silk – ooobop

January 2, 2017June 7, 2017

Significant birthday dress

Mostly I sew from patterns. Vintage ones, Burda ones, any of the big-four, independent ones, any that take my fancy, really. But when it came to finding a pattern befit of a significant birthday party dress, I was stumped. I searched through the hundreds I owned, I trawled through plenty more online and still I didn’t come up trumps until a visit to the hairdressers presented this beauty in one of their glossy mags.

Who was I kidding?! But a girl can dream right?!

With a couple of months to go and so many people asking what I was going to wear, the pressure was on and almost too much to bear. I even considered RTW as a get out clause! But following more procrastination and now only 6 weeks to go, cool words of advice from Sally of Charity Shop Chic, put me back on track and sold it to me as a simple circle puffball attached to a bodice of choice.

I just needed a prompt, a bit of pressure and some added faith, obviously!

With all that poompf in the skirt section going on, the quest was for a simple bodice. One I could toile and fit with not much time on my hands. It also had to fit in with a busy work load leading up to Christmas, and be sewn in the the evenings so black was totally out of the question too!

I remember ear-marking this vintage Weldons pattern as a potential party dress some time back and when I rifled through my patterns for the umpteenth time, it shouted out all the reasons it should be chosen. Simple to fit, no sleeves to insert, flattering neckline, small amount of fabric required and a perfect yoke for a string of cockerel feathers!

The small amount of fabric issue was quite an issue at this point as I’d already decided that silk was the only way forward. The only way I was going to get a classy, crumpled look and not just wind up looking like a discarded crisp packet!

The skirt section is a greedy full circle with an added 16 inches around the waist to accommodate 4 box pleats: Two at the front and two at the back. The full hem is then gathered onto an a-line, mini underskirt which I self-drafted by closing the waist darts on a self-drafted skirt block, and adding a little flare. Both are attached to the waist seam.

The wonderful Sew Busy Lizzy gifted me the polka-dot taffeta some time back. I love that it found a special use. Not so shiny that it caused static, strong enough to support all that silk whilst adding a cheeky secret air of Moulin Rouge!

Having toiled the whole thing in calico beforehand, it transpired I needed 5 metres of dupion silk. Pricey at £25 a metre if one shops in Broadwick Street, London. But £12 if you’re lucky, in Goldhawk Road. I say lucky because I pretty much went in all the shops to get the right colour – a two-tone black & red. And the last one I tried had not only the best colour but offered the best price too.

For all my fretting, Sally was absolutely right of course. It really didn’t take long to sew. The indecision and worrying took way longer! And fears about working with silk were laughed off when I made the first cut. Literally like cutting into butter. And it behaved and sewed up brilliantly.

And so the finished article partied hard to the band and the DJ with a hall full of amazing family and friends. It went way too quickly though, and I so wish I could press replay so I could get round to spending more time with everyone who came. But I guess thats the downside of hosting ones own!

Mr O aka Daniel Selway took these amazing shots for me this morning. Nothing wrong with a party shot but lets just say there’s a definite improvement of photographic quality in the sober light of day!

Happy new year to you all. Wishing you a peaceful, healthy, and joyous 2017 xxx

December 31, 2013

ooobop! review: Burda Style January 2014

I had secretly planned to make the December 2013 issue of Burda, my last review. It takes an age to put together. And if I’m ever to make a new years resolution, it must be to claim back more time for more sewing. But it proved to be a rubbish plan. And it appears that I am indeed a love-struck addict of all that is Burda Style magazine!

So here I duly kick off with some snuggly 2014 fashions of the faux furry kind…

As much as I want to, I can’t possibly dive into one of these projects. My pattern is traced, my fabric ordered and delivered and my instructions await for a vintage 50s masterpiece. I just need some time… and space! Boy will the pinned pattern pieces take up a whole of the living room floor!

Have well and proper earmarked that little furry cropped jacket, though (above, bottom, left) . I can totally see myself in it! (innit!)

Happy New Year is the next section. Reporting a bit late for a New Years Eve number but really some goodies here for any party any time… or just any time really!

Loving the batwing waterfall top (1st row, 2nd col) which comes with an ‘easy to sew’ verification. I’ve just got a few tension issues to sort on my newly inherited overlocker and I am well on my way to knocking a few of these beauties out, I tell ya!

The o-so-cute bustier (bottom row, col 1) is a fabulous party separate. In a quality shiny black, it would rescue any old skirt or trouser in a jiffy. But it would be exceedingly traitorous of me to detract from the Georgia dress before I’d even started!

Another ‘easy’ option is the cerise one-shoulder dress (row 2, col 2). Big attention seeking effect incorporating scant sewing time equals massive win!

