dress – Page 3

June 17, 2015

Retro Butterick ’57 halter-dress

I made this dress to wear at my sister’s wedding last month but ridiculously didn’t manage to get any full-length, blog-worthy pics. So yesterday, we took a lovely evening stroll down to Fulham Reach for these shots.

It took a bit of effort to ditch bags, change outfit, reapply slap and head straight back out after a long hot day at the office but I’m glad we did. The light was lovely – no jacket required, and it took no time at all to chill out on the banks of the Old Father Thames!

A swift G&T softened the self-concsious blow of twirling around like a loon in full view of passers-by. And it wasn’t till after we’d finished that I clocked a security guard behind a smoked glass door applauding from his ringside seat!

The pattern is Butterick B4512, a retro 1957 reprint. It’s a halter-neck bodice with optional collar/pussy bow. I cut my own circle skirt though I believe simplicity’s one is a circle too. I just didn’t want to split the front skirt section. It would have messed with my dots!

I knew I might have issues with the fitting of the bodice but I was time short as always and used a lovely cherry print fabric for my first attempt. Alas it was too long overbust if that’s a thing. So I had to take an inch out horizontally. I could have gotten away with it, pesky kids or not, but my inner perfectionist nagged to get it right. So I adjusted the pattern pieces and re-cut in some stash polka dot. This fabric has subtle stretch which I knew would work with me!

Once I’d sorted the issues it really took no time at all. Only the bodice is lined. I think the most surprising thing was not even having to level the hem after letting it hang overnight. It didn’t distort at all!

We treated ourselves to a long overdue child-free dinner date at the Blue Boat afterwards. The same place where we shot my not so boring pencil skirt! I got lots of compliments at the bar. I didn’t feel like I had to justify why I was wearing it. After all, why save a party dress for best? On whose say so? Not mine!

I’d love to try this pattern in other fabrics, even a plain one. It’s kinda formal fancy Hepburn from the front but the backless feature and the swishy skirt make for party factor. The petticoat was a happy find in an Oxfam charity shop on the way home from work one day. I’ve been meaning to make myself one for ages, determined to make everything I wear, but couldn’t ignore this beauty for a fiver!

It’s very strange with youngest daughter being away this week (She’ll be tucked up in her sheep shorts now, no doubt) but at the same time so lovely to be spending some fun times with the Mister and his clever camera skills. Long may this sunshine and warm weather hang around. These evening strolls totally make me feel like I’m on holiday!

May 17, 2015April 9, 2018

Vintage Simplicity 4687 to the rescue!

The look on Mr O’s face was a picture following my little I’ve-got-absolutely-nothing-to-wear tantrum on Friday evening. The undulating range of handmade dresses strewn across the floor and the bed said otherwise. It was Rachel’s hen night on Saturday. To be attended by various gorgeous sewing bloggers who would all be adorned with their own spectacular creations.

“So make one, then” was the ridiculous response.
“Er… It’s Friday. The hen do is tomorrow?” I replied, teenage-style, deepened yet rising in intonation.

A roll of the eyes. No sympathy. A simple shift dress appears in my head. Some crazy tropical fabric follows in the next mind scene. Mission Ooobop-new-dress are go!

I run upstairs dig out Simplicity 4687 from the neatly labelled ‘vintage 1950s’ box of sewing patterns (believe that and you’ll believe anything!) and following an exhausting rummage, retrieve said fabric from stash. I pinned and cut it out right there and then. Winging it. No adjustments. No time.

Saturday morning and I’m all over it like a nettle rash. One front, two backs, 3 facings 10 darts(!) and Bob was my uncle! Walkaway dress, eat your heart out!

Lack of lining, overlocker on form and an invisible zipper foot all helped to speed up the process. And thanks to the ample ease that Simplicity ensures, the only alteration I had to make was to loose a few inches on the bust. I took them out at the side seams just under the armhole. Next time I’ll be sure to grade it properly.

Incidentally this is the first time I’ve used my invisible zipper foot and I won’t be looking back as unanimously claimed by many a Twitter follower when I put the question of ‘was it worth it’ out for debate! I mostly referred to the price tag of £13 which seemed a bit hefty for a little foot. But boy does it make zip insertion a breeze. So quick and so neat. You’d never see any evidence at all if it wasn’t for lack of pattern matching! Certainly no time for that!

The hen do was a roaring success, thanks to the brilliant and selfless organising skills of the amazing Miss Demeanour. And Rachel looked amazing as evs as she boogied the night away, totally unfazed by us all wearing our Rachel masks and assuming the ‘Rachel signature pose’ at every given opportunity. I can assure you it was terrifying!

