reviews – Page 2

January 11, 2015January 11, 2015

Using Evernote to catalogue patterns & fabric stash

In my head, I’m a very organised and methodical person. In reality I’m not!

Actually, that’s not entirely fair. I do put things in piles labelled ‘to action’, ‘to file’, ‘to put away’ and I have even been known to put things in boxes but there remains an ongoing issue with finding things!

My precious sewing patterns, new and old, are safely ~~filed~~ put away in boxes. I love to get them out and look through them every now and then, just for that warm fuzzy feeling. And sometimes I even put them to work. But with the ever growing tower of pattern boxes it is true to say that I often forget what I’ve got.

But last week I discovered Evernote! I cannot claim to be the authority on this app because, by all accounts, it does so much. However, I can tell you how it has revolutionised the organisation of my sewing pattern collection.

How Evernote works for me

Firstly, it’s on my phone which means when I find myself in a fabric shop, I can instantly find out how much fabric/what notions I need, or if a particular fabric is suitable for the job just by scrolling through my instantly available files.

Evernote screenshot — How my sewing pattern list appears on my phone screen

Equally if I’m in a charity shop and there’s an amazing remnant of fabric shouting out I can see if it matches up to the requirements.

I can instantly check to see if I already own the pattern or not – Despite my tower of patterns equalling my own height, I still get a little buzz from an Ebay bargain!

You can share your ‘notes’ on social networks or via message or Email which will be a handy way of me creating a new pinboard on Pinterest or consulting fellow sewists via Twitter or Facebook.

You can also print straight from your device. Assuming you’d need a wireless system for that though.

You can tag the patterns making for a brilliant search system. I generally tag mine with: size, bust-size, era, garment style, pattern name/number and exact date of publication if I can find it.

You can also stack notebooks. So for instance:
1 ‘note’ effectively consists of front and back of pattern envelope plus any notes I’ve made from previous experience.
‘Notes’ are grouped together to form a ‘notebook’, for instance one ‘notebook’ could be titled Vintage another could be Modern.
‘Notebooks’ can then be stacked under a title of Sewing patterns.
I am currently just putting all ‘notes’ (individual patterns) in one ‘notebook’ called Sewing patterns and tagging them for easy searching. I like being able to scroll down a long list.

You can view each pattern as a thumbnail with it’s title alongside. It’s a little bit diddy, even on a larger than average phone screen but it syncs perfectly online and I find this is an easier way of viewing and editing from the comfort of a desk and the luxury of a larger screen.

And the best thing about Evernote?

It’s absolutely FREE! I haven’t felt the need to upgrade to a premium version yet. The benefits of which include: more space allocation, an offline editing option, multiple author permission, and pdf search facility. But even if and when I feel I’m ready to upgrade, its only about £35 per year!

Evernote is so easy to use

To upload a pattern I simply take a photo of the cover using the inbuilt camera and then take a ‘document’ shot of the back cover text. This text can be enlarged for perfect readability even on a tiny screen. I then give it a title: The pattern company and number reference. And then I tag it so It can be searched for. I currently only have the one notebook titled, Sewing Patterns and I make sure they live in there but if you had other notebooks you’d just have to check it’s in the right place.

Evernote phone screenshot — This is what the pattern cover image looks like within a ‘note’

Evernote screen shot scroll down — This is what the screen looks like when I scroll down for further info

Evernote zoomed in — This is what the back cover info looks like, zoomed-in on my phone

Teething problems with Evernote

I have only come up against a couple of teething problems. No biggies but worth bearing in mind to save you from pulling out your hair!

I did get excited when I saw the ‘Location’ entry box. But longitude and latitude won’t help me to find where the actual pattern is so I guess I will have to add the location to the file name (ie box 1 etc)

For a short while I didn’t understand how Evernote randomly selected an image to use as the cover thumbnail. It doesn’t select them according to first in the list, moreover the largest image.
So just make sure that the cover image is larger than the back cover document image. I do this by taking a close up of the pictorial cover and holding the camera a bit further away when I shoot the back cover. When using the document shooting facility it will naturally crop into the document text area and automatically exclude external background content, which keeps it smaller.

Using Evernote to catalogue fabric mountain

Once I’ve finished cataloguing my sewing patterns, I’m thinking of filing my fabric stash too. By taking a photo of the fabric and adding some notes and searchable tags relating to size, fabric content and potential usage. But one thing at a time, hey?!

Has anybody else tried Evernote? Are there any features I’ve missed? Or do you use another filing system?

For anyone interested in getting this app, you can either download it from the App Store or let me know, and I’ll Email you a link. Another great feature is that if you recommend a friend you earn points to upgrade for free! So once you are signed up for the free app don’t forget to recommend Evernote to your friends too.

Footnote: This is not a sponsored post, despite my enthusiasm. It is an honest review of a product that works very well for me and my purposes.

November 23, 2014November 25, 2014

ooobop! review: Burda Style December 2014

Over the last few months I’ve been having a spot of bother getting a copy of my favourite mag from my local WHSmiths. Well from any Smiths actually. They are getting slack in their orders of big quantities or sometimes any orders at all!

But last month and this month, I decided to order it from an online newsagent and I think this is the way forward for me. It costs an extra £1.60 for post but I get notification of it’s arrival date and it is delivered within 2 days. I love the sound of the thud of the post landing on the mat and I certainly don’t miss the queues to the awful automated cash desks at Smiths!!

So here we are. Although not overly festive. But that’s ok.

The opening section, although very monochrome displays some lovely structure with a touch of shimmer.

