. I just love a sit down with a cuppa and a mag and a pile of Burdas at my feet. A perfect way to unwind, recharge and replace my head-soup with a wishlist of sewing plans.

Before ooobop ever was an idea, I used to drool over the projects on Burdastyle.com, wishing I hadn’t given up sewing; jealous of all the lovely contributors and the time they’d dedicated to create such amazing garments. (At the same time, wondering how the heck they found time to maintain such a hobby around work and ‘smalls’.) Then one day I could stand it no longer. I bit the bullet, signed up and submitted my first project in July 2010. I was so proud of that little jump dress. Even moreso that I made the pattern myself. It still hangs in my daughter’s wardrobe. I’d like to believe she is proud of it too and that it’s not just a case of pre-empting a breakdown if mummy sees it in the bin!

The realisation that I could make clothes that created joy for me and my daughter at an outlay of 75p was encouragement enough to carry on. I have to be honest and declare that the outlay has increased somewhat over the years but then so has my confidence and ability. And it is really so wonderful taking some time out today to look back at where I started and how things have moved on. And how I did find time.

There have been a few proud moments along the way where individual projects have been featured on the site but recently I got an Email from an editor of the German printed Burdastyle magazine who asked if she could feature this skirt and my shorts in the November issue. I have to be honest, I thought it was a spam Email at first so I didn’t reply straight away. But then I checked out the links and a little chuffed warm-glow filled my boots! Of course, I would be most incredibly delighted and honoured! Transpires they couldn’t feature the skirt because I’d self-drafted it but I submitted a photo of the shorts and here it is on the printed page!

Burda Germany shortsWhen the magazine arrived in the post I was more distracted by the quality of the magazine and quite forgot that I was in it! The German version is so much more glamorous. It is ‘perfect-bound’ as opposed to ‘saddle-stitched’. Those are the proper publishing terms but in lay-person terms that means that the German one feels more posh as it has feels more substantial and has a spine like all the high end glossy fashion mags. More substantial because there are more pages and because the pattern section is separately bound inside with it’s own cover. Saddle-stitched meaning stapled!

pattern section

This pattern section is perforated so that presumably, you can remove and keep it separately. There are images on the inside front and back cover of that section so you would have reference of the finished garments but personally I like the full page fashion shots to fire me up and therefore I would have a need to keep the two together.

Overall, the content is the same. The fashion shots identical. Though I bet the instructions are clearer in the Mütter tongue! Some of those translated terms in the UK edition have me head-scratching and reading ten times over before I’ve got whats going on. But there are additional features on accessories and a few full page glossy ads which ironically enough give it more of an upmarket feel. That’s not a hint by the way, Burda! You’ll not sell me anything via an ad in a mag!

I’m pre-empting some comments regarding my absence from Burda reviews of late, so I’ll apologise up front. I’m considering a return but need to find a quicker way. It takes so much time. That time I’ve since allocated to actual sewing but I have selfishly realised how much I rely on my own reviews when it comes to planning my next makes – far quicker and easier to track back a blog post on the hop than to wait for an opportune ‘sit-down with a mag moment’! So don’t hold your breath. I’m planning a return.

However, I shall leave you with some of November’s shots in case you didn’t get hold of a copy. See. I just can’t resist!!

Burda November 2014 Black and White

Burda November 2014 Black and White

Burda November 2014 High Society

Viva La Diva Burda Nov 2014

Viva La Diva Burda Nov 2014

Key Note Burda Nov 2014

Key Note Burda November 2014

Burda Baby Clothes Nov 2014

Homewear burda November 2014

Plus Homewear Burda November 2014

Happy Bonfire Night, peeps. I’m off to watch the fire in the sky… in the rain! Keep safe.

Love ooobop x