As you can imagine, any photos taken last night of me in my new dress, would at best have been blurry but mostly ungainly so Mr O has come to my rescue by rustling up these photos today. I can tell you that the sunglasses are a necessary accessory!
So thank you to Daniel, not only for the photos but for raising that red rag to this bull and ensuring I had something to wear after all! 😉

March 29, 2015April 9, 2018

A little alteration. No fear!

I normally steer well clear of other people’s alterations. Mostly through fear of screwing up and from past experience, lack of self-belief has led to an incredibly frustrating and stressful process. I’d sooner stick with making from scratch to fit from the off.

But I got brave last week. I succumbed to the pleading eyes of my friend who’d bought a posh dress (see above) that didn’t fit properly and she needed it urgently for a do! Classic baggy armhole syndrome! It fitted like a glove elsewhere, helped by the cut and the give of the lovely viscose crepe but in turn, that’s what highlighted the poor fit around the armscyes.

I don’t have a before or after picture of my friend wearing the dress I’m afraid, so you will have to bear with and picture the problem.

I went in with an open mind, ready to admit defeat if I thought I couldn’t fix it, but instantly set about pinning the excess to see what would happen. About 3/4 inch under the arms and 1 cm off the right shoulder – interestingly enough – et voilà!

We’re still not sure if the dress was made on the wonk or if my friend actually has one sloping shoulder. She used to be a personal shopper and regularly carried bags on her shoulder so it is a distinct possibility I guess!

The armholes and neckline were faced and the dress fully lined so I had to unpick the dress from the facing and pull the internal side seams through the hole to mark the adjustment before sewing. For RTW I was dead impressed at finding a French seam inside the lining! Though that flummoxed me a bit in terms of how I would sew it! I just sewed it anyhows and pressed the seam to the same side it sat originally. I took in the same amount from the facing. That had an open seam so it pressed nice and flat once I’d unpicked the original line of stitching. To finish, I pinched the edges together and did a tiny ladder stitch to ensure no stitches were visible.

Left: inside of underarm alteration. You can see where I left excess in the lining. Right: Crepe hides a multitude of sins. In this case you can barely see where I pressed the new seam to the back despite it being 3/4 inch wider at the armhole edge.

The shoulder seam was completed in much the same way apart from an added opening I made in the shoulder seam lining to make the stitching easier. Everything was ladder-stitched up good and proper afterwards.

I also took 1 1/4 inch off the bottom. I marked and cut 3/4inch off, then made a small 1/4 inch double hem.

quarter inch hem — Quarter inch double-hem

The only thing I’m jolly glad I didn’t do before I tackled this little project was to Google it. I hadn’t heard of Acne Studios but having been suitably impressed with the quality of this dress, I went off to investigate further. Their range is mostly not my cup of tea but there are some very stylish numbers going on… and some very hefty price tags to boot. The dress was nearly £500! And I know that she was stung for £60 duty too. So what if I’d messed up?! What if the iron had been too hot? What if I’d missed a stitch and made a hole with seam ripper? What if I’d snagged the fabric? Doesn’t bear thinking about!

Any hows. Its done. No screw ups. One very happy friend off to a very posh do. And a few more added strings to bow… phew!

Have you overcome any sewing fears recently?

February 21, 2015December 23, 2019

ooobop review: Burda Style March 2015

Can you feel that spring sunshine, desperately trying to squeeze though your bedroom window in the morning? Well if that isn’t happening, the March 2015 issue of Burda Style magazine will do it’s best to brighten your days.

There’s some lively goings-on this month, with all sorts of asymmetric, geometrical, hankerchief-hemmed and draped goodness!

Beach Pearls sets some scenes for a summer wardrobe: I just love that maxi dress (A). It’s not dissimilar to the viscose jersey one I made here, but the bust detail is right on the money! A lot more support I would think and what a flattering silhouette!.

It also translates into a lovely strappy top (B).

Now I like where the asymmetrical skirt (C) is coming from but not quite where it landed up! Way too much like a sack tied round the middle for me. Further on it is redeemed with some better styling, I can assure you.

Nice Jumpsuit (C), btw. If jumpsuits are your thing. You might want to add some ‘fashion tape’ to the list of required notions, though. Click here: Hollywood Fashion Tape if you’re interested in buying any from Amazon!

Flared trouser suits (E)? mmm…and bat wing empire-lines (F)? double mmm… Lets move on to the shirtwaist dress with ‘maxitail in the right seam’ (G). I do like that. And I love the biker-meets-Mao jacket too (H)!