A: Described as a long blazer but I think more a classy occasional coat. I love the asymmetry and I’ve seen some gorgeous silk-like viscose fabric that would work amazingly well. Could really do with one of these. I don’t have any party outer-layers! Burda suggests it could be a mini dress too.

B: I didn’t join the ‘peplum gang’ when they first got fashionable. But I might be persuaded by this one. I really line the clean lines of this top. It’s got a midriff that has sold me and I like the slit at the neckline.

C: A classic sparkly sequin jacket. But not for me I’m afraid. Too shapeless. Too scratchy. And I can just imagine all the cat fluff that would get stuck around the sequins!

D: Quite like this dress. Very classic and very flattering. It’s actually an extension of top B. But I would question that choice of fabric. Impossible to pattern match and so the optical illusion draws attention to a pokey out belly even when the model doubtfully has one!

E: Probably not that clear from this little pic but this is a sparkly turtle neck top with blouson sleeves and a lovely wide cuff. Love the silhouette and for me it’s a perfect work to night out top. There’s a tute to help the process. This one’s on the list!

F: There’s that peplum again! I’m not that enamoured with it but I like the idea of mashing some interesting fabrics together: Pinstripe suiting, lace and embroidered something!

G: This is a great skirt. The fabric choice is stunning. Graphic and structured. You can’t really see the detail but involves a hip yoke and a deep pleat at the centre front.

H: This outfit isn’t my thing. I don’t like the silhouette. I don’t do culottes or drawstring waists. Not on the list!

I: This lacy top looks so pretty in the picture. You’d never be sold by the line drawing. It looks really wide and strange but the draping effect is a winner.

The next section gets some red in with some festive flair!

There’s some cute little girls garments here but only up to age 10. LMO is 10 but wearing age 14 clothes so as much as I’d like to make her coat B, I’ll have to sort my grading skills out or just admire them on the page.

A: Lovely simple dress with a structured skirt and a petticoat underneath. None too girly but still with a pretty fitted silhouette.

B: Double breasted child’s coat with cute peter pan collar. Sewn up in top notch wool it is truly a classic forever coat. Well at least the child grows out of it! I think I like the grown up dress too. Love the simplicity, the red, the deep pleat and the neckline. But the sleeves are worrying me. They look kind of too big at the top.

C: A raglan blouse (or peasant top in my book!) and an extended version as a dress. Like both. And they would be very simple to make for presents. Don’t have to be too precise with the sizing either.

D: Scarf blouse and skirt with ties says it all. Too much flounce for me. They are both made in crepe too. Maybe that’s what is putting me off asides from the dipped pink and coral combo all clingy like that. Proper girly Christmas wrapping!

E: But just in case that scarf business appeals, here’s another variation on a dress with longer ties to tie in two places. Genius. But not on the list!

F: I think this is the same little girls dress as A but without sleeves. I don’t mind mums semi fitted brocade number but it does look a tad mumsy at that length to be honest.

G: They lost me at ‘loose cut’! And drawstring!

H: Boxy jackets always look good on children! The simplicity of the style can make way for some statement fabric.

A departure from girly to freestyle. Some very interesting fabric combos. And I like that.

A: Hopefully you can just about make out the giant underbust fringe! It’s a maxi top sewn in a crushed jersey knit with an asymmetrical draped collar. I don’t wear strides but if ever I did I may have to pair up with one of these. Just because!

B: This is indeed a master piece! Military made beautiful. Slightly fitted wool coat with trumpet sleeves, asymmetric collar and buttoning. And that gorgeous design you can see up one side is appliquéd lace no less. I’m still revelling in my coat from February but I can totes see myself in this. Maybe next year!

C: Described as a bell skirt. Nothing much to see here but some lovely overlaid fabric and trim has planted some seeds for sure.

D: Gotta love a cape. Proper sturdy one too. I do want a cape but not this one with its belts and panels and epaulettes. It looks a bit overly involved for me. Don’t dislike it though.

E: There’s that top again. Same as E in the first section but in a totally different fabric. Making it more jumper than blouse for a more casual approach. You wont be able to see from the little pic but the seams are ‘outwardly open’! Why? Imagine how irritating when everyone and their aunt asks if your top is inside out!

F: In interesting patched shirt using patched stretch jersey, stretch faux leather and wool. You could use any kind of combo but I’m finding this all a bit too much. I do very much like the leathery sleeves though. The skirt looks more interesting than the pencil skirt it is but even though it is relatively straight I think that top needs to be worn with a much less interfering bottom half!

G: Pretty sure this is repeated from the festive section but I love how much more retro it appears with a shorter hemline.

H: Tube dress with rolled collar in a stretch knit lace. Great on the right bod. But not on mine!

I: I like this dress. Lovely defined bodice and flouncy skirt in an overlaid lace tulle. Sold on the colour too. Eliminates girly girly and makes it more day time. I can’t decide whether I like the sporty grosgrain straps or not. Actually I do!

J: I’ve been thinking of a poncho. Not like the one my mum made me wear in the 70s but something understated like this one. In truth I’m being lazy so as not to have to get involved in a cape! Its just a rectangle with minimal sewing, yay!

Burda’s designer pattern this month comes with a nod to Jean-Charles de Castelbajac. I love these little insights into the lives of designers. JC professes to be inspired by love andcuriosity. I like that! Just as much as I like this straight cut mini-dress with its massive pocket details and topstitched standing collar. burda december 2014 JC de castelbajac dress

I’ve made pj bottoms for 3 other members of my family but never for myself. It’s just occurred to me that I’ve got the most raggedy selection of nightwear and that things must change. Here’s some pretty things and one seriously crazy pair of pj bottoms!

A: Cutesy bustier and French knicker set. Piping, ruffles the lot!

B: Isn’t the idea of a boyfriend shirt that you just nick one off your boyfriend? I’m not sure I can afford to invest that much time into making a proper nightshirt. Piped collar, inverted back pleat, button placket, breast pocket with embroidered monogram and inseam pockets too!

C: Lovely little ballerina slippers. Could be a lovely little Christmas present perhaps.

D&E: A traditional set of pjs. What’s not to like? Love the cool crisp blue.

F: This is a knitted coat and I want it! I don’t want to knit it though. I’d be bored of it before I finished it, I’m that slow. But I’m sure someone out there would love to whip this up.

G: And theres those crazy palazzo trouser pjs! Can’t do those. I’d get myself in a pickle for sure.

H: Camisole and French knickers. Now you’re talking. Maybe this is my Christmas present to me!

I: This nightdress is pretty too. Ruffles top and bottom are a bit cake-like for me but I like the elasticated empire line.

As is traditional, it’s the plus fashions that bring the party to the fore.

A: Long jacket and pencil skirt. A classy pairing. The jacket comes with an optional belt but I’d leave that out unless you want the dressing gown look!

B: Low cut V-neck tunic top. I love the contrasting black band around the neckline. Very feminine and perfect with pencils and skinnies.

C: Bit odd this ‘volant’ tunic. Burda’s word not mine! Longer at the back than the front with ruffly bits. Not really my cup of tea.

D: Described as a peplum dress but someone more sophisticated than that I feel by the way that the centre point extends. Very jewel-like indeed. I’m not keen on the colours but greens and blues would do it for me. Or blacks and reds! A lot of precision sewing though. Only for the more patient among us!

E: Ah! There’s that long jacket with the belt. See.

F: Can’t make my mind up about this skirt. Its fundamentally a pencil with satin bands that run down the back. Apparently they make the bottom look slimmer. Are big butts out now then?

G: In the right drapey material this tunic dress would be gorgeous. I’d prefer not to look like a galaxy but I do like the contrast of the black bands and a busy print.

H: This colour-blocked peplum blouse is a no from me. Too much like hard work. Too much going on in such a small space. But I bet somewhere out there, there is a quilter who is itching to get going on it!!

Well that just about wraps things up. I hope you enjoyed the sneak peek. I failed in every way to make this a shorter exercise but no regrets. I thoroughly enjoyed spending the time to look closer at each garment. And of course it always makes for a great record to come back to.

Enjoy the rest of your weekend x

November 8, 2014June 13, 2015

UK v Germany: A Burda-off! PLUS a tiny feature

I’ve been an avid collector of Burda Style Magazines for three years or more. It’s my monthly inspirational treat and over the years the collection has become my now go-to library for instant pattern pieces and reference. I just love a sit down with a cuppa and a mag and a pile of Burdas at my feet. A perfect way to unwind, recharge and replace my head-soup with a wishlist of sewing plans.

Before ooobop ever was an idea, I used to drool over the projects on Burdastyle.com, wishing I hadn’t given up sewing; jealous of all the lovely contributors and the time they’d dedicated to create such amazing garments. (At the same time, wondering how the heck they found time to maintain such a hobby around work and ‘smalls’.) Then one day I could stand it no longer. I bit the bullet, signed up and submitted my first project in July 2010. I was so proud of that little jump dress. Even moreso that I made the pattern myself. It still hangs in my daughter’s wardrobe. I’d like to believe she is proud of it too and that it’s not just a case of pre-empting a breakdown if mummy sees it in the bin!

The realisation that I could make clothes that created joy for me and my daughter at an outlay of 75p was encouragement enough to carry on. I have to be honest and declare that the outlay has increased somewhat over the years but then so has my confidence and ability. And it is really so wonderful taking some time out today to look back at where I started and how things have moved on. And how I did find time.

There have been a few proud moments along the way where individual projects have been featured on the site but recently I got an Email from an editor of the German printed Burdastyle magazine who asked if she could feature this skirt and my shorts in the November issue. I have to be honest, I thought it was a spam Email at first so I didn’t reply straight away. But then I checked out the links and a little chuffed warm-glow filled my boots! Of course, I would be most incredibly delighted and honoured! Transpires they couldn’t feature the skirt because I’d self-drafted it but I submitted a photo of the shorts and here it is on the printed page!

When the magazine arrived in the post I was more distracted by the quality of the magazine and quite forgot that I was in it! The German version is so much more glamorous. It is ‘perfect-bound’ as opposed to ‘saddle-stitched’. Those are the proper publishing terms but in lay-person terms that means that the German one feels more posh as it has feels more substantial and has a spine like all the high end glossy fashion mags. More substantial because there are more pages and because the pattern section is separately bound inside with it’s own cover. Saddle-stitched meaning stapled!

This pattern section is perforated so that presumably, you can remove and keep it separately. There are images on the inside front and back cover of that section so you would have reference of the finished garments but personally I like the full page fashion shots to fire me up and therefore I would have a need to keep the two together.

Overall, the content is the same. The fashion shots identical. Though I bet the instructions are clearer in the Mütter tongue! Some of those translated terms in the UK edition have me head-scratching and reading ten times over before I’ve got whats going on. But there are additional features on accessories and a few full page glossy ads which ironically enough give it more of an upmarket feel. That’s not a hint by the way, Burda! You’ll not sell me anything via an ad in a mag!

