Vintage 1950 Vogue Jacket

vogue 2934 jacket

And here it is, at last, that tasty little Vogue jacket as inspired by that classy little lady, Ms Nicole Needles. It had to be done. I couldn’t resist!

The pattern is V2934, a reproduction of an original 1950 design. Such a clever and very simple pattern that would whip together so quickly if it weren’t for all the hand stitching. Which, strangely enough, I didn’t mind at all.

vogue 2934 jacket

I’m loving the dolman sleeves and the big cuffs which nicely balance out the short cropped cape-like body.

vogue 2934 jacket

I used sew-in canvas for the interfacing. Really great stuff! It molded beautifully around the neck and shoulders and was the perfect weight to maintain the shape whilst still allowing drape at the front.

vogue 2934 jacket

Initially, I had a slight concern that this shape might make me look like a Weeble, given my lack o height, but I do believe it does nothing of the sort! In fact quite the opposite. It is amazingly flattering for a jacket that is more like a cropped cape and I love it!

vogue 2934 jacket

It is also so warm and so snug. The outer fabric is a wool blend, exact content unknown but at £6 per metre I’m not really that concerned!

But the inside fabric, however…

vogue 2934 jacket

It is the most lavish lining I have ever used. 100% red silk satin, baby! Costing more than the main fabric –but boy does it feel lush.

vogue 2934 jacket

Did you know these things were called frogs? Neither did I till very recently. But they do the job so perfectly. Takes a while to do them up but I’m sure I’ll get quicker with practice!

vogue 2934 jacket

vogue 2934 jacket

vogue 2934 jacket

OK. That’s quite enough of that serious posing Janene. What this jacket really speaks, (apart from sugar-gliders) is aeroplanes!

vogue 2934 jacket

vogue 2934 jacket

vogue 2934 jacket

vogue 2934 jacket

So never let it be said that black jackets are boring! Or indeed difficult to make. If you don’t mind a spot of hand-sewing the old fashioned way this is such a walk in the park.

vogue 2934 jacket

vogue 2934 jacket

Before I sign off I’d just like to give Little Miss O a mention. While we were busy being crazy she was so patiently sitting and drawing the most beautiful picture that I just have to share with you.

drawing at the Park

Pictures by Daniel James Photographic

The audition dress!

V8280 audition dress

I made this dress last weekend to wear to an audition on Friday. I’m afraid I can not speak of the adventures it had or the reaction it got as I am sworn to a confidentiality agreement so I can only tell of the making of the dress itself!

V8280 Roland Mouret dress

I’m sure, for most of you lovely sewing people out there, you have already guessed it to be the Roland Mouret knock off by Vogue – pattern no V8280 – the Galaxy Dress. But perhaps it wasn’t instantly recognisable without its signature sleeves.

V8280 galaxy dress

On reading lots of reviews about how the sleeves would be best placed on a pitch against the New York Giants, I did run up a quick toile to test out their outrageousness. I wasn’t too scared by them but I wanted this dress to be right and not feel too self-conscious in it! So I went for Vew A. It looks a bit boring on the envelope but I do believe this is probably the classiest dress I’ve made to date.

v8280 sewing pattern

Might have something to do with fabric choice though. I’ve come to realise that the longer I keep up this sewing lark, the more choosy I’m getting about quality of materials. For sure I still love a charity shop find but in truth, nothing beats shopping specifically for the most appropriate fabric. I needed to impress with this dress so it had to be good stuff. I chose wool crepe and silk lining. Oh what luxury! I have really started something now! Just look at the texture in that wool…

wool crepe texture

I love the way that it pressed so beautifully yet didn’t crease too much when it was worn.The wool crepe was £15.99 and the silk lining £6.99 a metre from one of my favourite fabric shops in the Goldhawk Road. Probably my most expensive make, around £42 in total but the blow was softened after I checked the prices of similar wool and silk in Berwick Street, London…. more like £30 – £80 a metre!!!!

If I’d have had the time, I would have made a full toile to check the sizing properly. I overestimated the sizing of the bodice and ended up taking it in by 3 inches under the arms. I will definitely take it down a size next time. And oh yes, there will be a next time!

This is also my first experience working with a modern Vogue pattern. I have heeded the warning of others about their ‘vague’ instructions, but I found this one to be very simple to put together. Bearing in mind I didn’t go for the sleeves!

Once you get the hang of the ‘flanges’… lol – or once you get used to calling them ‘flanges’ – it will all make perfect sense. And they do help to create a very flattering neckline. I chose the sweetheart neckline just because I think its more feminine and reminiscent of  glamourous ’40s ladies.

sweetheart neckline

Working with this fabric was a dream and made inserting a zip and lining up darts and seams, a breeze.

v8280 back view

invisible zipper

There were no instructions to fully line the dress, only to line the bodice. But from past experience I know I will never get away with an unlined skirt. My biggest fashion blunder was to take my coat off in the entrance to a party only to find out my unlined dress had ridden all the way up to my armpits. The worst (or most life-saving moment) of that was that another guest had to tell me. Otherwise I’d have strutted my stuff onto the dance floor like a complete fool, outdoing any Bridget Jones moment! And so I cut the lining, the same as the skirt but with an additional half inch added to the side of each piece. I sewed the back seam from the zipper opening to the top of the vent and the side seams but didn’t make the darts. I pinned the waist of the lining to seam allowance of the skirt section, first pinning at the side seams, then to the back openings, with one pin at the centre front. I then folded pleats at the dart positions and pinned those in place before sewing to the seam allowance all round.

I’m not entirely sure this was the best way forward. There may be more professional ways of doing this but it worked, for me, anyhows!

I bound the hem with bias tape and machine hemmed the lining. Tricky old stuff, silk lining. Seems to carry far more static than poly lining, when ironed. But boy does it feel good! Raising one’s own standards is very amusing!!

bound hem

And all that is left to say is thank you once again to Mr Ooobop! for being amazing in every way. Not only does he dutifully take lovely photos for me, he is the most amazing support for my often waining morale and makes me so happy… gush gush!

He will insist on a leg shot though!

side detail on tights