Uh oh. There’s that batwing-empire-line again (I). Swiftly moving on to the Flowers and Stripes section!

I’ve never made or owned a pair of culottes (A). But I bet they’re a far safer than a full skirt on a windy day. And looks lovely in a largish print. If you like that sort of thing.

And there’s that shirt-waist dress (B) again with ‘cut-on-dipped hem’ like last time! It would be better to use a fabric that has a reverse as good as the good side, I would have thought.

Look how that lovely maxi translates to a cute beach dress too (C).

This month features a chic wrap dress (D). There is some assurance of a button at the side and concealed snap fasteners to keep the wrap in place. Potential for a Bucks Fizz moment there!

The peasant top addict in me (see two of them here and here) is quite drawn to this ‘relaxed tunic’ (E)! Would need a fine drapey jersey to pull off with any sophistication I would have thought.

And there’s some more geometric delight in the shape of a simple v-neck dress with symmetrical ‘cut-on tails’ (F)!

Any weddings occurring this year? Loving both these bridal party dresses (A) in The Big Day section.

The bride’s dress (B) is the same as (A) with a flowy underskirt of crêpe chiffon. That’s if you haven’t been put off by the chiffon adventures in The Great British Sewing Bee recent episode.

Can’t help thinking this dress (C) is a bit cake-like with all the tiers an’ all.

And although I usually embrace a bit of invention, I still wouldn’t want to look like I’d been dragged behind the wedding car, en-route in this dress (D)!

This fairytale dress (E) is far simpler and much more sophisticated though. Just get rid of the batwing-empire-maid who’s ruining the photo!

Oh this is much better (F). Lovely wide-dipped hem again. Bust darts for shape. Cotton lace overlay, crepe satin underlay. I’d wear it with cowboy boots. Or even DM’s. Or is that just the hippy in me?!

Now there’s that asymmetric skirt again (centre, G), styled much more favourably with a gorgeous jacket: standing collar and 50s style winged lapels. See, it does have potential to work. Nice suit on the right too!

I’ve picked out the following three from the Reader Favourites section:

Jumpsuit (A) made short for all you lovely long-legged people!

Lovely floor-length dress (B) in striped jersey with side slits and a ‘hankerchief hem’. I can definitely feel some more maxi’s coming on this year.

And a cute little dress (C) based on the short lace wedding party dress design. Not my cuppa tea fabric-wise, but I’m always sold on a midriff piece!

Not overly inspired by the plus section this month I’m afraid, though the trench coat is rather amazing, I must say.

But, there is cuteness for small people at the back.

The best design and the garment most fitting to the Colour Splash section by far, is the paint-spattered dress (A) with tying bands that resemble the sleeves of another garment. Hands up who wants an adult version? Genius!

February 14, 2015February 14, 2015

Pattern testing: BHL Sophia

If you heard a rumour that there was a new BHL girl on the block, you heard right. And I can assure you that Sophia lives up to that By Hand London reputation of gorgeousness.

Victoria contacted me with an emergency test request. And despite my ongoing mega work load I couldn’t turn this one down.

By the drawings alone I knew I wanted this dress. I mean, check out those darts and oh that 50s style collar. Totally up my street with a little nod to vintage.
I chose the pencil skirt version as my vision involved ‘old man Prince of Wales check’ fabric! I was after a bit of structure backed up with office chic stylin’!

And so here is my first testing of the test pattern itself!

And yes, call me crazy, but I did opt for checked fabric to test a pattern, and not for the first time. My thinking is that if it does turn out good then I haven’t wasted time. It happens… occasionally!

Truth is, not accounting for any amendments to the pattern that might be made by BHL in the meantime, I do need to make a few tweaks, including a small fba and to taper the skirt a bit. But that’s just personal preference.

The fabric was from Dave the Drapers in Goldhawk Road. One of my faves. But lesson learned with cheap fabric: Even though the quality isn’t bad (its a wool mix) the grain is slightly off and that matters one helluva lot with checks! Well that’s my excuse, and I’m sticking to it!

I love the way the darts radiate from the central front and back seams. I’ve seen this approach in vintage design books but not on a pattern I own, vintage or modern. So it was a real treat to get to test how this works. I just have to figure out how to do an fba with this kind of dart. Presuming I swing to the side seam and proceed as normal but very open to suggestions if anyone knows of another way.

Sophia should be making her appearance in the BHL pattern shop soon So keep eyes peeled. Shes a good’un!

November 28, 2014

Georgia the party squeeze!

Meet party girl, Georgia! She was meant to be my party dress for last Christmas. But well, you know what happens. I make a plan… and then I make another plan!

But nevertheless, here she is for this season’s line up of parties. Kicked off at London’s Bob Bob Ricard’s no less, for my good friend’s 50th birthday celebrations. I even had the foresight to ensure I coordinated perfectly with the lavish decor of black and gold.

Mr Ooobop wasn’t available to do his paparazzi bit, so many thanks to the lovely @Alphabeckles for this impromptu snap.

The pattern and instructions for the BHL Georgia dress are dead easy to follow. And the online sewalong is a great back up for the finer points.

I made some personal pattern adjustments that included a little FBA, a little shortening of the straps, and a not so little gradation from a 12 at the top to a 16 at the hip (Well that certainly was a surprise!).

I dutifully made the above alterations to a toile but the age old problem was that my toile fabric, although relatively the same weight as my chosen fabric, had a little more give. My gold and black heavy silk-like, embroidered viscose brocade had absolutely none, zilch, diddly-squat!

Yes I know! I know damned well the By Hand London ladies recommended a fabric with a little stretch so please don’t remind me that I totally ignored their perfectly perfect advice!! But you see I got sucked in by the gorgeous tartan version that Sally Bee made! And she used a woven with no stretch!

It must be mentioned that although I was exceedingly honest with my measurements for this dress: over bust, full bust, waist and hip. I neglected to take into consideration my underbust measurement. I think I have a disproportionate ~~bird~~ rib cage to be fair!

And so once I realised that I was going to twist my spine out of alignment or at best pull a muscle doing up the side zip of the actual dress, (which actually wasn’t going anywhere above waist level anyway) I figured I’d have to gain an inch at least from somewhere. So I claimed half inch from each side seam of the skirt side panels and accounted for that in the side-seams of the bodice too.

It fitted. Boy did it fit. No room for sharp intakes of breath but it looked pretty damned good, even though I say it myself.

I grinned and beared it… all day (yes I wore it to work before hand!) and all night.

But at some fateful point over that corsetted period I acquired a little uninvited breathing space!

This happened of course because I had left the teensiest of seam allowances to glean my inch and although I serged the tiny seam edge, it frayed from the strain!

Lucky I wore a ‘modesty jacket’! Which incidentally was a panic dirty rtw purchase the day before, from Monsoon. I say dirty, not because it is, it’s very clean and lovely in fact, but because there is an element of shame that I broke my routine of only hand made clothes for at least two years. I’ve only allowed myself underwear and cardi purchases from the high street. Anything else to be bought from charity shops. I could so easily have made this jacket. It’s not dissimilar to the Victoria Blazer. But time was not on side and nobody needs to see those fleshy underarm bits in daylight hours!

The jacket did it’s job and clearly hid the naughty side split until I got home too!

So now my dilemma. I want to wear this to at least 2 more parties which are coming up soon. Like next week… eeek! Do I patch it up or do I re-cut two new panels taking new seam allowances into consideration? I do actually have enough fabric.

TBH, I don’t actually know how I’d patch it up. So I think I know the answer. Unless of course anyone has any an amazingly good solution…. please?

November 23, 2014November 25, 2014

ooobop! review: Burda Style December 2014

Over the last few months I’ve been having a spot of bother getting a copy of my favourite mag from my local WHSmiths. Well from any Smiths actually. They are getting slack in their orders of big quantities or sometimes any orders at all!

But last month and this month, I decided to order it from an online newsagent and I think this is the way forward for me. It costs an extra £1.60 for post but I get notification of it’s arrival date and it is delivered within 2 days. I love the sound of the thud of the post landing on the mat and I certainly don’t miss the queues to the awful automated cash desks at Smiths!!

So here we are. Although not overly festive. But that’s ok.

The opening section, although very monochrome displays some lovely structure with a touch of shimmer.

A: Described as a long blazer but I think more a classy occasional coat. I love the asymmetry and I’ve seen some gorgeous silk-like viscose fabric that would work amazingly well. Could really do with one of these. I don’t have any party outer-layers! Burda suggests it could be a mini dress too.

B: I didn’t join the ‘peplum gang’ when they first got fashionable. But I might be persuaded by this one. I really line the clean lines of this top. It’s got a midriff that has sold me and I like the slit at the neckline.

C: A classic sparkly sequin jacket. But not for me I’m afraid. Too shapeless. Too scratchy. And I can just imagine all the cat fluff that would get stuck around the sequins!

D: Quite like this dress. Very classic and very flattering. It’s actually an extension of top B. But I would question that choice of fabric. Impossible to pattern match and so the optical illusion draws attention to a pokey out belly even when the model doubtfully has one!

E: Probably not that clear from this little pic but this is a sparkly turtle neck top with blouson sleeves and a lovely wide cuff. Love the silhouette and for me it’s a perfect work to night out top. There’s a tute to help the process. This one’s on the list!

F: There’s that peplum again! I’m not that enamoured with it but I like the idea of mashing some interesting fabrics together: Pinstripe suiting, lace and embroidered something!

G: This is a great skirt. The fabric choice is stunning. Graphic and structured. You can’t really see the detail but involves a hip yoke and a deep pleat at the centre front.

H: This outfit isn’t my thing. I don’t like the silhouette. I don’t do culottes or drawstring waists. Not on the list!

I: This lacy top looks so pretty in the picture. You’d never be sold by the line drawing. It looks really wide and strange but the draping effect is a winner.

The next section gets some red in with some festive flair!

There’s some cute little girls garments here but only up to age 10. LMO is 10 but wearing age 14 clothes so as much as I’d like to make her coat B, I’ll have to sort my grading skills out or just admire them on the page.

A: Lovely simple dress with a structured skirt and a petticoat underneath. None too girly but still with a pretty fitted silhouette.

B: Double breasted child’s coat with cute peter pan collar. Sewn up in top notch wool it is truly a classic forever coat. Well at least the child grows out of it! I think I like the grown up dress too. Love the simplicity, the red, the deep pleat and the neckline. But the sleeves are worrying me. They look kind of too big at the top.

C: A raglan blouse (or peasant top in my book!) and an extended version as a dress. Like both. And they would be very simple to make for presents. Don’t have to be too precise with the sizing either.

D: Scarf blouse and skirt with ties says it all. Too much flounce for me. They are both made in crepe too. Maybe that’s what is putting me off asides from the dipped pink and coral combo all clingy like that. Proper girly Christmas wrapping!

E: But just in case that scarf business appeals, here’s another variation on a dress with longer ties to tie in two places. Genius. But not on the list!

F: I think this is the same little girls dress as A but without sleeves. I don’t mind mums semi fitted brocade number but it does look a tad mumsy at that length to be honest.

G: They lost me at ‘loose cut’! And drawstring!

H: Boxy jackets always look good on children! The simplicity of the style can make way for some statement fabric.

A departure from girly to freestyle. Some very interesting fabric combos. And I like that.

A: Hopefully you can just about make out the giant underbust fringe! It’s a maxi top sewn in a crushed jersey knit with an asymmetrical draped collar. I don’t wear strides but if ever I did I may have to pair up with one of these. Just because!

B: This is indeed a master piece! Military made beautiful. Slightly fitted wool coat with trumpet sleeves, asymmetric collar and buttoning. And that gorgeous design you can see up one side is appliquéd lace no less. I’m still revelling in my coat from February but I can totes see myself in this. Maybe next year!

C: Described as a bell skirt. Nothing much to see here but some lovely overlaid fabric and trim has planted some seeds for sure.

D: Gotta love a cape. Proper sturdy one too. I do want a cape but not this one with its belts and panels and epaulettes. It looks a bit overly involved for me. Don’t dislike it though.

E: There’s that top again. Same as E in the first section but in a totally different fabric. Making it more jumper than blouse for a more casual approach. You wont be able to see from the little pic but the seams are ‘outwardly open’! Why? Imagine how irritating when everyone and their aunt asks if your top is inside out!

F: In interesting patched shirt using patched stretch jersey, stretch faux leather and wool. You could use any kind of combo but I’m finding this all a bit too much. I do very much like the leathery sleeves though. The skirt looks more interesting than the pencil skirt it is but even though it is relatively straight I think that top needs to be worn with a much less interfering bottom half!

G: Pretty sure this is repeated from the festive section but I love how much more retro it appears with a shorter hemline.

H: Tube dress with rolled collar in a stretch knit lace. Great on the right bod. But not on mine!

I: I like this dress. Lovely defined bodice and flouncy skirt in an overlaid lace tulle. Sold on the colour too. Eliminates girly girly and makes it more day time. I can’t decide whether I like the sporty grosgrain straps or not. Actually I do!

J: I’ve been thinking of a poncho. Not like the one my mum made me wear in the 70s but something understated like this one. In truth I’m being lazy so as not to have to get involved in a cape! Its just a rectangle with minimal sewing, yay!

Burda’s designer pattern this month comes with a nod to Jean-Charles de Castelbajac. I love these little insights into the lives of designers. JC professes to be inspired by love andcuriosity. I like that! Just as much as I like this straight cut mini-dress with its massive pocket details and topstitched standing collar. burda december 2014 JC de castelbajac dress

I’ve made pj bottoms for 3 other members of my family but never for myself. It’s just occurred to me that I’ve got the most raggedy selection of nightwear and that things must change. Here’s some pretty things and one seriously crazy pair of pj bottoms!

A: Cutesy bustier and French knicker set. Piping, ruffles the lot!

B: Isn’t the idea of a boyfriend shirt that you just nick one off your boyfriend? I’m not sure I can afford to invest that much time into making a proper nightshirt. Piped collar, inverted back pleat, button placket, breast pocket with embroidered monogram and inseam pockets too!

C: Lovely little ballerina slippers. Could be a lovely little Christmas present perhaps.

D&E: A traditional set of pjs. What’s not to like? Love the cool crisp blue.

F: This is a knitted coat and I want it! I don’t want to knit it though. I’d be bored of it before I finished it, I’m that slow. But I’m sure someone out there would love to whip this up.

G: And theres those crazy palazzo trouser pjs! Can’t do those. I’d get myself in a pickle for sure.

H: Camisole and French knickers. Now you’re talking. Maybe this is my Christmas present to me!

I: This nightdress is pretty too. Ruffles top and bottom are a bit cake-like for me but I like the elasticated empire line.

As is traditional, it’s the plus fashions that bring the party to the fore.

A: Long jacket and pencil skirt. A classy pairing. The jacket comes with an optional belt but I’d leave that out unless you want the dressing gown look!

B: Low cut V-neck tunic top. I love the contrasting black band around the neckline. Very feminine and perfect with pencils and skinnies.

C: Bit odd this ‘volant’ tunic. Burda’s word not mine! Longer at the back than the front with ruffly bits. Not really my cup of tea.

D: Described as a peplum dress but someone more sophisticated than that I feel by the way that the centre point extends. Very jewel-like indeed. I’m not keen on the colours but greens and blues would do it for me. Or blacks and reds! A lot of precision sewing though. Only for the more patient among us!

E: Ah! There’s that long jacket with the belt. See.

F: Can’t make my mind up about this skirt. Its fundamentally a pencil with satin bands that run down the back. Apparently they make the bottom look slimmer. Are big butts out now then?

G: In the right drapey material this tunic dress would be gorgeous. I’d prefer not to look like a galaxy but I do like the contrast of the black bands and a busy print.

H: This colour-blocked peplum blouse is a no from me. Too much like hard work. Too much going on in such a small space. But I bet somewhere out there, there is a quilter who is itching to get going on it!!

Well that just about wraps things up. I hope you enjoyed the sneak peek. I failed in every way to make this a shorter exercise but no regrets. I thoroughly enjoyed spending the time to look closer at each garment. And of course it always makes for a great record to come back to.

Enjoy the rest of your weekend x

October 11, 2014August 6, 2015

Sabrina, checked and tested!

Remember Sabrina Duncan? She was my favourite Charlie’s Angel. She was the leader, the rebellious one. Not the one who spent any amount of time on her flicks. Nor ever to be heard complaining about a broken fingernail and her martial arts skills were unrivalled and unhampered by flares. So cool.

What’s that got to do with the price of fish you may well ask… Well this is my Sabrina dress. This is By Hand London’s latest lady and my new go to dress. Not named in honour of my Sabrina as far as I know but in a roundabout way she led the slightly unorthodox approach to this dress.

When I was asked if I’d like to pattern-test this one it was a no-brainer. Not only was the dress named after one of my childhood heroines, it had princess seams that presented a perfect project to utilise some of that inspiration that I sucked from the JPG exhibition. A clash of the Tartans!

Not anywhere near as edgy as JPG himself but I love it all the same.
A great chance to kick start the Autumn wardrobe too.

Minerva kindly supplied the fabric and I knew exactly where I was heading to search for the cloth in question. I’d been trawling recently and had seen these two tartans together. Blackwatch and Royal Stewart – such a great contrast that had to work.

Incidentally this is a poly viscose blend. Apparent from the prewash that future laundering of this dress would be a breeze; Hardly creases; A joy to iron. In fact if hung up to dry properly you could almost get away with not ironing at all.

I have a few nitpicky personal fitting issues to sort, namely a sway back adjustment and since studying the photos, I think there is some excess in the upper bust. Even though I made a muslin – I was never going to cut right into that fabulous fabric without testing the waters first!– I didn’t pay proper attention to a perfect fit. Plus its quite tricky when you are up late on your own and don’t have eyes in the back of your head. So with that aside, I made this dress straight from the packet. from one size, no adjustments.

It does fray, this fabric, especially when over handled. But given how the seams are pressed sideways, trimmed and overlocked seams were defo the way forward.

You may well ask why I would want to take on the added pressure of pattern-testing. After all, its not like I’ve got any spare time on my hands. Kids and all the outside school activities that get involved in, full time plus overtime self employedness, and contrary to the belief of my kids I don’t employ fairies to cook clean and bottle-wash and of course my night time activities are sewing! It’s not like it’s paid and its not like I’m given any lead time. And so I have even asked myself the same question. But in writing up this post the ‘why” suddenly presented itself to me in a duh sort of way.

I have a list longer than both arms of projects I want to sew. Dresses, jackets, suits and hats. Mostly all of them are inspired by a ready-made pattern that have a ready-made image on the front or in the mag. It’s quite difficult to think outside the box when you are presented with something that fundamentally works already. But when you are given a computer generated line drawing or better still a rough fashion sketch of a dress that isn’t even invented yet, that’s more than enough to shake up all those creative juices and set my brain on fire with ideas, mostly above my station I might add. Leather, feathers, fur, gold lame. It doesn’t matter that most of these aren’t realised. They will be in time. It matters that I’m focussing on the textile rather than the design. That bit has already been done for me in this case by the By Hand London Ladies. So I can concentrate on what fabric will work best which will have greater structure, beautiful drape or sharp enough edges to carry it off properly. It excites me. That is all.

I don’t think I pushed the boat out too far with this dress but its a start on my journey of discovery. When I presented my Photoshopped image to Vicki at Minerva she was really excited to see the end result and said she’d never seen those two fabrics put together before.

I’d like to try some leather in place of the Blackwatch in the future but even a pvc might be as good. I think Ms Duncan is calling for some added tomboy!

The dress itself is such a flattering and simple shape. Nicely fitted to the waist and charmingly flared to just above the knee. Its also a great base for incorporating a collar, changing a neckline adding some bodice detail.

It sews up real quick. Just be careful around the bust shape and watch out for puckers. That happened on my muslin.

It’s unlined. Just has a bodice facing which is all you need really for a medium weight woven. Doesn’t stick to my tights either!

The hem should be kept small to avoid gathering the excess in the flare and I would say that was the trickiest bit.

I kid you not its had more wears than any dress in my wardrobe and it’s the newest!

The above shots were taken in and around South Kensington and at the Victoria and Albert museum. That’s my favourite London hangout too by the way!

We were child- and fancy-free and popped in to see the Horst exhibition. Perfect inspiration for some glamourous dresses and stunningly lit fashion photography. Just Google Horst photographs for an eyeful of awesomness!

Photography Daniel James Photographic
Shoes Lola Ramona
Handbag: FARA Ealing

September 7, 2014

Flora in Mitsi Valeria Red

How often do you revisit a messed up project to rectify the issues? I can hand on heart say I never have! But in the case of this dress it was wholly necessary and entirely worthwhile.

This is my new By Hand Flora dress and my love for her is as strong as for the other one I posted in March. But this one is the original – the one I pattern tested, and the one I screwed up so much I was embarrassed to send photos of to the girls. I must emphasise that I only had myself to blame. Making wholly unnecessary changes when the pattern clearly needed none!

But I had to put things right because I can’t tell you how gorgeous this fabric is. I couldn’t bear for it to go to waste. It is a beautiful lawn from Ray Stitch, called Mitsi Valeria Red. Thankfully I had just enough left to recreate the bodice. I don’t know what took me so long because it comes together so easily.

When the fabric arrived, I had to admit that I had doubts about it being weighty enough to give the skirt section the structure it deserves – The polka dot one is quite a heavy synthetic fabric that juts out in all the right places – but I love how this one elegantly drapes, creating a very different look. Plus it feels so silky and special.

Lucky it wasn’t too windy today. It’s so lightweight that the tiniest gust turns this beauty from demure to downright rude in seconds. I gave an elderly chap near heart failure the last time I went out in it. He didn’t know where to look!

Because of it’s delicate nature it didn’t feel right to create bulky serged seams so I pinked them and boy were those open seams satisfying to press. So crisp and neat and because of the ditsy pattern you cannot see the seam joins at all. A bit like the back section of the blue vintage dress I pieced.

This was also a particularly useful discovery as I had to cut the front skirt in two pieces owing to the narrow width of the fabric. It’s quite usual for special quality fabrics to come in narrower widths but ideally the front skirt of this Flora skirt should be cut in one piece from a 60″ wide fabric to avoid a centre seam.

And it kind of goes without saying that the By Hand Flora dress is indeed one of the most twirliest dresses around! It’s gotta be done!

Photography by Daniel James Photographic

August 5, 2014April 9, 2018

1939 Vintage Simplicity Dress

It’s been a while since I sewed a proper vintage dress and when I spied 5 gorgeous yards of pretty blue and white print fabric in a charity shop for a fiver, it was a sure sign to unwrap one of my favourite patterns. I bought the fabric thinking that if I screwed up, a fiver was worth the risk. But actually I loved the fabric so much I used some other polycotton, from stash mountain, to rehearse a toile for the bodice first.

Very few alterations were needed. I did a slight FBA to add a bit of shape and added an extra inch to the waistline. I think it fair to say that I manage to pack away a few more calories than those svelte 30s women!

The pattern is a vintage original from 1939: Simplicity 3302. And the condition of the pieces was impeccable. Factory folded and clean. Such an honour to be working with such precious pieces that are 75 years old!

The most surprising thing about this dress is that it takes 5 yards of fabric. At 35 inches wide that is. But it really doesn’t look that extravagant. I’m used to 50s style dresses taking up miles of fabric but the skirt section of this one isn’t even a full circle!

I kept to the instructions, like the good GTS I am, and I created a neck facing instead of lining. I also decided against overlocking the seams. It somehow seemed wrong! The fabric behaved beautifully and frayed very little so I opted for a spot of pinking! Feels far more authentic and it pressed beautifully flat.

I’m not totally sure what the fabric content is. But on doing a burn test, I was left with a very silky white dust. So the consensus is that it is 100% natural fibre and top notch quality I reckon! It has quite a good drape going on and doesn’t crease too much either which makes me wonder if it is cotton or not. I made a decision not to line it. Mostly because of the gorgeously warm weather we’ve been experiencing but also because it always seems a bit mad to line a natural fabric with a synthetic lining. And I wasn’t about to splash out on silk!

Having said that. I did use a silk organza for the sleeve stiffeners. You didn’t think those puffs stick out like that, unaided did you?! Quite a clever little trick that involves a circular piece of fabric like tafetta or flannel or organza, folded in half and sewn to the sleeve head before the gathering is done.

vintage_1939_dress_sleeve_head It looks a bit comical until you press the seam onto the sleeve and not onto the bodice which I did at first. Didn’t get a shot of that but the look on Dan’s face was priceless!

There is also an inverted pleat that is topstitched at the hem of the sleeve. So neat.

I’d like to say it all went swimmingly but I made quite a big boo boo when I inadvertently cut the back as two pieces and not on the fold. Very easily done when patterns of that era are unprinted, but, regardless, I needed a quick solution as it would have come up too small once I’d seamed it and also, I didn’t have a large enough leftover piece to cut another back piece. Quite a big issue when you get your hands on a unique piece of fabric from a charity shop. It’s not like you can go back and bag another metre!

So… This is a bit bodgie… I made an inch wide length of bias tape from a 2 inch strip that I’d rescued from the selvedge, using my trusty Simplicity Bias Tape Maker Machine. And with half inch seam allowance I sewed it on each centre seam of the back. That effectively joined the back pieces together where they would have sat had there had been a fold!

Luckily the seams are disguised by the busy print so I think I got away with it!

I know my hair do isn’t strictly 1930s and the shoes are far from authentic but it needed a little bit of vintage styling to pull it off. Especially as youngest dort decided it was ‘lovely but very 80s!!’

I love the sweetheart neckline. So discreet and so pretty. It doesn’t have any added interfacing so I’m surprised it holds so well. I did clip into those curves good and proper though!

I wrestled a bit with the zip. I knew I didn’t want an invisible zip. That seemed a bit wrong too so I opted for a lapped style zip insert. But could I get my head around it… No I bloomin’ couldn’t! I can do it with my eyes closed in the back of a pencil skirt but for some reason I just couldn’t pull it off. So I went for a straightforward zip insertion whereby I basted the seam shut, centred the zip and sewed to seam allowance. I did however prick stitch close to the teeth on the right side.

I reluctantly wore my new dress a to a party on Sunday. I didn’t know any of the guests and was a bit worried I’d stick out like a sore thumb (in my 80s dress…. thanks dort!). But my assumptions were way off. Such wonderful food and great music and the most amazing people. My ‘wallflower status’ was upheld!

candy from Black Dwarf Designs — With Candy from Black Dwarf Designs

Oh and hats off to my wonderful fella, Daniel Selway who took the photos and who now finally has a site to host his pictures. Right here, in fact!