I’m pre-empting some comments regarding my absence from Burda reviews of late, so I’ll apologise up front. I’m considering a return but need to find a quicker way. It takes so much time. That time I’ve since allocated to actual sewing but I have selfishly realised how much I rely on my own reviews when it comes to planning my next makes – far quicker and easier to track back a blog post on the hop than to wait for an opportune ‘sit-down with a mag moment’! So don’t hold your breath. I’m planning a return.

However, I shall leave you with some of November’s shots in case you didn’t get hold of a copy. See. I just can’t resist!!

Happy Bonfire Night, peeps. I’m off to watch the fire in the sky… in the rain! Keep safe.

Love ooobop x

August 25, 2014April 22, 2019

Sewing Bloggers and Gaultier – The Perfect Rescue Remedy!

Anyone else bumbling through the school holidays? I’m quite exhausted to be honest. Don’t get me wrong. It’s lovely to see more of the children but trying to work full time and juggle child-share has had me a bit frayed around the edges this year. No holiday plans has meant no proper stretch of time off and though I’m quite used to that, I’m really not used to being so knacked that I don’t have head space to sew or even think about what I want to sew. Robbed of inspiration, I was. Until this weekend that is!

I’d almost clean forgotten that Roisin had planted a seed to go to the Jean Paul Gaultier exhibition at the Barbican on Saturday. So following a Tweeted nudge, I booked that there ticket along with a voucher for a cocktail. Well, it would have been rude not to!

The day began with an assembly and fashion parade of beautiful sewists at Goldhawk Road, of course. Emmie, Roisin, Amy, Marie, Katie, Jen and a lovely chance, fancy-seeing-you-here type meeting with Alana too! I usually arrive with a handbag and a relative amount of restraint when it comes to shopping in the Goldhawk Road. I live so near and my stash is so ridiculous that I can only justify purchases for immediate plans. And I actually have some of those, now, funnily enough.

Last week, Anne from Mercury Handmade so very sweetly sent me the August issue of Burda Style magazine which I tried so hard to get hold of and failed miserably. WHSmiths could offer no reason why they just weren’t delivered and then just when I’d given up Anne Tweeted that she had a spare and would I like one? What an absolute Angel! of course I would! And If that wasn’t enough she’d enclosed two gorgeous vintage patterns for me as a surprise. She is such a kind and generous lady and spookily knows exactly what I love.

So I bought some fabric. I’m thinking the red leopard print and or the lighthouses for the wrap blouse. I’ll need something more drapey for the tie blouse. Oh, and I bought some shoe fabric, just because!!

The next three hours sped by and then we were en route to the Barbican for some divine inspiration!

We were greeted at the entrance by some iconic breton stripes and some freaky blinking mannequins! The live expressions were projected onto the faces of the otherwise static dummies. Quite distracting at first as we were more focussed on the faces than the garments. You get the idea from the pic below:

But not for long. The outrageousness of the designs increased and the freaky faces paled into insignificance!

I shamefully realised how little I knew about this incredible man.

He was self-taught and got his foot in the fashion door by sending some of his sketches to Pierre Cardin. (Best I invest in a new Fashionary book!!) This exhibition starred 165 of his amazing garments spanning 40 years of his work

His very own first collection was released in 1976 and soon earned him the title ‘enfant terrible’ of French fashion. Street fashion was dominant throughout but the couture pieces were nonetheless exquisite and edgy at the same time.

I still have no idea why the man-skirt never took off. Teamed with some serious boots and those iconic stripes of course. Such a great look and one I’d be happy to wear today too!

Of course there was a fine selection of construction corsetry and some incredible leather cage designs that I would so love to replicate if I even knew where to start!

I just love the shape of this coat and I marvelled at the gazillion green feathers that incidentally look as though they were hot-glued to the lining. Kind of puts the couture classification into question, don’t ya think? Or is that allowed?

And check out this ‘pinstripe’ dress, which on closer inspection transpires to have thousands of mother of pearl buttons sandwiched in between pleats and encrusting the cuffs!

I love a bit of contradiction. A spot of rule breaking. Rebellion even! A bit Like here where recycled camo is patchworked to a ball gown, complete with fishtail and adorned with dripping glass beads. Perfect.

And a clash of the tartans. Proper rule breaking. Love it!

But my favourite piece which has stuck in my head and clearly wont leave until I blatantly copy it, is the yellow tartan jacket with its wonderful sculpted lampshade silhouette. I was so desperate to touch but just knew I’d set of an alarm so I gently encouraged Roisin to stick her head up and see what was going on. She kindly obliged but alas the lining hid all!

We loved the pan-scourer/tin-can jewellery. And a further use for all your perfume packaging! There was even a shiny tea-strainer on the belt!

Of course there was the famous cone corset for Madonna’s Blond Ambition Tour of 1990 and also the amazing nude sequinned suit modelled so beautifully by Naomi Campbell but I still haven’t learned to turn off my data roaming and so my stupid i-phone ran out of juice at the crucial exhibits!!

The exhibition reflected his genius talent and humour at the same time without dropping an ounce of style. Though humour was evident by his starring role in 90’s Eurotrash. I loved that!

Two floors and 165 garments examined and discussed, we made way to the Gin Joint. Yes that’s right. A bar purely dedicated to gin. In the same building, with a great view and a menu of gins longer than both my arms! We had time to kill, you see. At least half an hour before the Gaultier Bar opened and where our cocktail voucher was valid. But there were no complaints. Just lots of ooos and arrs and a table full of pretty coloured gins! So enamoured by this place, that we came straight back for more after our cocktail, for truffle mac cheese… and another gin, bien sûr!

And it can’t go unmentioned that I now have taken ownership of the best loyalty card evs!!

Alas the last day for John Paul Gaultier at the London Barbican is today, 25th August so if you are London-based and not shaking your tail feathers at Notting Hill Carnival, I advise it as the best place to keep out of the rain today . I’m just so grateful for Roisin for giving us the heads up in time and organising such a wonderful day which has totally inspired me to get back on that sewing horse and do what I love most. Thank you lovely lady. Thank you Anne and thanks to all you gorgeous sewing bloggers who make me tick!!

June 11, 2014December 23, 2019

The Pink Suit by Nicole Mary Kelby

Every single day, without fail, I’m reminded how wonderful it is to be a part of such a wonderful sewing community. So much more than just sewing. Who knew? Only those of us that are part of it will truly understand. And then, and only then, is when one knows exactly what I’m on about!

Opportunities. Chance meetings. True friendship. Support. Experience. Education. Skills. Not to mention a fabulous wardrobe. And so much more. Tantamount to proper therapy!

And did I mention free gifts? No? Probably because I’d sound like I was only in it for the win! Which I’m not, of course, but one never looks a gifthorse in the mouth, right?!

Now back in April, a certain Little Brown horse contacted me to see if I would like an uncorrected bound proof copy of The Pink Suit by Nicole Mary Kelby. Talk about targetting an audience! Er…. like, yes please!!

For those that don’t know, I have freelanced as a designer in the publishing world for more fingers than I can count on which might give the impression that I am well-read. Haha… I wish! I proof read and I skip read and get to read the beginnings of manuscripts but I can not honestly tell you the last time I sat and read a whole real book, all by myself, just for pleasure.

I can’t read as I walk to work. Fear of treading on pigeons or in other unsavoury stuff. My tube journey barely allows enough time to bagsy a seat and get the book out of my bag. After-work hours are filled with schoolwork, catering, chores and some shoe-horned sewing time, obvs. And if I ever attempt to read before bedtime I’ll be asleep before the first para!

But. Given a book with a title like ‘The Pink Suit’. I would make allowances. I would sit in the park in my lunch-half-hour. I would risk taking out a couple of pigeons en route to and from work and I would whip it out at any opportune tube delay or in any waiting room.

I had given up the ghost for a sewing-related book. I’d even considered writing one myself because I couldn’t find any. It could be argued that I didn’t try very hard but that aside and in any case, I am so glad this was my first. And I loved it. Properly loved it. The characters; the setting; the facts and the fiction. For this story is based on the reality surrounding the Pink Suit that was created for the First Lady, Jackie Kennedy by – shock, horror, gasp – an Irish immigrant working from the back room of an American couture house… and not Chanel! That self-same suit that got spattered with the blood of her husband on that fateful day.

You can feel the bouclé, smell it even. You’ll find your self checking your tights for bits of pink fluff and if you’re anything like me, you’ll completely get how obsession and passion runs through every page. And you’ll come to realise that your own passions are far stronger than you think they are.

I’d so love to tell you more but I know how precious and rare this book is for us sewists and I don’t want to ruin your experience.

But what I can tell you is that it wasn’t just a good story. It was a great one in fact. But more than that it was a shed load of inspiration. I drew strength from the main character and worked late into the night on my own projects spurred on by Kate’s enthusiasm. I relished each of the next stitches I made, I refolded and neatened my fabric pile and I planned for future dresses and blouses… and suits!

The only downside to a good book is that it comes to an end. I so didn’t want it to end. I got so sucked in that I felt quite sad as I approached the last pages. First time I’ve ever read a set of acknowledgements too. I was that desperate to hang on to every last word!

I do hope you get as much from this book as I did. And if you do happen to hear of any similar reads, I’d be so grateful to hear from you.

Incidentally, the roses in the photo are care of my lovely milliner friend, Jayne. I popped in to her gallery to ask how she was feeling (she’s been ill for weeks) and yet SHE was the one to give ME the flowers. That’s how lovely she is.

March 20, 2014June 13, 2015

Flora – my new bestie!

I can’t tell you how delighted I was to be asked by the By Hand London girls, to pattern-test for them, back in January. All honoured and everything I was!

The package arrived with goodies galore and a link to my fabric of choice from Ray Stitch. How could I resist this gorgeous Liberty Tana Lawn?!

But hang on a minute. The dress in the pictures doesn’t look at all like this fabric!

Well, you see, I kinda messed up a bit. I was clever enough to make a muslin before I cut into this buttery lawn, but I stupidly pre-empted adjustments that so didn’t need to be made. Three more muslins later with differing versions of the same adjustment, I was fast running out of time. What was I thinking? I rushed through the final version before I’d properly corrected MY mistakes. And I emphasise MY mistakes because By Hand London’s Flora pattern is spot on and when I came to make the one you see in the pictures, I made no adjustments whatsoever save a bit of an increase to the waist. Doh! Me and my meddling!!

Thankfully I still have just enough of the lawn to replace the front bodice and I certainly will do that and post it as soon as I can. I just love this dress soooo much!

So what is this fabric that isn’t Tana Lawn, then? Well my friends, I should have called this dress the Four Quid Flora because that’s exactly what it is! £1.99/m special dress fabric from Dave the Drapers in Shepherds Bush Market! I had a spare zip and some leftover lining so literally this dress cost me just £4. I can’t vouch for any natural threads going on but do you know what? I really don’t care. It has a sheeeeen! So shiny. It shimmers in the sunshine! And it has body. Enough to hold that beautiful structured shape yet just enough drape to create soft pleats and barely any creases.

The dropped hem is clearly the most striking feature about the skirt section. And so I had to take care to finish it all good and proper. It’s not often your insides are on display to the general public! And hey, another Brucey bonus about this fabric is that the polka dots reproduce beautifully in reverse on the wrong side. Or perhaps it was the right side. Who knows? Dave certainly didn’t!

I must just give a quick shout out to Turners flower shop on Hammersmith Broadway, for kindly letting us shoot outside their pretty shop.

And also add that Mr O was risking life and limb to take these photos. I might have been on the pavement but he was practically lying in the middle of the road. Not ordinarily quiet round this neck of the woods! His dedication knows no bounds!

I wholly recommend the Flora dress to anyone. Beginner or advanced. Such little input for such incredible output! And so quick to make… so long as you don’t pre-empt unnecessary adjustments like I did! And boy is it flattering. A lovely vintage style neckline and a full structured skirt. Who could ask for anything more? The first place we stopped at, two ladies commented on how they loved my dress. Ego trip or what?!

It has been such gorgeous weather in old London Town this week. I’m so loving the brighter mornings and I even got to come home from work in daylight this evening. I feel more energised and ever more ready to get on with some more sewing. I feel a few more Floras coming on for sure.

These last couple of pics were taken on Hammersmith Bridge. My favourite bridge of all the bridges in London. And just so perfect to stroll across at sunset.

Now who remembers the Flora ads? I certainly do! Definitely worth a giggle!

[youtube https://www.youtube.com/watch?v=JmS3t5R3O6M]
[youtube https://www.youtube.com/watch?v=_piSsGckJw8]

February 26, 2014

My ooobop labels have arrived!

I grumble a lot about my job as a freelance graphic designer. Mostly because it interferes with my sewing time. But I must learn to be more grateful. The perks, for me, still outweigh an employed status. Freelanceness alone means I can juggle jobs and children and blogging and sewing, all at the same time. In fact, my circus skills know no bounds. My great aunt ran away with the circus so it’s in the blood, you know. For real!

And once in a while skill sets cross over too . . .

Look what was waiting for me when I arrived home from the office last night.

A pillowy parcel oozing 500 folded self-designed, ooobop labels! Thank you Woven Labels UK! I couldn’t be more delighted if I tried!

It would be smug of me to say I designed and submitted the artwork in a blink of an eye. Which ordinarily I’ve been known to do. But I think I would be sussed by the likes of Symon Sez who knows just how hard it is to fulfil one’s own brief!

And I must add that I am also doing things back to front. I have a little blog rebrand in progress (or rather in mind) but I just couldn’t wait to see what these looked like in the mean time!

And what a pleasure to sew the first one into an almost finished skirt for my lovely and deserved friend. I can’t wait to present it to her at the end of this week. So proud 🙂

I must also add that this is not a sponsored post. I could not big up Woven Labels any more if they paid me. Tom’s patience and understanding was untold as he had to deal with a fusspot designer. The worst kind of client for him, I’m sure. I have ordered children’s school name labels from him before but they also do craft labels and custom made designer labels. If you are looking for a real personal service and excellent quality at a great price then this is most definitely the place to go!

December 31, 2013

ooobop! review: Burda Style January 2014

I had secretly planned to make the December 2013 issue of Burda, my last review. It takes an age to put together. And if I’m ever to make a new years resolution, it must be to claim back more time for more sewing. But it proved to be a rubbish plan. And it appears that I am indeed a love-struck addict of all that is Burda Style magazine!

So here I duly kick off with some snuggly 2014 fashions of the faux furry kind…

As much as I want to, I can’t possibly dive into one of these projects. My pattern is traced, my fabric ordered and delivered and my instructions await for a vintage 50s masterpiece. I just need some time… and space! Boy will the pinned pattern pieces take up a whole of the living room floor!

Have well and proper earmarked that little furry cropped jacket, though (above, bottom, left) . I can totally see myself in it! (innit!)

Happy New Year is the next section. Reporting a bit late for a New Years Eve number but really some goodies here for any party any time… or just any time really!

Loving the batwing waterfall top (1st row, 2nd col) which comes with an ‘easy to sew’ verification. I’ve just got a few tension issues to sort on my newly inherited overlocker and I am well on my way to knocking a few of these beauties out, I tell ya!

The o-so-cute bustier (bottom row, col 1) is a fabulous party separate. In a quality shiny black, it would rescue any old skirt or trouser in a jiffy. But it would be exceedingly traitorous of me to detract from the Georgia dress before I’d even started!

Another ‘easy’ option is the cerise one-shoulder dress (row 2, col 2). Big attention seeking effect incorporating scant sewing time equals massive win!

Now I’m forever trying to stray from all that is monochrome. It doesn’t make for a very colourful blog, for one. But how can I ever move on when such striking temptation is blatently bowled in my general direction?

I love the neat mod look, I love the fat stripes of that jacket in the first pic and I love how the skinny stripes behave in the long sleeved jersey shirt. Some interesting points of gathering to achieve all that psychedelia! Thinking this may well be a job for my overlocker too!

Now even if I hated each and every one of this issues patterns (which I don’t, obvs), I would pay double the cover price. Double I tell ya! Just to get this Master piece pattern of ultimate gorgeousness….

Such a flatering shape. I love the neck. I love the colour. I love the contrasting leather. I will make this dress. At some point!

Now I’m not really one for fancy dress. But Burda certainly does us proud each and every time there’s an excuse for dress-up. No exception with this months selection of saloon characters, superheroes and exotic animals from the jungle, the sea and even the circus! Take your pick. Creative costuming for the whole fam!

And if mermaids and snakes don’t do it for you then feast your eyes on all that is classy and plus size.

Burda love a bit of Asiatic influence and I’m personally loving the black and the red (obvs) but I’ll leave the rest of the commentary to you, my lovelies.

Here’s hoping that 2014 buys us all some more precious time to sew some more wonderful creations. Love and luck and the very best of health to you all. Now go party your lil sock off!! xxx

November 30, 2013

ooobop! review: Burda Style December 2013

Good grief! How did it get to be nearly Christmas? How do I get to be so not ready every single year?

Well thank you Burda Style magazine for the memory jog but I’m not sure I have enough disposable hours for many more makes before the big day.

I am sorely tempted by your cover dress though. More on that further down.

Merry Christmas is the opening section. Of course!

On first sight all looked a little uninspiring to be honest but on closer inspection there are some nice surprises. The long-sleeve top (top left) is made of lamé jersey. A very simple make, made all the classier with some glitz. The polka dot dress next door is a chiffon overlay dress, gathered at the waist, over a slinky satin bustier dress with spaghetti straps. I rather like the surprise of that one. And the pink crepe dress (bottom row next to the terrible peplum skirt) makes a beautiful shape (or would do if the hem was trimmed even!) It has a wonderful pointed yoke at the waist and a deep inverted pleat in the skirt. Lovely sleeves and a cute row of black buttons on the right shoulder. I approve!

Now back to that terrible peplum skirt. I don’t know what to say about it really. I just don’t think it works. No integration. No added flare. Just makes the body look cut in half! Just sayin’!

The next section is called Cruise Collection. For those already looking forward to summer! If anything, the garments here are more Christmassy than in the Christmassy section!

This is my favourite bunch this month. Buttery washed silk, organza, satin and chiffon. Yes to private stash of all those fabrics and colours please! The cover dress looks even better here (bottom row, 2nd column) It’s a short sleeve version of the polka dot dress in the first section. I’m guessing you could make one underdress and have different overdresses for different occasions! (says me with ardent fear of sewing with chiffon!)

Free Spirit is the next section. Lots of paisley and fine fabric:

This amount of opulence isn’t normally my bag but I keep coming back to the gold metallic jersey evening dress. Not sure where I’d wear it. Might have to invent a night out! Either that or strike a pose down at the Southbank with a hat at my feet!

The check bouclé trench coat (bottom right) looks right cosy though. A little bit of Vivienne Westwoodesque styling never goes amis!

Passion for Detail is the next chapter. And I so wish I didn’t have a headache.

All a bit much for me, sorry! Except for the wrap skirt with exposed zip (top row, 3rd col). I like that! In fact I might like more of this section if the crazy wallpaper didn’t do my head in so much!

Just take a looksy at this cute crocheted bag. Isn’t it sweet? It’s ages since I crocheted and I don’t even think I did it right the first time, but this is thick yarn and big hook with only 16 rows to contend with. I can feel a little Christmas holiday train journey project coming on.

And hooray! A man project! Well, just a little token one :-/

Loving the couture-style silhouett of the designer style outfit, below.

And finally we reach the plus fashions. Businessy and feminine this month. The flounce dress in a wine coloured duchesse is my favourite here. After saying that opulence wasn’t really my thing! I’m not sure I would personally be so bold but I do think it is very striking.

In other news. I have bitten the bullet and ordered my coat fabric. I think I will be giving Joseph a run for his money. It truly is a fabric of many colours! I will keep you posted as and when it arrives. I’m a little bit excited and a little bit nervous. But most of all very freezing and so totally in need of a coat!

Keep warm folks and see you real soon! x

October 27, 2013

ooobop! review: Burda Style November 2013

Good morning Burda lovers! The sky is blue, the sun is streaming through my window and it’s hard to imagine that we will all be battening down the hatches in preparation for a freak storm tonight. Quite frankly the idea of being house bound for a few days suits me just fine. Mustn’t forget to pop out for emergency supply of spools! 😉

I’m going to start with the cover image because that’s where I gave my first ‘ooo’! Ice-blue wool fleece. It’s just one of the fabric options I’ve been mulling over for my coat, when I eventually get to it. I didn’t really clock the style – it looks fine on the cover – but I think the unfortunate stance of the model in the top left image below, kind of ruins the class and brings on the tent!

This first section is all about Grey. (Even though that coat has an ice blue hue about it on the cover!) I wish I could wear grey with conviction. It does look dramatic, moreso than black, because you can actually see the detail in the cut and style. But it just accentuates my deathly palor. I don’t mind being ‘pale and interesting’ but when people ask if you are feeling ok more than once in a day, you know there’s an issue!

I’m intrigued by the strides (middle row, first col). I love that wrapped-look from the front view. I almost want there to be tails behind. But that amazing mirror prop only serves to highlight how ‘unusual’ they are from the side. Steals every ounce of flattery I’m afraid.

The blazer (centre pic) is a great wardrobe standard. It’s made in a twill weave wool here. Nice and heavy and great paired with skinnies.

And I really like the biker-style jacket in ponte jersey with leather sleeves and trim. (row 2, col 3).

There’s a strong likelihood of an overlocker joining the family soon and so the world of knits is becoming more of interest to me. I have a side-cutter attachment on my machine which doesn’t render the process impossible but it’s just really slow compared to the formula one skills of an overlocker! And I’m just imagining how delightfully speedy that two-piece jersey set would be to run up. It’s an ‘Easy’ one too! In case you think, as I did that its a long sleeve top with under arm air holes, I can confirm that its a sleeveless cowl-neck tank with a separate long-sleeved bias-cut shrug. (col 3, row 1)

It is heading for that time of year when we need to add a little sparkle to the dark winter nights and days. And party season will be upon us before you know it. So although I’m not favouring much in this next ‘Metallic Mood’ section, it’s inspiring enough to make me go on a treasure hunt for some shiny fabric.

The little cropped jacket (2nd row, 3rd col) is not dissimilar to the Vogue jacket I made recently. Excepting the flared sleeves. And I think if I could get past that fabric it would be a cute cape-like addition in wool or silk.

The skirt, (3rd row, 3rd col) has the same laid in pleats as the strides in the first section, but I can’t see a side view here to see what happens. The gold lamé is a good distraction and defo a new fabric consideration though!

I need no encouragement to make black clothes. It was my ‘colour’ of choice before sewing and I only sew coloured things because I think I ought to veer away from black. Because black is boring, no? Actually I don’t think it is boring and there’s a part of me that wants to revert to black every winter. The other inner me just fights it off all the time!

And so here temptation is laid before me once again in the shape of the inevitable LBD’s.

I love the idea of a massive silk flower added to an otherwise simple and classy dress. (row 1, col 1) and I really want to incorporate some cotton lace into garments. If I can find some, that is! Looks great on the bodice section of that dress (row 1, col 1). No sweaty pits either!

The line drawing of the fitted dress (row 3, col 1) didn’t sell well to me at all. I didn’t see the point in sewing quite so many sections together unless one is doing some serious colour blocking. But if the effect is a sophisticated dress which moulds to the figure, such as this one. I’m sold!

I quite like the coat dress with it’s low cut V-neck and front snap fastener band too (3rd row, 3rd col). Well, that is of course if somebody would sew on those little darling snap fasteners for me. Serious pet-hate!

I’m not quite sure what’s going on with the crêpe de chine dress (3rd row, 2nd col). It is fundamentally the same as the coat dress but with gathering at the vertical seams and leg of mutton sleeves. A bit too much pouffiness going on for me. Apparently this dress is reminiscent of the ‘wirtschaftswunder’ era. Learn something new every day!

Alessia Giacobino is the highlighted designer in this issue. I find these mini Burda features inspiring as I never studied fashion so never had any prompting to delve into the lives of designers. Guilt always overcomes me when I confess (or not) to not having heard of a certain designer. And I love it when I come across one that I truly love. I googled some more on Alessia and I really like her classy, flattering and surprising designs. I’ll leave you to do your own recce. I’m sure you won’t be disappointed.

Burda has supplied patterns for this designer-style outfit below. Imagine how luxurious that washed silk blouse would feel. I think the flounce would annoy me in the front. Would much prefer it at the side. But I do appreciate the detail, nonetheless.

It always surprises me, how drawn to campus style I am. I am neither the age or of the leaning towards these fashions so I can only assume that Burda sells them well or that students have properly upped their game recently!

Let’s start with the dress (row 1, col 1). Not dissimilar to some of the summer dresses I have made this year, but with the addition of a midriff (how I love a midriff), a low V-neck, long sleeves and made with a delicious mousseline (a very fine, semi-opaque fabric similar to muslin, apparently). So actually quite different, really! But I do love it!

I also love the cowl neck knit dress (row 2, col 3). Mostly because anything in tartan/plaid makes me go ‘ooo’ right now. And because I am dreaming of being behind the spools of an overlocker soon!

I don’t wear strides. Mostly because I have never found any to fit properly. But if I get the inclination one day, I will definitely be fashioning some like the ones in row 2, col 2.

The wind is starting to pick up now. We’ve got ghostly ‘wooooos’ whispering round the windows. So that’s why I guess I’m being drawn away from ‘classy’ and towards the ‘practical’ of the odd hooded-scarf (row 1 col 2). It’s not knitted but sewn from a knitted fabric and it has pockets too! Might need an overlocker for that one too!

Sophistication is definitely the theme for the plus fashions this month. Loving the star-shaped darts in the wool jersey dress (row 1, col 2). The neckline is lovely too and the shoulder line is really sharp. The dress in row 2, col 3 is pretty much the same but with a different neckline, creating a less formal but nonetheless still stylish look.

The tie-waist dress (row1, col 3) is very flattering too. Or is it that I’m just sold on the idea of animal print angora jersey?!

The kids section is great as always. A great selection of fun, versatile staples for little girls. But what about the boys? Not that I have a little boy but it does seem a little unjust to leave them out.

I’m also a little bit miffed as Little Miss O sits outside these sizes. I tried to make a pair of shorts from a very small ladies size recently but of course the proportions were all wrong and though they fit round the waist, they were massively massive elsewhere. So perhaps I need to attempt to scale up the shorts pattern (row 3, col 1) to see what happens. The dress is super cute too but I am sad to say that most 9 year olds seem to have ditched the dresses for now.

Well the sun has gone in. The ‘ooos’ are getting a little more howly so I better get finding some patterns… I mean battens!

Keep safe and warm everyone xxx