Vintage Laura Ashley Romper

Shelby Romper Suit by ooobop against a white wall

Last weekend was a Godsend. Seriously. As a sewist, who wouldn’t relish permission to sew your undivided heart out for two full days whilst tuned in to all manor of inspirational videos and chat from the best kind of community ever. I’m talking the #SewingWeekender hosted by The Foldline and English Girl at Home, obviously. The event that sparked so much joy and raised so much money for such great causes.

And hey, I made a new outfit in the process, too!

ooobop shelby romper against white wall

I’m not sure if I can ever stop making True Bias Shelby Rompers now. This is my third and still I’m not done!

This wasn’t the intended fabric though. I had factored in some crinkle cotton linen gauze, but following a prewash, it crinkled to half the size and became all elastic and everything. I set about ironing but got bored after the first 20cms and swapped it up for a really old pair of curtains instead. As you would!

Ordinarily I have a reputation for exaggeration, but in this case I’m not joshing. I bought these Laura Ashley curtains in a charity shop many moons ago. Quite excited by the vintage factor. Had to look up those roman numerals though . . .

MCMLXXVIII

MCMLXXVIII = 1978 for the less Roman among us!

I bought them when I was dead broke. And still argued the West London inflated charity shop price! They served my previous two addresses as actual curtains and have sat wantingly in stash mountain for the last 10 years. So I think you might relate to my happiness at using them to make my third True Bias Shelby Romper suit.

ooobop shelby romper walking

I get it now. Using the same pattern over and over. If it ain’t broke and all that. Such an easy gig when it works straight out of the packet. I made my first ‘trial’ one in a very lightweight (quite see through) star-print viscose. And I love it still. The second, more improved version realised in a tropical print viscose and it’s so interesting to see the difference when it sews up in a fabric with a bit more structure. The silhouette is accentuated even more and feels good against the skin being 100% cotton and all. Feels even better knowing how many lives it’s lived and yet 42 years on its still many more years away from a landfill!

That said, there was a little issue with the tiny back straps. They didn’t turn as easily in curtain fabric. It’s a bit of a toughie compared to viscose. So following a wee tantrum, I re-cut the pieces on the bias – remembering a video tutorial I’d watched about cutting rouleau loops on the bias – and it bloody worked a treat. Thank goodness I had enough fabric left!

ooobop bias straps for shelby romper suit

This isn’t the end of this particular project. I’ve got plans. Mostly to mess things up! You know what I’m like with my colour palette – there’s not a scrap of black going on, save for the buttons. So I’m going to add some paint. Just a bit. And not quite sure where and what. But watch this space!

Thank you Daniel once again, for my lovely photos. Especially when the clouds dictated we should never have strayed further than the garden gate, let alone to the riverside. But I’m jolly glad we did.

ooobop shelby romper hammersmith riverside

 

Ooobop original 70s style dress

ooobop original 70s style dress
ooobop original 70s style dress

The thing I love most about sewing is the eternal learning curve. I will always be on a joyful journey of discovery because there is no chance I will ever learn it all in my lifetime but with every little milestone I reach I get a little buzz of excitement which propels me to the next level and this little dress is prime example of my progress.

It might not be the most ground-breaking, couture class garment you’ve ever seen but its mine, all mine – an ooobop original

I dreamt it, I drew it, I drafted it, I sewed it.

sketches of the dress
Love drawing the possibilites in my Fashionary sketchbook

For sure, I’ve sewed and drafted for other people but never as successfully for myself. I’ve been bouncing between lessons on Craftsy’s Blueprint and instructions from various pattern-making books but it transpires the reason it took me longer to fit myself was my own dishonesty. Denial of my actual measurements. Reluctance to accept the differing pattern shapes to the examples given. Even cheating my measurements knowing it would look better if I nipped in certain stats. Desperate. IKR!

wearing ooobop original 70s style dress
Striking a pose in Notting Hill

And it just goes to show that you can’t cheat at maths. On the fourth attempt at a moulage (a close fitting blue print from which one adds ease to create a master sloper ) it bloody worked! I was so happy . Literally danced around the room in nowt but a pair of pants and the moulage for a good half hour. And then it dawned on me all the possibilities.