Now I’m forever trying to stray from all that is monochrome. It doesn’t make for a very colourful blog, for one. But how can I ever move on when such striking temptation is blatently bowled in my general direction?

I love the neat mod look, I love the fat stripes of that jacket in the first pic and I love how the skinny stripes behave in the long sleeved jersey shirt. Some interesting points of gathering to achieve all that psychedelia! Thinking this may well be a job for my overlocker too!

Now even if I hated each and every one of this issues patterns (which I don’t, obvs), I would pay double the cover price. Double I tell ya! Just to get this Master piece pattern of ultimate gorgeousness….

Such a flatering shape. I love the neck. I love the colour. I love the contrasting leather. I will make this dress. At some point!

Now I’m not really one for fancy dress. But Burda certainly does us proud each and every time there’s an excuse for dress-up. No exception with this months selection of saloon characters, superheroes and exotic animals from the jungle, the sea and even the circus! Take your pick. Creative costuming for the whole fam!

And if mermaids and snakes don’t do it for you then feast your eyes on all that is classy and plus size.

Burda love a bit of Asiatic influence and I’m personally loving the black and the red (obvs) but I’ll leave the rest of the commentary to you, my lovelies.

Here’s hoping that 2014 buys us all some more precious time to sew some more wonderful creations. Love and luck and the very best of health to you all. Now go party your lil sock off!! xxx

November 30, 2013

ooobop! review: Burda Style December 2013

Good grief! How did it get to be nearly Christmas? How do I get to be so not ready every single year?

Well thank you Burda Style magazine for the memory jog but I’m not sure I have enough disposable hours for many more makes before the big day.

I am sorely tempted by your cover dress though. More on that further down.

Merry Christmas is the opening section. Of course!

On first sight all looked a little uninspiring to be honest but on closer inspection there are some nice surprises. The long-sleeve top (top left) is made of lamé jersey. A very simple make, made all the classier with some glitz. The polka dot dress next door is a chiffon overlay dress, gathered at the waist, over a slinky satin bustier dress with spaghetti straps. I rather like the surprise of that one. And the pink crepe dress (bottom row next to the terrible peplum skirt) makes a beautiful shape (or would do if the hem was trimmed even!) It has a wonderful pointed yoke at the waist and a deep inverted pleat in the skirt. Lovely sleeves and a cute row of black buttons on the right shoulder. I approve!

Now back to that terrible peplum skirt. I don’t know what to say about it really. I just don’t think it works. No integration. No added flare. Just makes the body look cut in half! Just sayin’!

The next section is called Cruise Collection. For those already looking forward to summer! If anything, the garments here are more Christmassy than in the Christmassy section!

This is my favourite bunch this month. Buttery washed silk, organza, satin and chiffon. Yes to private stash of all those fabrics and colours please! The cover dress looks even better here (bottom row, 2nd column) It’s a short sleeve version of the polka dot dress in the first section. I’m guessing you could make one underdress and have different overdresses for different occasions! (says me with ardent fear of sewing with chiffon!)

Free Spirit is the next section. Lots of paisley and fine fabric:

This amount of opulence isn’t normally my bag but I keep coming back to the gold metallic jersey evening dress. Not sure where I’d wear it. Might have to invent a night out! Either that or strike a pose down at the Southbank with a hat at my feet!

The check bouclé trench coat (bottom right) looks right cosy though. A little bit of Vivienne Westwoodesque styling never goes amis!

Passion for Detail is the next chapter. And I so wish I didn’t have a headache.

All a bit much for me, sorry! Except for the wrap skirt with exposed zip (top row, 3rd col). I like that! In fact I might like more of this section if the crazy wallpaper didn’t do my head in so much!

Just take a looksy at this cute crocheted bag. Isn’t it sweet? It’s ages since I crocheted and I don’t even think I did it right the first time, but this is thick yarn and big hook with only 16 rows to contend with. I can feel a little Christmas holiday train journey project coming on.

And hooray! A man project! Well, just a little token one :-/

Loving the couture-style silhouett of the designer style outfit, below.

And finally we reach the plus fashions. Businessy and feminine this month. The flounce dress in a wine coloured duchesse is my favourite here. After saying that opulence wasn’t really my thing! I’m not sure I would personally be so bold but I do think it is very striking.

In other news. I have bitten the bullet and ordered my coat fabric. I think I will be giving Joseph a run for his money. It truly is a fabric of many colours! I will keep you posted as and when it arrives. I’m a little bit excited and a little bit nervous. But most of all very freezing and so totally in need of a coat!

Keep warm folks and see you real soon! x

November 3, 2013

Scrap-bustin’ thank yous and superstitions

Quality scrap-bustin’ that is! The word scrap doesn’t and shouldn’t be associated with a gorgeous piece of turquoise silk and some beautiful vintage cottons. But scrap-bustin’ it is until I think of something else!

This little zipper pouch was inspired by a combination of prompts. I often frighten myself with all the intended ‘must-have-a-go-ofs’ that lurk in the back of my brain. The first to come to the fore, was a spot of free-motion embroidery. I spotted some lovely work by @thebobbinbird on twitter and that certainly set the ball in motion. I also needed a way of saying ‘thank you’ to my colleague’s mum who kindly donated a sack load of zips to me! (I’m not kidding about the sack. I’m still bringing them home a handful at a time because they weigh a tonne!) And I have been itching, for so long, to incorporate these tiny pieces of beautiful fabric, into a worthwhile project.

Now this is of course free-motion embroidery in the loosest sense! I pinned the tangerine-print butterfly pieces to the silk, lowered the feed-dog and using Sulky metallic thread and an embroidery foot, I ‘walked’ the stitches, free style, around the butterfly wings and to draw the curly antennae. I really loved the process, as I thought I would, and I’d love to be more adventurous next time. Perhaps even incorporate the technique on a garment or two!

I love the free nature of it all. The wonky lines and the fraying edges and the grain of the fabric. Quite a relief from some of the more precise methods usually employed in dressmaking. And oh how those colours pop!

I had to use one of the millions of zips, of course! Would have been daft not to! And I covered the ends of the zip to act as stoppers and also because I had cut the length of the zip to fit.

The lining is a gorgeous vintage printed quilting cotton. Again part of another generous donation to me from a lovely friend and neighbour. I made small hand stitches around the opening edge to make sure it didn’t get caught in those rather hefty teeth!

And the superstition bit? Well I’m not entirely sure how Mrs J will use this pouch. She may well use it as a purse so to be on the safe side I’m including a shiny penny to ensure good luck and prosperity. It is bad luck to give an empty one. Does anyone else do this or is it just me… and my mum who made me believe this?!

I think you may be seeing a lot of zippered projects to come. But if you have seen or employed any innovative uses recently I’d be very interested to hear about them!

October 27, 2013

ooobop! review: Burda Style November 2013

Good morning Burda lovers! The sky is blue, the sun is streaming through my window and it’s hard to imagine that we will all be battening down the hatches in preparation for a freak storm tonight. Quite frankly the idea of being house bound for a few days suits me just fine. Mustn’t forget to pop out for emergency supply of spools! 😉

I’m going to start with the cover image because that’s where I gave my first ‘ooo’! Ice-blue wool fleece. It’s just one of the fabric options I’ve been mulling over for my coat, when I eventually get to it. I didn’t really clock the style – it looks fine on the cover – but I think the unfortunate stance of the model in the top left image below, kind of ruins the class and brings on the tent!

This first section is all about Grey. (Even though that coat has an ice blue hue about it on the cover!) I wish I could wear grey with conviction. It does look dramatic, moreso than black, because you can actually see the detail in the cut and style. But it just accentuates my deathly palor. I don’t mind being ‘pale and interesting’ but when people ask if you are feeling ok more than once in a day, you know there’s an issue!

I’m intrigued by the strides (middle row, first col). I love that wrapped-look from the front view. I almost want there to be tails behind. But that amazing mirror prop only serves to highlight how ‘unusual’ they are from the side. Steals every ounce of flattery I’m afraid.

The blazer (centre pic) is a great wardrobe standard. It’s made in a twill weave wool here. Nice and heavy and great paired with skinnies.

And I really like the biker-style jacket in ponte jersey with leather sleeves and trim. (row 2, col 3).

There’s a strong likelihood of an overlocker joining the family soon and so the world of knits is becoming more of interest to me. I have a side-cutter attachment on my machine which doesn’t render the process impossible but it’s just really slow compared to the formula one skills of an overlocker! And I’m just imagining how delightfully speedy that two-piece jersey set would be to run up. It’s an ‘Easy’ one too! In case you think, as I did that its a long sleeve top with under arm air holes, I can confirm that its a sleeveless cowl-neck tank with a separate long-sleeved bias-cut shrug. (col 3, row 1)

It is heading for that time of year when we need to add a little sparkle to the dark winter nights and days. And party season will be upon us before you know it. So although I’m not favouring much in this next ‘Metallic Mood’ section, it’s inspiring enough to make me go on a treasure hunt for some shiny fabric.

The little cropped jacket (2nd row, 3rd col) is not dissimilar to the Vogue jacket I made recently. Excepting the flared sleeves. And I think if I could get past that fabric it would be a cute cape-like addition in wool or silk.

The skirt, (3rd row, 3rd col) has the same laid in pleats as the strides in the first section, but I can’t see a side view here to see what happens. The gold lamé is a good distraction and defo a new fabric consideration though!

I need no encouragement to make black clothes. It was my ‘colour’ of choice before sewing and I only sew coloured things because I think I ought to veer away from black. Because black is boring, no? Actually I don’t think it is boring and there’s a part of me that wants to revert to black every winter. The other inner me just fights it off all the time!

And so here temptation is laid before me once again in the shape of the inevitable LBD’s.

I love the idea of a massive silk flower added to an otherwise simple and classy dress. (row 1, col 1) and I really want to incorporate some cotton lace into garments. If I can find some, that is! Looks great on the bodice section of that dress (row 1, col 1). No sweaty pits either!

The line drawing of the fitted dress (row 3, col 1) didn’t sell well to me at all. I didn’t see the point in sewing quite so many sections together unless one is doing some serious colour blocking. But if the effect is a sophisticated dress which moulds to the figure, such as this one. I’m sold!

I quite like the coat dress with it’s low cut V-neck and front snap fastener band too (3rd row, 3rd col). Well, that is of course if somebody would sew on those little darling snap fasteners for me. Serious pet-hate!

I’m not quite sure what’s going on with the crêpe de chine dress (3rd row, 2nd col). It is fundamentally the same as the coat dress but with gathering at the vertical seams and leg of mutton sleeves. A bit too much pouffiness going on for me. Apparently this dress is reminiscent of the ‘wirtschaftswunder’ era. Learn something new every day!

Alessia Giacobino is the highlighted designer in this issue. I find these mini Burda features inspiring as I never studied fashion so never had any prompting to delve into the lives of designers. Guilt always overcomes me when I confess (or not) to not having heard of a certain designer. And I love it when I come across one that I truly love. I googled some more on Alessia and I really like her classy, flattering and surprising designs. I’ll leave you to do your own recce. I’m sure you won’t be disappointed.

Burda has supplied patterns for this designer-style outfit below. Imagine how luxurious that washed silk blouse would feel. I think the flounce would annoy me in the front. Would much prefer it at the side. But I do appreciate the detail, nonetheless.

It always surprises me, how drawn to campus style I am. I am neither the age or of the leaning towards these fashions so I can only assume that Burda sells them well or that students have properly upped their game recently!

Let’s start with the dress (row 1, col 1). Not dissimilar to some of the summer dresses I have made this year, but with the addition of a midriff (how I love a midriff), a low V-neck, long sleeves and made with a delicious mousseline (a very fine, semi-opaque fabric similar to muslin, apparently). So actually quite different, really! But I do love it!

I also love the cowl neck knit dress (row 2, col 3). Mostly because anything in tartan/plaid makes me go ‘ooo’ right now. And because I am dreaming of being behind the spools of an overlocker soon!

I don’t wear strides. Mostly because I have never found any to fit properly. But if I get the inclination one day, I will definitely be fashioning some like the ones in row 2, col 2.

The wind is starting to pick up now. We’ve got ghostly ‘wooooos’ whispering round the windows. So that’s why I guess I’m being drawn away from ‘classy’ and towards the ‘practical’ of the odd hooded-scarf (row 1 col 2). It’s not knitted but sewn from a knitted fabric and it has pockets too! Might need an overlocker for that one too!

Sophistication is definitely the theme for the plus fashions this month. Loving the star-shaped darts in the wool jersey dress (row 1, col 2). The neckline is lovely too and the shoulder line is really sharp. The dress in row 2, col 3 is pretty much the same but with a different neckline, creating a less formal but nonetheless still stylish look.

The tie-waist dress (row1, col 3) is very flattering too. Or is it that I’m just sold on the idea of animal print angora jersey?!

The kids section is great as always. A great selection of fun, versatile staples for little girls. But what about the boys? Not that I have a little boy but it does seem a little unjust to leave them out.

I’m also a little bit miffed as Little Miss O sits outside these sizes. I tried to make a pair of shorts from a very small ladies size recently but of course the proportions were all wrong and though they fit round the waist, they were massively massive elsewhere. So perhaps I need to attempt to scale up the shorts pattern (row 3, col 1) to see what happens. The dress is super cute too but I am sad to say that most 9 year olds seem to have ditched the dresses for now.

Well the sun has gone in. The ‘ooos’ are getting a little more howly so I better get finding some patterns… I mean battens!

Keep safe and warm everyone xxx

October 2, 2013

Couture Inside Out

I’m fresh back from the ‘Couture Inside Out – 1950s Paris and London’ workshop at the London Fashion and Textile Museum.

Must blog straight away for fear of forgetting anything! After all I forgot notebook and pen in the first place!

First treat of the day was that I got to meet and enjoy this experience with Handmade Jane. It’s always so good to have like-minded people to raise your eyebrows at, make ‘ooo faces’ with, and give knowing looks to, during a lecture!

It was a very informal 2-hour affair with such amazing content divulged by the lovely Dennis. We donned our white cotton gloves and prepared to soak up all the info we could.

The first thing I learned (and remembered) was the definition of ‘haute couture’. (please spare me if I’ve got this wrong!) It is a term used to describe the highest level of hand-sewn, bespoke garments, in Paris by a delegated team of incredibly experienced seamstresses to strict regulations. Interestingly enough it was a term that was originally associated with the fine work of Charles Worth who was an Englishman.

Of course we have couture in the UK but with much more relaxed rules, apparently!

As the garments were presented, on a white covered table, the polite student audience jostled for position to get a better view and a feel and a photo.

First up was Dior. A gasp as the two Dior creations were revealed from under the tissue.

The fact that both were aged: faded, stained and torn, did not deter from the unanimous awe.

Both dresses were in two pieces which was intriguing. Nothing like a skirt and a top. So much clever scaffolding with fine underskirts attached to the bodices. No waist-stay required.

Every little bit of both of these dresses were hand-stitched!! Including the tiny rolled hems on all the chiffon layers. Beggars belief!

Please excuse the fuzzy photos taken on a phone whilst being too polite to jostle too much!

Next up was a later Dior in a really heavy weight fabric. I will be looking at furnishing fabrics in a totally different light from now on. This was heavier than any curtaining I have ever felt.

It was laid out on the table, ready for inspection! A gorgeously shaped one-piece dress. Made for someone who clearly didn’t eat that much. The waist was super tiny. The seam allowances on the other hand were enormous. At least one and a half inches. All pressed open and hand finished. The fabric had a ridged, pin-tuck like texture. All the rows of which lined up perfectly on the side seams.

No lining, which was a surprise. Though the dress was underlined and interfaced.

Chanel then graced the table with black contrast dress and two piece skirt suit. Both very classically Chanel.

The bling was upfront and out loud on this one but only took shape as a collar detail and chain weight in the hem on the set below.

Chanel only incorporated details if they worked and if they were functional. The little ‘petal’ pockets sit at the hemline, precisely centred with the seams. The chain weights are typically seen in Chanel hemlines. She was obsessed with the way that fabric hung and remained throughout wear and this little trick became one of her many signatures.

Far removed from the finer details of Chanel but not to be sniffed at, is the work of Balenciaga. This Spanish master draped most of his designs and employed much fewer seams than other designers.

This coat was A blooming Mazing. My rubbishy i-phone photos do not do it any justice whatsoever. Firstly the colour. Secondly the texture of this fabric… OMG. It was hand created to get this incredible effect. And yet the design remained oh so simple. I can’t tell you how much I want this coat!

I didn’t care too much for Balenciaga’s Sarong Dress. But you gotta take your hat off to someone who incorporates so much into the under-scaffolding of something that fundamentally looks like a sarong!

Now, will I get shot for not having heard of Courréges? Probably. As these designs were pretty iconic!

Jane got right in there! Impressed by those perfectly bound buttonholes.

Dennis couldn’t be sure of the fabric that this Pierre Balman dress was made. It kind of felt like the sew in canvas that I recently used to interface my jacket! But it was gorgeous and necessary to keep that amazing shape. There were cutouts trimmed with velvet at the hemline and on the sleeves.

Of course it goes without saying that every detail counts. Balman even ensured that his labels were mitred.

The following is a really bad picture of the Ellie Saab dress that Halle Berry wore to the Oscars for Best Actress, The Monsters Ball. In stark contrast to the dresses that were 50/60 years older you can see no seam allowances, no underskirts and no hand stitches to speak of. It is undeniably a gorgeous dress and she looked amazing in it, but it is incredible how standards have changed over the years!

I cannot for the life of me remember who designed this dress but the fine pleating in the linen was unbelievable. An underlayer of shimmering copper gave a depth to the translucent linen and you could also see where the pleating was tacked.

(Thanks to the lovely Angela, I can now confirm it was Sybil Connolly!)

Just when you thought you’d seen it all, something very little left me lost for words. If you look closely at all those painstakingly sewn on eyes, you will see that they are all oversewn with thread!

Now it would have been rude not to have mentioned Zandra Rhodes creations at this very museum. She is the founder, after all!

She entered the fashion world as a textile designer and the following two garments are testament to her designs. I’d never be able to carry these off in a million years but you have to admire her total originality in the way that she designed around the design of the fabric instead of sourcing suitable fabrics for a pre-determined design.

Here is her Knitted Circle dress. So called because the fabric design is made up of graphic knitting stitches. I swear there is more fabric in one of the sleeves than in the whole dress!

Both Jane and I left the workshop in a fuzzy reassured kinda way. It made us proud that we hand made our own clothes, albeit perhaps not to the same level of lavishness but there was nothing on show that we could not have handled. Give us a year or two for a deadline and we would gladly knock one up. But perhaps we might delegate the binding of the hook and eyes to someone else!

I did wonder whether I should have posted in so much detail so as not to spoil the experience for future visitors but really, you have to be there to actually see it. You have to feel and you have to hang onto every word that Dennis speaks because he knows everything there is to know!

September 29, 2013

Vintage 1950 Vogue Jacket

And here it is, at last, that tasty little Vogue jacket as inspired by that classy little lady, Ms Nicole Needles. It had to be done. I couldn’t resist!

The pattern is V2934, a reproduction of an original 1950 design. Such a clever and very simple pattern that would whip together so quickly if it weren’t for all the hand stitching. Which, strangely enough, I didn’t mind at all.

I’m loving the dolman sleeves and the big cuffs which nicely balance out the short cropped cape-like body.

I used sew-in canvas for the interfacing. Really great stuff! It molded beautifully around the neck and shoulders and was the perfect weight to maintain the shape whilst still allowing drape at the front.

Initially, I had a slight concern that this shape might make me look like a Weeble, given my lack o height, but I do believe it does nothing of the sort! In fact quite the opposite. It is amazingly flattering for a jacket that is more like a cropped cape and I love it!

It is also so warm and so snug. The outer fabric is a wool blend, exact content unknown but at £6 per metre I’m not really that concerned!

But the inside fabric, however…

It is the most lavish lining I have ever used. 100% red silk satin, baby! Costing more than the main fabric –but boy does it feel lush.

Did you know these things were called frogs? Neither did I till very recently. But they do the job so perfectly. Takes a while to do them up but I’m sure I’ll get quicker with practice!

OK. That’s quite enough of that serious posing Janene. What this jacket really speaks, (apart from sugar-gliders) is aeroplanes!

So never let it be said that black jackets are boring! Or indeed difficult to make. If you don’t mind a spot of hand-sewing the old fashioned way this is such a walk in the park.

Before I sign off I’d just like to give Little Miss O a mention. While we were busy being crazy she was so patiently sitting and drawing the most beautiful picture that I just have to share with you.

Pictures by Daniel James Photographic

September 21, 2013May 25, 2015

ooobop! review: Burda Style October 2013

Before we skip to some of the inside shots of September’s Burda Style Mag, I just want to reiterate the wording of the flash on the cover.

16 Free patterns, 51 different outfits worth £61, for only £4.75!

So whether you like 51 or just 1 of the following styles, you must agree, it’s still such an amazing cover price.

There’s a bit of a War and Peace theme this month but before we launch into that, it opens up with a softly, softly approach. I’m not really a pastel person or a boxy one for that matter and so I wasn’t grabbed by any of these. A close fitting ‘nude’ dress would have me feeling just as self conscious but I like the wrapped over pleats on the front waist of the dress, bottom row middle pic. I also quite like the asymmetrical skirt, top right, but I’d have to see views all round to be convinced. I think it might not look so great from the other side! Now generally, I do like a square neckline as in the tunic, top centre pic but what is going on with it rolling out? Too big/too small, not pressed? That would annoy the pants off me!

The A-line skirt that sits directly below has large hip yoke pockets. I am so going to incorporate those into another skirt.

Light and breezy is the theme of the next section. Lavish cocktails of lace and silk, flowers and bouclé, jersey and sequins.

Of all these, the sequin mini skirt grabbed me the most (bottom row 3rd column). Not that I would make it with said crunchy fabric, more tartan or plaid wool. Quite by coincidence, I was planning on drafting one of my own last week. Looks like I wished hard enough!

The dress is quite nice. I think I’m being sold on the print though. Its a great shape but it is a variation of that tunic in the first section so I’m assuming the same issues with the neckline.

I may have liked more in this section had it not have been for the accompanying style tip on the page of the pink bouclé coat. Apparently ‘The egg shape form is ‘in’…’ Noooo! I don’t want to be an egg shape!

So to war it is then with the New Military section.

I love the opening furry lined mini cape. No fastenings. Nothing complicated. Just a chic little snuggly accessory. There is another, more practical cape of coated twill, top row, 2nd column. But I’ve never been one for a practical choice!

Now it’s probably the styling. This model and her mane is very striking, it has to be said, but there is something about that camo mini dress, top right. It is fundamentally a long-sleeved T with batwings and a front placket closure, cinched in with a belt, and I like it a lot!

You can keep the metallic voluminous shirt though!

The dress certainly looks better to me in darker contrasting colours (middle row, far right). I’d wear that and those fancy gloves!

And just as the army greens take hold, the Peace section comes bearing flowers and paisley. Never did I think that flares, ponchos and banana skirts would make such a return. But hey, each to their own.

The maxi coat is lovely (top, centre). Ankle-length with fitted upper section and gathered skirt. A standing collar with hook and eye fastening is a neat touch too. But I already have the loveliest coat pattern, as you know!

It’s a bit difficult to see the detailing of the jacket, middle row, far right, but it is essentially a uniform-style Sergeant Pepper jacket. Timeless and always so cool. Apparently its the ‘it’ piece of the season!

Plus fashions are a bit slim on the ground this month.

I’m not sure I approve of asymmetrically cut blouse with laid-in and partially stitched pleats with one white lapel (top row, middle pic). Far from being clever and a little bit unusual, it just looks like a bodge job. Sorry Burda. It looks far better in the ‘dark gemstone shade’ below it. All those ~~odd~~ fancy details are a little more subtle!

However the leather trousers (opening pic) save the day. I had no idea you could get ‘stretch leather’. Perhaps they are referring to ‘pleather’. You know how things get lost in translation. But maybe there is such a thing. mmmmm…. the possibilities!

And so to the kids! Shirts, dresses and strides in jersey and denim. Perfect for mucking around in.

I love the little girls jersey dress, made from patches with cute ruffles on the shoulders and ribbing on the neck cuffs and hem. Quite a bit of faffing I should think but the end result is really neat.

The little boys blazer steals the show though. Also made from sweatshirt fabric, it looks so cool but with the elements of stuffy and prep taken away.

There really are only a couple of defo makes for me in this issue: The skirt and the little fluffy cape. But that never ever deters me from looking forward to the next issue of Burda Style.

I can be inspired by a sleeve or a shape or a colour or a photographic location… and inspiration is what so totally floats my boat!

August 22, 2013

ooobop! review: Burda Style September 2013

Good afternoon lovely ooobop followers. Today I bring you news of September’s Burdastyle mag all the way from sunny Malta. Well actually not so sunny. More stormy right now, which Is why I am insanely posting from my phone. Impressed that I am able to do so but RSi of the thumb and index finger setting in already! Plus forthcoming punctuation and spelling blunders abound! 80s fans are in for a treat this month with batwing sleeves, baggy pants and pirate shirts aplenty! Some loves some hates but no borings! Batwings all of a sudden look great in open work knit lace. Fine example of the power of fabric! (Top right) and slinky floral dresses appear to make schoolboy socks acceptable! (Top left). I love the vintage style double breasted coat (top centre) but I already have the most divine coat pattern in the world! Just got to make it, that’s all but I do love and have a need for that fabulous tweed jacket. (Bottom centre)

Ok. Bananarama eat your heart out. The blouson and the chiffon is back! Add a cheeky little hat, raise that waistband, ladder those stonewashed jeans and you are as good as a walking time machine! All a bit too fresh in my mind, I fear and I’d certainly give Bobby Ball a run for his money in those strides… Rock on Tommy! But I can forgive that lovely dress (top left), socks and all! Asia style is up next featuring kimono sleeves, wraparounds and asymmetric necklines with a dose of almond blossom applique in jacquards, silks and linen lawn. I quite like the dress (centre left) with its wide over cut shoulders and would equally give time to the geisha style dress (centre right) but I’m not entirely sold on the sleeves. Irritated even by the thought of them flapping round my elbows! I keep promising myself a white shirt and the next section serves to remind me that it is a must have timeless wardrobe essential to dress up or down. That said, I’m not really drawn to any of these. I’ve got one in mind that goes by the name of Edith! A fabulous 50s style blouse pattern designed by Maria Denmark. The following shirts have their place but create just a bit too much white space for me. The ‘masterpiece’ a la John Richmond (bottom left) is 80s blouson typique in an extravagant mix of organza satin and linen. Totally time machine worthy! And even though its not included, I so totally want a black leather circle skirt. Plus fashions go Patagonia stylee this month. It’s all about patterns, layers and colours. That cape is so earmarked for my next UK camping trip. I will be the envy of all fellow campers. Though I imagine a few pleading orders will arise out of it too! The blue rouched jumper is described as a shirt if Angora jersey. I like it a lot. And I love the dress too with its high waist and softly frayed ruffle neckline. Baby Bliss rounds up this months collection with some really cute makes. Apart from the diddy clothes, patterns are also included for that cute little case and the doll and the moccasins. I don’t have a baby anymore but I so want to make all of these especially the dress and the blouse and the coat…

So there we have it! Mission September Burdastyle i-phone blog post complete. Squiffy eyes and permanent pointy finger but so happily delivered from the comfort if the poolside! Wishing you all summer loveliness and looking forward to reading about your new creations. Laters x

July 30, 2013May 25, 2015

ooobop! review: Burda Style August 2013

Well hello August Burdastyle Mag with 16 Free Patterns. So very pleased to receive you!

This month veers completely away from the beach and heads into Autumn with a whole range of styles. Heaven knows how the Burda team keeps it up each month. It’s as much as I can do to come up with one style that I wan’t to actually make!

Neo Romantic a la Downton Abbey, makes a dramatic entrance with chiffon and ruffles. Very reminiscent too of my 80s New Romantic phase. I’d have killed for a neck ruffle like that back then… and actually maybe now! Don’t ask me about the Michael Jacksonesque lace blouse though. I actually don’t have words. But I did use to have a dress very similar to that white one, top right. Though mine didn’t look like I was wearing pants over the top!

The lace dress in the centre is lined with silk. A fitted bodice and three quarter length sleeves make for a very special dress indeed. I don’t reckon I could carry off the Hong Kong Phooey look, alongside, though.

Bottom row left corner, coat is a very simple but stylish design and I might have considered it had I not have accidentally on purpose purchased a good looking coat pattern just recently 😉

I like the pinafore dress though. Very much. But it’s odd that the chiffon sleeves are joined on. I would defo leave them out and have the option to wear my own blouse under or not.

And that jacket, bottom right is really cute. I would defo have worn that in the 80s and I might be persuaded now. Leather puffy sleeves or not!

Described as having graphic inspiration from the 20s, I get an 80s vibe too from this next section: Form and Style. I don’t dislike anything from this section, I just don’t think it’s my thing. It’s a bit too ‘blocky’ and casual for me. I’m aware that it’s completely away from my colour palette (kidding myself I actually have one) and as much as I try and envisage the styles in a teal or a red or a black or an orange, it’s still not working for me. The skirt, top row centre, is quite interesting though.

And then enter the Style Icons!

Swinging London, rock ‘n’ roll meets bohemia. Now that’s very much more up my street.

I have had a blouse like the first one on my list for such a long time but the leopard print chiffon brings it up a line or two. I love the idea of leather drainpipes but might have to rein myself in a bit there! The jacket top centre is a very sleek chic sort and there’s a great step by step tute included for this one too.

Check out that cape! Kind of commands a big floppy brimmed hat to carry off the whole dramatic look and I might be inclined to add a pair of thigh high leather platform boots. (Woahhh…..there I go again!)

One of these days I will run up a maxi. I’m sure I won’t look back. I love the whole floaty nature of them but I just can’t seem to get going on one. Too busy eyeing up the leather pants and fitted jacket look! (bottom right)

Am I just fickle or is the next ‘All in Red’ section the best? Am I blinded by one of my favourite colours or are all of these styles indeed strong, sophisticated and stylish, red or not?

Ok, ‘all’ might be a bit of an exaggeration. The peplum is still hanging around. Just to annoy me. I got vaguely interested in creating something with a peplum at the beginning of the year. I toyed with it in my head and for whatever reason, now it just really annoys me. There is a ridiculous amount of volume in the front of this one too. I don’t need that kind of volume placement, I can tell you!

But I do like everything else. That gorgeous dress top left is made of washed silk. Red washed silk! So cool and soft and luxurious. I love that massive bow. But I dislike the pockets. I think they are too much for a fabric so delicate.

Red silk velvet for the dress 3rd one along top. I would make the front opening a tad more discreet but I do love an empire waistline. The collar stands higher at the front than at the back and again I love the three quarter length sleeves. Teamed with some 60 derniers and some Docs, I would be happy as some Larrys in that cheeky little number!

The coat is lovely but not as lovely as mine! 😉

The jacket bottom and bottom right is the one that has a supporting step by step tute. Such a versatile shape. Teamed with strides or a skirt. Dressed up or down. But properly bringing some class each time.

No little retro number for me to harp over this issue but there is a special Designer Style a la Wolfgang Joop. I had a ‘quick’ Google of the Wunderkind label and was pleasantly surprised. This dress pattern, though tamer than most of the dramatic styles I saw, is an attention seeker nonetheless. (Would be even moreso in red!) And oh how I love that style of fashion drawing. Going to teach myself how to draw like that one day.

But it’s the Plus Fashion section that captures some fine vintage styling for me. I love all the styles apart from the crazy wide cut silk trousers. It would take someone special to carry them off. I’m getting closer in my quest to grade patterns, having just dipped my toe in with my latest dress. So I’m taking more notice of the bigger sizes with the hope that one day my grading skills will be enough to start with any size and make it fit me just so!

And so the Children section wraps up this issue. But not in such an uber dramatic way. The coat is lovely but Little Miss Ooobop didn’t look overly impressed. And both of us agree that the skirt looks more like a sewing fail than anything else! I’m sure the T-shirt pattern will come in handy at some point but hey. I’m not complaining. I could do without a small person adding more to my list!

Any faves? Any already made up? Do tell. x