The making of a Serpentine shirt for Mr O

On waving this wonderful Serpentine fabric in front of Mr O, and declaring that I wasn’t sure what I should make with it, my foot suffered an instant shot. “A shirt for me” he said, with no hesitation. Doh! I had no quick comeback! It was a perfect suggestion, of course. 

Fabric Godmother were so kind in forwarding on my goody bag, when I was unable to attend one of their events last year and this fabric was one of the treats inside. I thought on first feel that it was a cotton lawn but it turns out it’s a viscose sateen – a new one on me – and it is gorgeous to the touch and super to sew with. Presses beautifully too. 

I reused vintage Butterick 5007, (western shirt pattern) for the 4th time – definitely less daunting this time round. The only things I still fear about it are the buttonholes because I know for a fact that at least one will mess up and I’ll have to deal with the nasty task of unpicking it. And that is exactly what happened. Is there actually anything more annoying?

It takes time to put this shirt together, mostly due to all the neat details: curved yokes, rounded hemline; pleats and darts on the cuffs; diamond darts for slim fitting and every single piece has 2 parallel rows of topstitching. But weirdly, I really like the process. The main section comes together pretty quickly and its a great one for sewing in stages if time is short. Which it is the story of my actual life!

It also has some serious statement collar action going on which Mr O loves. I personally couldn’t carry them off but I think he rocks these aeroplane wings, styled up with his 70s jacket and hat. 

I didn’t make any attempt to pattern match as you can see. I only had 2m to work with – the exact amount required – and there would have been so much waste if I had even tried. That is my excuse and one I am firmly sticking to!

Even though I enjoyed the process, I properly ran out of steam when it came to sewing on the buttons. So I successfully managed to delegate the sourcing and sewing of, to Dan. And he did a fabulous job – giving way more attention to detail than I’d have given – he sewed with alternate orange and yellow threads throughout to complement the colours in the design and it looks simply awesome.

This is definitely not the last time I will use this pattern. I just noticed that Fabric Godmother has a Navy version of the same fabric on sale on their site, and made the mistake of showing Dan!

But he’s going to have to wait a wee while – I’ve got a lovely little commission I need to crack on with and also I want a new coat!

Photos are by me this time. But I think you probably guessed that already, haha! I think I’ll stick to my day job!

Previous versions I made are here and here

Ooobop original 70s style dress

ooobop original 70s style dress
ooobop original 70s style dress

The thing I love most about sewing is the eternal learning curve. I will always be on a joyful journey of discovery because there is no chance I will ever learn it all in my lifetime but with every little milestone I reach I get a little buzz of excitement which propels me to the next level and this little dress is prime example of my progress.

It might not be the most ground-breaking, couture class garment you’ve ever seen but its mine, all mine – an ooobop original

I dreamt it, I drew it, I drafted it, I sewed it.

sketches of the dress
Love drawing the possibilites in my Fashionary sketchbook

For sure, I’ve sewed and drafted for other people but never as successfully for myself. I’ve been bouncing between lessons on Craftsy’s Blueprint and instructions from various pattern-making books but it transpires the reason it took me longer to fit myself was my own dishonesty. Denial of my actual measurements. Reluctance to accept the differing pattern shapes to the examples given. Even cheating my measurements knowing it would look better if I nipped in certain stats. Desperate. IKR!

wearing ooobop original 70s style dress
Striking a pose in Notting Hill

And it just goes to show that you can’t cheat at maths. On the fourth attempt at a moulage (a close fitting blue print from which one adds ease to create a master sloper ) it bloody worked! I was so happy . Literally danced around the room in nowt but a pair of pants and the moulage for a good half hour. And then it dawned on me all the possibilities.

Classic pose with a classic car
Classic pose with a classic car

But first I had to add ease to create the sloper. Another milestone reached as I’m getting much quicker and more efficient at drafting in Adobe Illustrator. Luckily I use this programme for my job as a graphic designer and can justify the substantial Adobe Creative Suite subscription. But it makes it all the more satisfying that I am getting untold extra benefits from its use. My space is so limited at home and the prospect of getting out and putting away all the giant drafting materials is exhausting in itself, before I’ve even put pencil to paper. Drawing patterns using my laptop and being able to store them digitally thereafter is literally life changing, for me!

Sloper created using Adobe Illustrator
Sloper created using Adobe Illustrator

Once I’d drafted the sloper, the only other piece left to draft was the turtle-neck collar. That was a case of simply measuring the neckline and cutting a bias rectangle piece to that length and 6″ wide. It was sewn like a bias binding around the neckline. I left the back edges open to insert a zipper to the top of the neckline then folded the facing part of the collar to the inside and finished by hand.

Striking a different pose with the classic car. Loving the silhouette
I do love the simple silhouette of this dress

I had originally planned an extravagant bishop-style sleeve but I didn’t think I’d have enough fabric for such indulgence, so I settled on a slightly flared sleeve instead – slashing and spreading my sleeve sloper from wrist to sleeve cap.

And while on the subject of fabric, let me tell you how I came by such a perfectly suited piece. Every now and then I venture out on a little sewing people meet-up. One of my favourites is  organised the London Stitchers Meet Up.  The last one I attended was held at The Blue Boat in Fulham and involved a fabric swap. Such a great idea to downsize that stash and to swap a piece or two that might not have plan attached, for something that triggers an instant course of action. Interestingly enough I had no plans on bringing any fabric back home. I’m trying to use what I have and not buy/acquire anything new but the stars instantaneously aligned when glanced over Giorgia’s shoulder to see it sat wantingly in the corner.  It was a beautifully soft baby needlecord (I think) with a vintage style montage print. I always maintain I’m more about texture than print but there are always exceptions to the rule. Thanks so much to Lauriane Loves Sewing for bringing it to the table. I do hope I’ve done it justice.

ooobop original 70s style dress

So why am I creating so much more work for myself when there are plenty nuff awesome patterns in the world? Each stage of sewing this dress confirmed what I good idea it was. The notches aligned perfectly. The bust darts hit where they were supposed to, the shoulders finished on my shoulder line. And I confess I stood and I stroked and I marvelled at how well they did, for quite some time.  No puckers, nuffink.

Marvelling at the inset of my sleeve caps
Marvelling at the inset of my sleeve caps

Add to that the waist sitting where it is meant to, no pooling in the small of my back and Bob is definitely my lobster! Gotta love it when an invisible zip becomes super evasive too!

Back view of dress with no pooling
Back view of dress with no pooling

Well I think that’s just enough of me blowing my own trumpet and time for me to big up the talents of my super lovely, supportive husband, Daniel. I’m always the first to run out of steam, just knowing there’ll be a hundred good shots even if I am pulling a stupid face in 50 percent of the contact sheet. But he always want’s just one more. And its always for good reason and I thank him from the bottom of my heart.

Lying on some steps in my 70s style dress
In response to ‘Just one More’!

And he’s available for booking. He loves an event. So good at capturing those  off the cuff, journalistic poses. So if you have an upcoming event and in need of a trusty photographer please do check out his portfolio here or contact him at danieljamesphotographic@gmail.com.

Thanks for swinging by. Your readership and comments mean the world to me and add so much to my journey. Wishing you all a gloriously productive weekend. xxx

Previous attempts at self-drafting:

ooobop! review: Burda Style October 2013

Burdastyle magazine October 2013

Before we skip to some of the inside shots of September’s Burda Style Mag, I just want to reiterate the wording of the flash on the cover.

16 Free patterns, 51 different outfits worth £61, for only £4.75!

So whether you like 51 or just 1 of the following styles, you must agree, it’s still such an amazing cover price.

There’s a bit of a War and Peace theme this month but before we launch into that, it opens up with a softly, softly approach. I’m not really a pastel person or a boxy one for that matter and so I wasn’t grabbed by any of these. A close fitting ‘nude’ dress would have me feeling just as self conscious but I like the wrapped over pleats on the front waist of the dress, bottom row middle pic. I also quite like the asymmetrical skirt, top right, but I’d have to see views all round to be convinced. I think it might not look so great from the other side! Now generally, I do like a square neckline as in the tunic, top centre pic but what is going on with it rolling out? Too big/too small, not pressed? That would annoy the pants off me!

The A-line skirt that sits directly below has large hip yoke pockets. I am so going to incorporate those into another skirt.

Nude jersey dress

Light and breezy is the theme of the next section. Lavish cocktails of lace and silk, flowers and bouclé, jersey and sequins.

Of all these, the sequin mini skirt grabbed me the most (bottom row 3rd column). Not that I would make it with said crunchy fabric, more tartan or plaid wool. Quite by coincidence, I was planning on drafting one of my own last week. Looks like I wished hard enough!

The dress is quite nice. I think I’m being sold on the print though. Its a great shape but it is a variation of that tunic in the first section so I’m assuming the same issues with the neckline.

I may have liked more in this section had it not have been for the accompanying style tip on the page of the pink bouclé coat. Apparently ‘The egg shape form is ‘in’…’  Noooo! I don’t want to be an egg shape!

Light and breezy fashions burda october 2013

So to war it is then with the New Military section.

I love the opening furry lined mini cape. No fastenings. Nothing complicated. Just a chic little snuggly accessory. There is another, more practical cape of coated twill, top row, 2nd column. But I’ve never been one for a practical choice!

Now it’s probably the styling. This model and her mane is very striking, it has to be said, but there is something about that camo mini dress, top right. It is fundamentally a long-sleeved T with batwings and a front placket closure, cinched in with a belt, and I like it a lot!

You can keep the metallic voluminous  shirt though!

The dress certainly looks better to me in darker contrasting colours (middle row, far right). I’d wear that and those fancy gloves!

military fashions burda october 2013

And just as the army greens take hold, the Peace section comes bearing flowers and paisley. Never did I think that flares, ponchos and banana skirts would make such a return. But hey, each to their own.

The maxi coat is lovely (top, centre). Ankle-length with fitted upper section and gathered skirt. A standing collar with hook and eye fastening is a neat touch too. But I already have the loveliest coat pattern, as you know!

It’s a bit difficult to see the detailing of the jacket, middle row, far right, but it is essentially a uniform-style Sergeant Pepper jacket. Timeless and always so cool. Apparently its the ‘it’ piece of the season!

70s fashions burda october 2013

Plus fashions are a bit slim on the ground this month.

I’m not sure I approve of asymmetrically cut blouse with laid-in and partially stitched pleats with one white lapel (top row, middle pic). Far from being clever and a little bit unusual, it just looks like a bodge job. Sorry Burda. It looks far better in the ‘dark gemstone shade’ below it. All those odd fancy details are a little more subtle!

However the leather trousers (opening pic) save the day. I had no idea you could get ‘stretch leather’. Perhaps they are referring to ‘pleather’. You know how things get lost in translation. But maybe there is such a thing. mmmmm…. the possibilities!

Plus size burda fashions october 2013

And so to the kids! Shirts, dresses and strides in jersey and denim. Perfect for mucking around in.

I love the little girls jersey dress, made from patches with cute ruffles on the shoulders and ribbing on the neck cuffs and hem. Quite a bit of faffing I should think but the end result is really neat.

The little boys blazer steals the show though. Also made from sweatshirt fabric, it looks so cool but with the elements of stuffy and prep taken away.

kids burda october 2013

There really are only a couple of defo makes for me in this issue: The skirt and the little fluffy cape. But that never ever deters me from looking forward to the next issue of Burda Style.

I can be inspired by a sleeve or a shape or a colour or a photographic location… and inspiration is what so totally floats my boat!