Classic pose with a classic car
Classic pose with a classic car

But first I had to add ease to create the sloper. Another milestone reached as I’m getting much quicker and more efficient at drafting in Adobe Illustrator. Luckily I use this programme for my job as a graphic designer and can justify the substantial Adobe Creative Suite subscription. But it makes it all the more satisfying that I am getting untold extra benefits from its use. My space is so limited at home and the prospect of getting out and putting away all the giant drafting materials is exhausting in itself, before I’ve even put pencil to paper. Drawing patterns using my laptop and being able to store them digitally thereafter is literally life changing, for me!

Sloper created using Adobe Illustrator
Sloper created using Adobe Illustrator

Once I’d drafted the sloper, the only other piece left to draft was the turtle-neck collar. That was a case of simply measuring the neckline and cutting a bias rectangle piece to that length and 6″ wide. It was sewn like a bias binding around the neckline. I left the back edges open to insert a zipper to the top of the neckline then folded the facing part of the collar to the inside and finished by hand.

Striking a different pose with the classic car. Loving the silhouette
I do love the simple silhouette of this dress

I had originally planned an extravagant bishop-style sleeve but I didn’t think I’d have enough fabric for such indulgence, so I settled on a slightly flared sleeve instead – slashing and spreading my sleeve sloper from wrist to sleeve cap.

And while on the subject of fabric, let me tell you how I came by such a perfectly suited piece. Every now and then I venture out on a little sewing people meet-up. One of my favourites is  organised the London Stitchers Meet Up.  The last one I attended was held at The Blue Boat in Fulham and involved a fabric swap. Such a great idea to downsize that stash and to swap a piece or two that might not have plan attached, for something that triggers an instant course of action. Interestingly enough I had no plans on bringing any fabric back home. I’m trying to use what I have and not buy/acquire anything new but the stars instantaneously aligned when glanced over Giorgia’s shoulder to see it sat wantingly in the corner.  It was a beautifully soft baby needlecord (I think) with a vintage style montage print. I always maintain I’m more about texture than print but there are always exceptions to the rule. Thanks so much to Lauriane Loves Sewing for bringing it to the table. I do hope I’ve done it justice.

ooobop original 70s style dress

So why am I creating so much more work for myself when there are plenty nuff awesome patterns in the world? Each stage of sewing this dress confirmed what I good idea it was. The notches aligned perfectly. The bust darts hit where they were supposed to, the shoulders finished on my shoulder line. And I confess I stood and I stroked and I marvelled at how well they did, for quite some time.  No puckers, nuffink.

Marvelling at the inset of my sleeve caps
Marvelling at the inset of my sleeve caps

Add to that the waist sitting where it is meant to, no pooling in the small of my back and Bob is definitely my lobster! Gotta love it when an invisible zip becomes super evasive too!

Back view of dress with no pooling
Back view of dress with no pooling

Well I think that’s just enough of me blowing my own trumpet and time for me to big up the talents of my super lovely, supportive husband, Daniel. I’m always the first to run out of steam, just knowing there’ll be a hundred good shots even if I am pulling a stupid face in 50 percent of the contact sheet. But he always want’s just one more. And its always for good reason and I thank him from the bottom of my heart.

Lying on some steps in my 70s style dress
In response to ‘Just one More’!

And he’s available for booking. He loves an event. So good at capturing those  off the cuff, journalistic poses. So if you have an upcoming event and in need of a trusty photographer please do check out his portfolio here or contact him at danieljamesphotographic@gmail.com.

Thanks for swinging by. Your readership and comments mean the world to me and add so much to my journey. Wishing you all a gloriously productive weekend. xxx

Previous attempts at self-drafting: